Wistful and hopeful despite the title,  this piece was inspired by the phrase "I don't want to be dead" uttered by the composer's young son.

The piece is a hauntingly beautiful classical composition that intertwines piano and violin melodies to create a deeply emotive and atmospheric piece of music.

I Don't Want To Be Dead by Jeremias Langsämmer. For piano and violin.

In the dimly lit studio, The Dark Messiahs channel a brooding and sinister dark jazz energy in their track "Passenger." Sticks Thompson's drums pulse like a foreboding heartbeat, while Art Masters' trombone and Reed Johnson's saxophone wail mournfully, casting shadows in the corners. Guy Stansfield's guitar cuts through the darkness with eerie precision, accompanied by Blue Six's haunting trumpet. Tully Wilson's flute and harmonica add an otherworldly layer, while Wilt Flowers' bass rumbles like distant thunder. Sonny Rhodes' piano keys dance delicately, offering a glimmer of light amidst the gloom of this doom jazz track.

Passenger by The Dark Messiahs [cinematic sinister dark jazz]

Wrote this in early 2005 but never published it.. Enjoy!

H-bar(The Early Years)

Blitter Feedback

vida digital

AIR DROP

Uma música de house com muito groove e um baixo marcante geralmente terá uma batida consistente e pulsante, com elementos rítmicos que fazem você querer dançar. O groove pode ser criado por instrumentos como a bateria, com padrões rítmicos complexos, e por instrumentos de percussão que adicionam camadas de ritmo e textura. O baixo, nesse caso, seria proeminente e teria uma linha melódica forte, que não apenas sustenta a harmonia da música, mas também adiciona uma sensação de movimento e energia.
Os vocais também podem desempenhar um papel importante, com letras que complementam o ritmo e a melodia, criando uma atmosfera envolvente e cativante.

Musica Original:
Faixa: 'We Ain't Here For Long', de Nathan Dawe
BPM: 135 Tom E Maior

We Ain't Here For Long - Nathan Dawe (Rogerio Becker Remix)

Venture Beyond(Chill Version)

Grey Hero

Sad and mournful cello accompanied by ethereal voices about the tragedies of war. Spanish sounds harmonie

Acheter

Gaza

"The Saddest Place" by Siegfried Jünger is a prime example of the artist's intricate production style, combining complex rhythms with mesmerizing melodies. The track features a distinctive percussion pattern that adds a rhythmic backbone to the song, while the melodies weave in and out, creating an otherworldly atmosphere. Blending elements of ambient and industrial music, "The Saddest Place" transports listeners into a unique sonic landscape, where haunting textures and pulsating beats coalesce to evoke a sense of introspection and depth. One of Siegfried Jünger's earliest tracks, it showcases his mastery of merging diverse musical elements to create a blend og.

The Saddest Place by Siegfried Jünger [electronic and ambient music]

The title track from the debut album Dawn Over Arras by Jeremias Langsämmer [WW1 Soundtrack] is a modern classical and sound track piece describe as "Frightening, dark, with and without hope at the same time. Especially these days. Very different."

The opening guns, the slow drawn strings and bells sitting against the dark sky.

"By the second listen, this song had me crying. The history of Arras comes through with the sounds of shooting from the very beginning, and you captured the sadness of war in it very well, as the dawn rises over the battlefield and the bodies are visible. The gunning gently morphs into the sound of trains. The sense of extended time and space with this war and its aftermath and effects is really effective. The song is beautiful and deeply moving, with layers of emotion affecting on a subconscious level. Bravo!"

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Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

Dawn Over Arras

Dawn Over Arras by Jeremias Langsämmer [WW1 Soundtrack]

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.