A tribute to my big brother and story about his loss

Lemon Pepper (Freestyle To SOLLY)

Toxic

From Afar

From Afar (Carré Sinistre Remix) [feat. Ryan Whyte Maloney]

get through by Stretch Remo

produced by Spaceplug

engineered by Lazy E & Vernon Hill

get through

Can’t keep waiting on stuff to move if u don’t get up and move it "Now or Never”

Now or Never

Worthy

In a bad dream

Amuse

In A Bad Dream Prod. K.E on the track.

Heart on me | prod by. ysb.clever

This has been the most complicated track that I've composed so far. For a while, I didn't think that it was going to work out. I had a drum sequence that I really liked that took about 6 hours to create and edit. Delay was used throughout the sequence. Then I recorded the opening bassline (starting at around :32). A very minimal level of distortion was applied to the bass synth so as to not be totally clean. I was experimenting with this method, because on smaller speakers sometimes a clean bass sound is not able to be heard and I wanted all of the frequencies to be audible on any method of playback. After the opening bassline the song really became a struggle (or a challenge) to piece together. I totally deleted several synth tracks that didn't seem to fit and started over with just the drums and the bassline a couple of times. Next came the synth pad at the beginning. I mixed some pink noise with the notes, a fast tremolo and a slow auto-pan synched at 120BPM and used the cutoff filter to create a fleeting sensation of sound coming and going in and out. Shifting of high and low frequencies. A slow rate of auto-pan synched with the BPM was used extensively throughout on the drums and instrument tracks. I used a combination of fuzz and distortion as well as compression to create a harmonic effect on the arpeggiated synth leads and also phase and flange kick in on the drums at around 1:20. Compression at various settings and panning was used on several tracks to try and create a feeling of depth and width. Like the sounds are coming from either front/back, left/right, far/near, above/below. Finally, a lot of time was spent adjusting the relative volume levels/EQ of the instrument tracks so as be able to hear them all clearly and have basically a level overall volume with only the distorted/fuzz section having a slight rise in volume. I lost count of how many tracks are included in the song, because quite a few were merged together to save space. Over 20. The atmosphere of the closing segment inspired me to chose the title.
Thank you for listening.

EDIT : This is the remastered version. I've slightly lowered the overall bass, boosted the volume and EQ'd several instrument tracks differently to produce a clearer mix.

#Electronic #Synthesizers #Keyboard #Lemures #Ghost #Vapor #120BPM #IndependentArtist

Lemures (Remastered)

New single every week sunday be sure to follow @ahomigocrazy for all updates !

Still Based (feat lil b) prod by TORYONTHEBEAT @ahomigocrazy

#100ONHISH3AD [PROD.HOODYUNGINN X SMAGZZZ]

the original melody of this track was written by Ludovico Einaudi

this drum'n'bass version was written for fun by FrazzleTruffle

From Afar (Carré Sinistre Remix) [feat. Ryan Whyte Maloney]

The Rust Belt

Recent comments

Correa

Ulysses Madrigal

Dickey

Natalie Anderson

Related tracks