"Reserches" marks the second album from The Dark Messiahs, a Detroit-based dark jazz ensemble that has firmly established its unique presence within the genre. Comprising a lineup of talented musicians, the band features Sticks Thompson on drums, Art Masters on saxophone, Reed Johnson on sax, Guy Stansfield on clarinet, Blue Six on trumpet, Tully Wilson on trombone, Wilt Flowers on bass, and Sonny Rhodes on piano.

The Dark Messiahs deliver a captivating sonic experience with "II," showcasing their prowess in crafting dark and atmospheric jazz compositions. The album exudes a distinct noir jazz vibe, reminiscent of the moody and brooding aesthetic often associated with the genre. Each member of the ensemble contributes to the overall texture, creating a rich tapestry of sound that captures the listener's attention.

Sticks Thompson's drumming provides a solid and driving foundation, maintaining a rhythmic intensity that propels the music forward. The saxophone work of Art Masters and Reed Johnson, along with Guy Stansfield's clarinet, weaves intricate melodies that contribute to the album's dark and mysterious atmosphere. Blue Six's trumpet, Tully Wilson's trombone, and Wilt Flowers' bass add depth and resonance to the ensemble's sound, creating a sense of sonic immersion.

Sonny Rhodes' piano work stands out as a key element, adding both texture and emotion to the compositions. The interplay between the instruments is skillfully executed, allowing for a seamless fusion of various jazz elements, and the deliberate pacing of the music contributes to an overall sense of contemplation and introspection.

"II" invites listeners on a musical journey that unfolds like a soundtrack to an enigmatic story. The Dark Messiahs' ability to convey a range of emotions without the need for lyrics is a testament to their instrumental proficiency and their commitment to creating a captivating sonic landscape. For those seeking a dark and atmospheric jazz experience, "II" offers a compelling exploration of the genre's evocative possibilities through the lens of The Dark Messiahs.

"Reserche" marks the second album from The Dark Messiahs, a Detroit-based dark jazz ensemble

"Songs From The Silence" by Jeremias Langsämmer is a captivating musical journey that seamlessly weaves classical and ambient soundtracks. Embracing a style reminiscent of Ólafur Arnalds, Langsämmer creates a sonic landscape that is both introspective and evocative. The album is characterized by delicate piano melodies and emotive strings, showcasing a harmonious blend of classical traditions and ambient textures.

The compositions within "Songs From The Silence" exude a sense of intimacy, drawing listeners into contemplative and immersive experiences. The minimalistic yet intricate arrangements contribute to the atmospheric quality of the music, allowing each piano note and string resonance to resonate with depth and emotion.

Langsämmer's ability to evoke a wide range of feelings through his music is evident, creating a sound that is both timeless and modern. The delicate interplay between piano and strings adds a layer of sophistication to the soundtracks, making them a poignant and expressive journey for the listener.

Overall, "Songs From The Silence" stands as a testament to Jeremias Langsämmer's talent in crafting classical ambient music that is not only technically impressive but also emotionally resonant. It is a musical tapestry where piano and strings coalesce, inviting the audience to experience the beauty of silence through the language of music.

Songs From The Silence by Jeremias Langsämmer. Classical, ambient soundtracks.

Embark on a sonic odyssey with Laxá's latest post-rock masterpiece, "Eldinsgill." Hailing from the captivating landscapes of Iceland, this album unveils a musical journey inspired by the raw beauty of nature, specifically the volcanic forces that shape the island's essence.

In a harmonious fusion of post-rock's atmospheric allure and classical elegance, Laxá welcomes the Heima Kvartett, a string quartet that enriches the sonic tapestry with lush, emotive arrangements. "Eldinsgill" captures the essence of Iceland's fiery spirit, echoing the ebb and flow of the natural world, from the tranquil landscapes to the explosive energy of volcanic eruptions.

As the album unfolds, listeners are invited to immerse themselves in the emotive soundscape crafted by Jussi Siglarson's mesmerizing guitar, Bjarne Guðjohnsen's resonant bass, Matthias Helguson's rhythmic drums, Mike Taylor's atmospheric keyboards, and the sublime strings of the Heima Kvartett – Lisbeth Heima, Sif Árnadóttir, Natasha Guðmundsdóttir, and Ída Sigurðardóttir.

"Eldinsgill" transcends musical boundaries, offering an exploration of contrasts, where ethereal melodies meet powerful crescendos, mirroring the dichotomy of Iceland's serene landscapes and its volcanic heart. This album is not just a collection of tracks; it's a sonic voyage that immerses the listener in the visceral beauty of nature's elements, expressed through the emotive language of post-rock and classical collaboration.

Eldinsgill

"These Guitars Say Sorry's eponymous album is a masterful tapestry of musical storytelling that transcends genres and captivates the soul. The collection unfolds with the opening track, 'Over The Cliff,' featuring the artist's signature percussive guitar style and emotive lyrics. Throughout the album, the listener is taken on a journey guided by the heartfelt melodies and poetic narratives that define These Guitars Say Sorry's unique sound.

As the notes of each song reverberate, the listener is immersed in a world where indie folk, alt rock, and alternative rock seamlessly intertwine. 

The raw beauty of acoustic arrangements and the power of lyrics to evoke profound emotions. 

In sum, 'These Guitars Say Sorry' is a sonic exploration that invites listeners into a world of authentic, emotive, and poetic music, proving that sometimes, guitars speak a language that goes beyond words. This album is a testament to the artistry of These Guitars Say Sorry, offering a musical sanctuary where every track is a chapter in a compelling narrative, leaving an indelible mark on the hearts of those who embark on this melodic adventure.

These Guitars Say Sorry's self titled album. UK Singer songwriter. Acoustic Playlist

"A World That Turns Away," the sixth ambient album by Siegfried Jünger, is a mesmerizing exploration of sonic landscapes that push the boundaries of dark ambient music. This album takes listeners on an expansive journey through otherworldly realms, evoking a sense of mystery and contemplation.

Each track on the album contributes to the overarching atmospheric tapestry, creating a cohesive and immersive ambient experience. Jünger showcases his mastery of the dark ambient genre, infusing the compositions with rich textures, ethereal tones, and ambient soundscapes that transport the audience into uncharted territories.

The ambient album unfolds like a sonic odyssey, with each piece contributing a unique chapter to the overall narrative. From hauntingly atmospheric passages to moments of almost choral transcendence, "A World That Turns Away" is a testament to Jünger's ability to craft ambient music that captivates and resonates with listeners.

With a careful balance of darkness and melody, this ambient masterpiece invites the audience to delve into a profound and introspective journey. As the sixth installment in Siegfried Jünger's discography, "A World That Turns Away" solidifies his position as a luminary in the ambient music scene, offering an unparalleled sonic experience that lingers in the mind long after the last note fades away.

A World That Turns Away by Siegfried Jünger. Dark ambient and experimental music playlist.

"Let The Dead Ride" by Siegfried Jünger is an unyielding ambient drone, characterized by a textured sonic landscape filled with reverberations. The composition maintains a persistent pulse resembling a heartbeat, accompanied by lingering dissonant tones. The stark and unadorned melody cuts through the dense drone, creating a somber atmosphere that invites listeners into an exploration of raw, unapologetic beauty where each resonating note carries profound emotional weight.

Things Get Sharp

Let The Dead Ride by Siegfried Jünger

Wounded Birds is the latest track from Siegfried Jünger

Wounded Birds by Siegfried Jünger

"I Am The Sun" by Siegfried Jünger is music that immerses players and listeners into a realm of chilling horror with its experimental industrial soundscape. Disembodied voices and blood-curdling screams intertwine with dark ambient music, evoking a sense of unease and impending doom. Each note pulses with a sinister energy.

I Am The Sun By Siegfried Jünger. [Horror game soundtrack. Experimental industrial music.]

"The Truth Is..." is a piece in 4 movements, with the band taking ownership of the composition for their respective part supported by the Heima Kvartett's strings.

See if you can work out which part was composed by which musician!

The band are:

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

The Truth Is.. by Laxá

UK singer songwriter These Guitars Say Sorry's acoustic-driven instrumentation contributed to the popularity of  "Has It Come To This" live and is one of the band's signature songs and is a great fit for alternative rock playlists.

Has it come to this
Bloodshot eyes and clenched fists
Angry words and red mist
Once again

When you’re shouting at the kids
And you’re caught in the midst of this
It’s not what you had wished
But it never is

And our lives just ran aground
When there was no-one else around
No-one there to hear the sound of us fall apart

And when there’s nothing left to say
And we say it anyway
Cheap wine won’t take away
The pain we feel

Has it come to this?
This is yours and this is his
Broken hearts and promises
Why don’t you add it to the list

Separate beds means separate lives
Someone’s husband, someone’s wife
You bit me once, twice I was shy
And now we’ve no more tears
To cry I I I I I 

Has it come to this
Bloodshot eyes and clenched fists
Angry words and red mist
Once again

Has It Come To This by These Guitars Say Sorry [alt rock 80s pop]

Recorded in a derelict studio in Detroit, Black Star is the first track on The Dark Messiah's new album "Reserche".

Sticks Thompson - Drums
Art Masters - Saxophone
Reed Johnson - Sax
Guy Stansfield - Clarinet
Blue Six - Trumpet
Tully Wilson - Trombone
Wilt Flowers - Bass
Sonny Rhodes - Piano

Skuggatréð

As The Last Note Fades Into Infinity.... I Am Left With Nothing

As The Last Note Fades Into Infinity.... I Am Left With Nothing by Laxá

Siegfried Jünger's dark ambient composition, 'Confessions is an interesting and original work with unique atmosphere and mood tinged by Edgard Varèse's influence and resident Evil soundtrack. this dissonant soundtrack unveils shadows with the ambient music, halting piano punctuating the drone. A dark ambient scifi soundtrack but not without melody. Jünger weaves a tapestry that echoes the avant-garde spirit of Varèse. 'Confessions' is a dark, drone ambient soundtrack.

Confession by Siegfried Jünger [Cinematic dark ambient drone]

"The Hailer" by These Guitars Say Sorry offers a modern twist on the age-old tradition of harbormasters hailing incoming ships, set against an alt folk/alt rock backdrop. With a raw and unfiltered approach akin to Billy Bragg's style, the UK singer-songwriter explores the theme of anonymity in contemporary life. Through gritty storytelling and stripped-down melodies, the song delves into the existential quest for identity amidst the bustling chaos of modern society. Reflective and resonant, "The Hailer" captures the universal longing for connection and recognition, delivering a poignant narrative that echoes across genres and generations.

Lyrics

Who are you?
And where do you come from?
Who are you?
And where have you been?

I stand here shouting
Hoping someone will hear me
But my voice just floats away on the breeze

I'm the hailer, I'm, the hailer. I'm the hailer
And I've come to bring you home
I've come to bring you home

Give me three guesses and I'll make a mess of it
Tell me your story and I'll write the end
I hate to confess to things best left unsaid
I hope it all works out
I suppose it depends
I hope it all works out for the best
I hope it all works out for the best

Where would you be without someone to hold you
Where would I be without someone who cares
I'm, standing here waiting not sleeping or praying
Caught in between my hope and despair

I'm the hailer, I'm, the hailer. I'm the hailer
And I've come to bring you home
I've come to bring you home 
I know you've got no home

Seven Years To Dust

The Hailer

The Hailer by These Guitars Say Sorry. Acoustic singer songwriter from the UK.

Appearing on the album Seven Years To Dust, Is That All There Is is a new song from These Guitars Say Sorry.

Is That All There Is - These Guitars Say Sorry

"Fault Lines" casts a shadowy allure, haunting the listener with its enigmatic melodies and brooding atmosphere. Born from the clandestine depths of a secret California performance, this track emerges as a cornerstone of "Reserche," the upcoming album by The Dark Messiahs. Led by the rhythmic mastery of Sticks Thompson on drums, Blue Six's trumpet wails with melancholic resonance, while Wilt Flowers' bass prowls like a lurking specter. Sonny Rhodes' piano adds layers of complexity, weaving a narrative of mystery and intrigue. In the realm of dark jazz and doom jazz, "Fault Lines" becomes a chilling testament to the band's mastery of the genre.

Fault Lines

Fault Lines by The Dark Messiahs [Jazzy groove]

Immerse yourself in Siegfried Jünger's 'Solitude's Cold Embrace,' a dark ambient masterpiece that seamlessly blends ambient, electronic, and experimental elements. Jünger's artistry shines through the hypnotic journey, where haunting echoes of dark ambient music and the mesmerizing allure of drone guide you into an intricate soundscape. Influences of industrial music and rhythmic synth pulses add complexity, creating an otherworldly atmosphere. The track's structure, with nods to noise music, introduces an edgy and unpredictable dimension to the composition, enhanced by the use of synthesizer and modular synth, contributing to the overall dark music aesthetic.

Beyond a mere musical piece, 'Solitude's Cold Embrace' is a transformative sonic experience that transcends genres. Jünger crafts a profound exploration of introspection, resonating with solitude through evocative artistry. This dark ambient odyssey, enriched by intricate sound design, positions Jünger as a visionary in the realm of experimental and ambient music.

As The Storm To The Sea

Solitude's Cold Embrace

Solitude's Cold Embrace by Siegfried Jünger dark ambient soundtrack

Jeremias Langsämmer's "The Far Spey" is a modern classical piece that seamlessly blends sweeping strings, delicate piano, and the rich resonance of cello and French horn. 

The composition takes you on a captivating journey, with orchestral arrangements that evoke the grandeur of the Far Spey River. 

The sweeping strings create a sense of movement and drama, leading to a quiet and introspective resolution where the piano and droning strings delicately take center stage. The inclusion of cello and French horn adds depth and emotion, enriching the tapestry of sound. 

"The Far Spey" is a testament to Langsämmer's is a contemporary classical work that balances power and subtlety, taking listeners on a musical adventure that culminates in a quiet and poignant conclusion.

The Far Spey

The Far Spey by Jeremias Langsämmer - a modern classical work for soundtracks.

After watching the news about the volcanic eruption on the Reykjanes Peninsula in Iceland, the four-piece post-rock band Laxá composed the first track of their new album as a result. 

Entititled "Eldensgill," which translates as "Fire Angel", it melds post rock and classical elements provided by the Heima Quartet.

The band members are:

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello/Double Bass

Eldsengill by Laxá [Icelandic post rock]

"Over The Cliff," the opening track from These Guitars Say Sorry's sixth and self-titled album, is a captivating musical journey that beautifully encapsulates the essence of this US-based, UK-born singer-songwriter's artistry. Renowned for his distinctive percussive guitar style and emotionally charged lyrics, this song serves as a poignant introduction to an album that promises depth and sincerity.

The track begins with staccato guitar, immediately drawing listeners into a world where melody and storytelling intertwine. These Guitars Say Sorry's guitar resonates with precision and purpose. The percussive elements, a trademark of his style, add a rhythmic complexity that enhances the overall sonic experience.

Lyrically, "Over The Cliff" is a testament to the singer's ability to convey profound emotions with poetic finesse. The song's narrative explores themes of vulnerability, introspection, and the tumultuous journey through life's challenges. The lyrics are delivered with a raw sincerity that allows listeners to connect on a deeply personal level.

As the song progresses, it builds in intensity, creating a dynamic ebb and flow that mirrors the emotional highs and lows embedded in the narrative. The production is tastefully crafted, allowing the authenticity of These Guitars Say Sorry's performance to shine through.

"Over The Cliff" sets the tone for an album that promises to be a rich tapestry of sound and storytelling. With its masterful guitar work, evocative lyrics, and a soul-stirring performance, this track invites listeners to embark on a musical journey that is both introspective and universally relatable. These Guitars Say Sorry has once again proven his prowess as a singer-songwriter, offering a sonic experience that lingers long after the final notes fade away.

Lyrics
I hate to admit it but I miss your face
I hate to admit that I made a mistake
Ours is a life of thunder and rain
The sun breaks out and then it's clouds
again

All is ask is that you follow
All is ask is that you follow
All is ask is that you follow
Me over the cliff

From up here I see for miles
From up here I love the view
From up here my vision's clearest
I paint my sadness over you

I know my gift is just to hurt you
One of many things I've said
And while I know you lose your way
I'm the one to lose his head

All is ask is that you follow
All is ask is that you follow
All is ask is that you follow
Me over the cliff

If I can't have it then you neither can you
What was a lie has become our truth
I see you die a little more each day
I feel like crying when I see your face

All is ask is that you follow
All is ask is that you follow
All is ask is that you follow
Me over the cliff

Over The Cliff by US based UK born singer songwriter These Guitars Say Sorry

"Recherché" by The Dark Messiahs invites listeners into a captivating realm where the piano and clarinet take center stage, weaving a narrative with smoky sophistication and emotive depth. Drawing inspiration from the dark jazz genre, this track mirrors the masterful interplay found in the ensemble's saxophones, bass, and drums, seamlessly merging jazz, ambient, and cinematic elements.

As the piano and clarinet dance together, there's a profound sense of storytelling, akin to the unfolding scenes of an unmade film. The music conjures images of dimly lit streets and smoke-filled rooms, creating an atmosphere that resonates with a quiet yet powerful despair. The piano's expressive melodies serve as a guiding force, while the clarinet adds an enigmatic layer, evoking a cinematic quality that draws parallels to the dark and immersive storytelling found in the ensemble's compositions.

"Recherché" stands as a testament to The Dark Messiahs' ability to craft music that transcends traditional boundaries, creating a sonic landscape that invites listeners to lose themselves in the evocative journey. The track captures the essence of dark jazz, offering a mesmerizing and atmospheric experience where each note is a brushstroke painting a vivid and emotional tableau.

They are:

Sticks Thompson - Drums
Art Masters - Saxophone
Reed Johnson - Sax
Guy Stansfield - Keys
Blue Six - Trumpet
Tully Wilson - Clarinet
Wilt Flowers - Bass
Sonny Rhodes - Piano

"Recherché" from Detroit based dark jazz ensemble The Dark Messiahs.

"A World That Turns Away," the title track from Siegfried Jünger's sixth ambient album, immerses listeners in a sonic journey that transcends the boundaries of traditional dark ambient music. Clocking in at nine minutes, this ambient composition serves as the compelling opener to the album. Jünger skillfully weaves an otherworldly tapestry, drawing inspiration from the vastness of space.

The atmosphere is rich with ambient textures, creating an evocative and mysterious backdrop. Within this sonic landscape, there emerges a delicate balance between haunting melodies and almost choral, soaring elements. The ambient music unfolds like a cosmic exploration, inviting the audience to traverse the depths of an unknown and enigmatic realm.

As the first track of the ambient album, "A World That Turns Away" sets the tone for the entire musical experience, offering a glimpse into Siegfried Jünger's mastery of the dark ambient genre. This ambient composition captures the essence of a celestial journey, where the listener is guided through a fusion of darkness and melody, ultimately creating an immersive and unforgettable ambient sonic odyssey.

A World That Turns Away

A World That Turns Away by Siegfried Jünger. Dark ambient music

Experience the emotive beauty of 'A Song Without Words' by Jeremias Langsämmer, a prolific Modern Classical composer hailing from Germany. This enchanting piece is part of his latest album, 'Songs From Silence.' The composition features compelling ostinato strings that carry you through an immersive musical journey, accompanied by the soulful resonance of a cello and the gentle touch of a piano at the resolution. Langsämmer's distinctive style brings a modern twist to classical elements, creating a cinematic and minimalistic masterpiece that showcases the sweeping elegance of orchestral arrangements. Dive into the rich soundscapes crafted by this talented composer, and let the music speak volumes without uttering a single word.

Songs From The Silence

A Song Without Words by Jeremias Langsämmer. Modern classical music for orchestra and soundtrack.

"Bergmálsdalur" [Echo Valley], is the latest song from Icelandic post-rock band Laxá. It had been another of these evenings, just sat round their apartment chilling when Bjarne accidentally hit the TV remote and set the channel to static white noise, inspiring the start of the track. Once they hit the studio, it was Bjarne again who came up with the filthy 80s dub reggae bassline, and Ída provided the introductory cello. Slower paced than their recent work, it still carried the hallmarks of their Icelandic post-rock style.

The band members are:
- Jussi Siglarson: Guitar
- Bjarne Guðjohnsen: Bass
- Matthias Helguson: Drums
- Mike Taylor: Keyboards
- Lisbeth Heima: Violin
- Sif Árnadóttir: Violin
- Natasha Guðmundsdóttir: Viola
- Ída Sigurðardóttir: Cello/Double Bass

Bergmálsdalur by Laxá. Icelandic post-rock.

"Friday Night Symphony" by These Guitars Say Sorry is a raw, acoustic indie folk track that delves into the gritty reality of weekend chaos fueled by alcohol in urban settings. The song paints a vivid picture of drunken violence, reflecting the harsh scenes witnessed in cities. With its stripped-down sound and honest lyrics, this indie folk anthem captures the stark essence of Friday nights.

Lyrics

Midnight tonight and shadows fall
There'll be blood on the pavement after all
Shattered glass sparkles, street lights fade
Why do all my weekends end this way?

I'll see all you all back here same time next week
If I have to do this one more time I'll weep

I'm sorry I don't recall your name
After a few drinks all girls look the same
At least you were beautiful for a night
I have to say you're not flattered by first light

I'll see all you all back here same time next week
If I have to do this one more time I'll weep

Won't you just sing along
To my drunken symphony
Have a drink or have a fight
It's all the same to me
Won't you just sing along
As we stagger down the street
We only drink so we forget
All that we could have been

Drink up for tomorrow we shall die
Play your cards right
You may breathe your last tonight

The morning hurts I don't want to regret
A hundred things I don't remember yet
We'll see all you all back here same time next week

If I have to do this one more time I'll weep
Sing a Friday night symphony
Then pour another have a drink with me

Friday Night Symphony by UK singer songwriter These Guitars Say Sorry.

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

"There Is A Light That Blinds" by Siegfried Jünger is a lounge chill out track with rich ambient textures, gentle rhythms, and cool downtempo groove. A departure from his recent dark ambient work, it stirs up memories of sunsets at Ibiza's cafe Del Mar.

There Is A Light That Blinds by Siegfried Jünger. Ambient, downtempo chillout.

The Icelandic winters are long and dark, sinister shadows lurk and after months your mind messes with you. The new track from Icelandic post-rock band Laxá A Friend Of Darkness captures the mood. 

Equal parts harsh and melodic at 8 minutes long the pieces captures the almost interminable harshness at the same time being a post rock instrumental that fills the blackness.

Laxá & Heima Kvartett are:
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

A Friend Of Darkness by Icelandic post-rock band Laxá

Counting Stars For You by Jeremias Langsämmer is a new piece of post-minimalist music from his album "Songs From Silence". Contemporary classical music also ideally suited to film scores.

[COVER ART BY FRASER CORMACK: ROTHES RAILWAY BRIDGE]

Counting Stars For You by Jeremias Langsämmer

The Playing Fields Of England by These Guitars Say Sorry critiques the glorification of war and questions the romanticized ideals of heroism often associated with it. The song emphasizes the sacrifices made by ordinary soldiers and challenges the notion that war is something to be celebrated or revered.  These Guitars Say Sorry's  folk-inspired songwriting style, is accompanied by his percussive acoustic guitar playing acting as the perfect backdrop for the song's post punk lyrics.

On the playing fields of England
There are battles won and lost
I have seen them fought so many times I had almost forgot
That it's a pleasure and an honor as you go out to die
I'd do it all a thousand times for the old school tie

So hold your head up high
So I can see you're full of pride
As you lay down your life
On the playing fields of England

Past the ranks of blue and gray
Into the old school hall
You can read the roll of honor or heed the distant call
Like your father before you, you'll tread a distant land
You didn't learn the first time, so now you're going back

I look in your eyes and I can see the pain
And then you ask me who's to blame
I told you it was much more than a game
On the playing fields of England

Nobody thought to question why you went to die
Bravely put on the uniform and joined the end of the line
But age brings with it wisdom, but you'll never grow old to know
On the playing fields of England, you will reap what you have sown

As they fly your body homeward, draped in your country's flag
Past lines of grieving relatives who know you're never coming back
On the playing fields of England was where you chose to play
But a generation of you went marching to the grave

As you lie facing the sky, I can only wonder why
You believed a pack of lies about the playing fields of England
The playing fields of England


--------------------------
Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

The Playing Fields Of England - These Guitars Say Sorry [folk music | protest songs]

Under The Iron Bridge by Siegfried Jünger is a captivating journey through ambient soundscapes, blending post-rock with ambient elements. With layers of guitar, piano, and synths, Jünger creates a cinematic experience that transports listeners to dreamlike realms. The tracks serene beauty and emotive melodies make it a welcome addition to the ambient/post-rock genre.

Cover art: Fraser Cormack. [Craigellachie old iron bridge]

Under The Iron Bridge - Siegfried Jünger [ambient electronic]

Heitið by Laxá really captures the essence of their Icelandic post-rock. The strings of the Heima Kvartett, Mike's keyboards, Jussi's guitar work and the ever-present driving reggae feel of Bjarne's and Matthias' back line. It's a dark and cinematic piece with brooding deep bass driven by the drums.



Laxá & Heima Kvartett are:
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

Heitið by Laxá [cinematic post-rock | Iceland, San Francisco, Everywhere

"You Are The Smoke... I Am The Flame" is the latest track from Detroit relaxing jazz  music purveyors The Dark Messiahs.

The jazz lounge music on this track features saxophone and dark jazz piano, wrapped up in a jazz instrumental that can be sampled or used in jazz beats.

If you enjoy chill dark jazz this may be for you.

Sticks Thompson - Drums
Art Masters - Saxophone
Reed Johnson - Sax
Blue Six - Trumpet
Tully Wilson - Clarinet
Wilt Flowers - Bass
Sonny Rhodes - Piano

You Are The Smoke... I Am The Flame - The Dark Messiahs [Dark Jazz  | Jazz Piano]

'Song From The Silence' from the album 'A World That Turns Away' by Jeremias Langsämmer is a modern classical piece for piano and strings. Through delicate piano melodies and sweeping strings, the soundtrack invites listeners into a realm where contemporary and classical elements intertwine.

Still Warm The Blood by Jeremias Langsämmer. [Contemporary Classical | Soundtrack]

'Where English Roses Grow' by British singer-songwriter These Guitars Say Sorry. This acoustic track is the latest addition to his forthcoming album, reminiscent of artists like Sufjan Stevens, Elliot Smith, and Mitski. 

LYRICS 

Was it my tone or something I said
I'm another year older, sometimes I forget
I am over familiar I can be shy
Sometimes I have answers
Sometimes I ask why

There's a corner of some distant land
where English roses grow
If home is where the heart is
Perhaps it's time to go

It seems the more I understand
The less that I believe
If I should speak out of turn
Please forgive me, please forgive me

I know that I asked once
And you answered me twice
I inquired for a third time
Because I'm polite

I'm sure that you heard me
Cos you said it was true
But changing your mind
Is not something you do

There's a corner of some distant land
Where English roses grow
And if home is where the heart is
Perhaps it's time to go

It seems the more I understand
The less that I believe
If I should speak out of turn
Please forgive me, please forgive me

Seems like we've everything in common
Except for our words
The fact that you're standing here with me
Is only making it worse
On a cold day, 
I pray, that the storm will wash me away
To a quiet place, 
Somewhere I know, 
Somewhere I can stay

If you found 'Where English Roses Grow' as captivating as we did, don't forget to show your support by liking this track and subscribing to our channel for more singer songwriter performances. Share your thoughts and interpretations of the song in the comments below; we'd love to hear from you! And remember to check out These Guitars Say Sorry's forthcoming album for more heartfelt melodies and introspective lyricism.

Where English Roses Grow - These Guitars Say Sorry (Acoustic Singer-Songwriter)

The Stone That Makes The Statue was inspired by the band flying into Keflavík and invokes the rocky, bleak landscape of Iceland.

Percussion driven, it is a return to the post rock roots of the 4 piece, melodic keyboards and harsh guitars, melody and intensity, booming bass and atmosphere.

Laxá are: 
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass/Vocals
Matthias Helguson - Drums
Mike Taylor - Keyboards

The Stone That Makes The Statue, new Post rock by Laxá

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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