Rodriguez Jr. and Nors Kode unite on ‘Seraphim’, a cinematic melodic club release arriving via the Feathers & Bones imprint.

Read More: https://whenwedip.com/2026/03/premiere-rodriguez-jr-nors-kode-seraphim/

Follow: @rodriguezjrmusic / @norskodemusic / @feathers-bones-77400520

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip
www.whenwedip.com
YT: youtube.com/user/whenwedip
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Premiere: Rodriguez Jr., Nors Kode - Seraphim [Feathers & Bones]

052. Estiva - Via Infinita (ASOT 1152)

04. Above & Beyond, Armin van Buuren - Show Me Love (Mixed) (Sander van Doorn Remix) (Explicit)

taken from Codex Empire - "Cutpurse" 12" 
out: 
May 9th 2016 

A1 Fumifugium
A2 Three Points Of Light
B1 Cutpuse
B2 The Valley Of Wraiths

[a+w VI] 

www.facebook.com/codexempire
www.aufnahmeundwiedergabe.de

Codex Empire - Fumifugium

Deeper Remixed

Desertion (Phase Fatale Remix)

Without (Codex Empire Remix)

Confess

Cat-No: F//018
Zanias - Extinction

Co-founder and label custodian Zanias makes her debut on Fleisch with a journey through climate catastrophe. Composed in Berlin and mixed in Queensland with the smell of bushfire smoke in the air, she addresses the primary anxiety of our time with four tracks designed to draw the body into movement and the mind into action. Body music elements are wrought with mournful melodies and studded with samples recorded from the fast-disappearing natural world, while her voice guides the way through the darkness.

Tracklist:

A1 - Extinction
A2 - Carbon
B1 - Endling
B2 - (There Is No) Mothership

All tracks written and produced by Alison Lewis at Fleisch HQ, Berlin
‘Endling’ co-written with Alex Akers at Blak Studios, Perth
Photography by Dovile Shurpo and Alison Lewis
Mastered by Alain Paul

A1 - Zanias - Extinction

La Saignée - Metaphysik

A German Love

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Desertion (Phase Fatale Remix)

THE SOFT MOON

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