Name: BLACK PARTY 2013 - Honey Dijon by The Saint At Large
Duration: 3 h 30 min 6 s
Description: DJ Honey Dijon's set at RITES XXXIV: THE BLACK PARTY.

Some of the mixes are rough , but overall is good

This set is like a Scorsese film. Everytime ya go thru it , the findings come alive . 10's + X-TRA!

Recorded live @ Pegasus // Downtown LA (09.04.2022)

Tommy Hart @ Pegasus Labor Day 2022

Friday Night Fuck Around - 1

Recorded live at our Brooklyn warehouse party and broadcast now exclusively for 2015 Pines Party After Party.

The Carry Nation (Pines Party After Party Exclusive Mix)

Happy New Year with a set from Sound Factory January 5, 1992!! I hope everyone has a SWEET '16!!!

SoundFactory JV Live January 5, 1992

Honey Dijon Live 01/08/17

Battle Hymn

Eli Escobar Live 02/16/18

An excerpt from DJ Chris Cruse @chriscruse set at Rites XXXIX: The Black Party Apr 21, 2018 New York City. Info at www.SaintAtLarge.com/DJS

Rites XXXIX: The Black Party 2018 - Chris Cruse

I took a week to let it all sink in. 

Nights like this are the reason I do what I do. It’s amazing how the simple act of playing music can create so much joy, and I am so grateful that I can play a role in bringing joy to our community and to the world. I felt the glow of this experience for days afterwards, and I access it again every time I listen to this recording. (As a DJ, there’s honestly nothing more gratifying than when I listen to the recording and I can hear the crowd’s ecstatic yelling and screaming coming through the needle.)

The Gay Nineties is not about being “cool.” It’s not even about always playing songs that are “good” (hat tip to Venus X for that wake-up call). What it’s about is having fun! It doesn’t matter whether every transition is perfect. (Playing vinyl for 5 hours means you have to let go of any expectation of perfection.) What matters is building and sustaining a vibe that creates that joyful, communal experience on the dance floor.

The first Gay Nineties was in August 2017 in a little izakaya and about a dozen people came out for it. Now I get to throw this party in my favorite club in Portland, and over 200 people came through the doors. 

I am truly grateful to everyone who showed up in the room that night at the Liquor Store. (Every time I DJ I am grateful for the immense privilege of playing music for people who enjoy dancing to it.) And I’m grateful to everyone who couldn’t make it but sent their love and support from afar. 

I especially want to thank Patrick Schneider https://soundcloud.com/woodboxcreative for his incredible support. Patrick knows exactly what I’m aiming for with the Gay Nineties. Not only does he offer invaluable assistance with setting things up and creating the right atmosphere, he also acts as my eyes and years in the crowd, feeding me insights about the vibe that I can’t always see from behind the DJ booth. 

I want to thank my fellow DJs from https://soundcloud.com/no-fomo-pdx and Circuit Breaker who helped me promote the event. I love working with these beautiful souls to create amazing parties in Portland every month! Thank you Megan https://soundcloud.com/sappho-presents-chingo, Stormy https://soundcloud.com/stormyroxx, Spenser https://soundcloud.com/orsosound, and Travis https://soundcloud.com/dj_dont. 

I want to give a huge shout-out to Dee Lyrium and Tofu who danced their hearts out all night long, right at the front of the room, leading the crowd along into ecstasy. I also want to thank Cody James, Chris, Rob, Jermiah, Andy, and everyone else who supported the party on social media (sorry if I missed you here!). 

Thank you to my friends Kenton Waltz and Pocho’s Cosas for taking beautiful photographs of the night!

I want to thank the venue's bar staff and sound tech for being so supportive of queer nightlife in Portland.

Thank you Ryan https://soundcloud.com/laterdj for the awesome event flyer! 

I want to give a special thank you to https://soundcloud.com/nark for inviting me to share my ‘90s vinyl at Be My Lover in Seattle, which is currently on hiatus but had an awesome run from fall 2018 into spring 2019. 

I want to thank all the DJs who inspire me. In particular, I want to thank https://soundcloud.com/octoocta. Her sets are inspiring in every way, and several of the tracks I played on this night were discovered from her mixes. I also want to thank Théo Muller https://soundcloud.com/theomuller from whom I sourced two key songs that I played in this set. 

I want to thank everyone who has supported me, from my family to my lovers. Many of the records I played were gifts from people who have enabled me to develop my DJ skills over the years. 

Saving the best for last, I want to thank Doug who has done more than anyone else to support my heart and soul, ever since that very first Gay Nineties night back in 2017. 

Count how many songs in this mix talk about love. That’s what it’s all about.

The Gay Nineties

The Gay Nineties 8/30/2019

DADDY ISSUES @ Colours Hoxton (10/19/19)

NASHOM/MONA FOOT Tribute Mix

DJ Honey Dijon's set at RITES XXXIV: THE BLACK PARTY.

BLACK PARTY 2013 - Honey Dijon

The Saint At Large exists in the space where music, dance and art collide and is the possessor of a queer nightlife and arts archive that dates back to Stonewall. Over its 40 year history it has retained its reputation for cutting edge innovation and staging. Its biggest event, The Black Party, held every Spring in New York City, is considered the father of all large nightlife events and remains one of the oldest gay dance parties in the world. The Black Party has grown through many transformations in the NYC nightlife environment and continues to wow audiences with large-scale installations, theatrical staging and light shows, all set to a soundtrack by the best DJs from the international underground.

BLACK PARTY 2013 - Honey Dijon

The Saint At Large

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