The Prisoner

Eyes on Me

"You're always so loud on the way down."

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Slay the Princess is a game by Black Tabby Games, with a soundtrack made by Brandon Boone. The Pristine Cut is a recently released expansion to the game, developing three existing routes and adding three more.

This account's purpose is to store the soundtrack of The Pristine Cut, so fans can listen to it on SoundCloud. I am not affiliated with Black Tabby Games nor Brandon Boone, and will delete this page if requested to.

Buy Slay the Princess: store.steampowered.com/app/1989270/S…Pristine_Cut/
Buy the Soundtrack: https://brandonboone.bandcamp.com/

Slay the Princess: The Pristine Cut (Original Soundtrack)

The Life-Taker

"I'm so glad that's behind us. Come on. Let's get out of here."

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Slay the Princess is a game by Black Tabby Games, with a soundtrack made by Brandon Boone. The Pristine Cut is a recently released expansion to the game, developing three existing routes and adding three more.

This account's purpose is to store the soundtrack of The Pristine Cut, so fans can listen to it on SoundCloud. I am not affiliated with Black Tabby Games nor Brandon Boone, and will delete this page if requested to.

Buy Slay the Princess: store.steampowered.com/app/1989270/S…Pristine_Cut/
Buy the Soundtrack: https://brandonboone.bandcamp.com/

What Once Was One

A Prison of Flesh (Pristine Cut)

An Open Door (Pristine Cut)

Together Again (Pristine Cut)

What Remains After the Fire (Pristine Cut)

Embark on a Quest to find the Dark Heart, an artifact only found in Lore and Tale. 

Lair of the Frost Lich

A sound work by Sakat that emerges from direct contact with electrical current, not as a tool, but as a field of hidden structures. What appears as a simple flow of energy reveals layered worlds within it, micro-patterns nested inside one another, unfolding beyond human intention.

Through a self-made contact microphone, electricity becomes audible as more than noise or signal. Within feedback, interference, and instability, smaller systems speak from inside larger ones. The work follows these internal architectures rather than imposing form upon them.

During the process, control dissolves. The body no longer acts as a creator, but as a conductor, a passage through which unseen orders briefly surface. In this moment of exposure, authorship weakens and listening takes precedence.

This piece reflects on the idea that creation does not always originate from will. Even within a current measured and mapped by science, there exist concealed worlds, where creation repeats itself at ever smaller scales, waiting not to be designed, but to be revealed.

A Prison of Flesh (Pristine Cut)

The Witch

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