uhm, okay. 5

Axel Boman broke through in 2010 with his Holy Love EP, released on DJ Koze's Pampa Records. The track Purple Drank became an instant classic in underground house music circles – since then, Boman has toured extensively while releasing original productions and remixes on labels like DFA, Hypercolour, Kompakt, Permanent Vacation and Ovum, as well as on Studio Barnhus, the label he runs together with Kornél Kovács and Petter Nordkvist.

Family Vacation, Boman's debut album, arrives on Studio Barnhus in November 2013.

“I decided to go through the vast collection of ideas and sketches I had on my computer, as a final project before I set that machine on fire and let it all go up in flames. Kind of like what Lee "Scratch" Perry did with The Black Ark in Kingston in the 70's. A friend says the album sounds like “weird Jamaican space disco" so maybe it's a fitting reference”, says Boman himself.

Axel Boman's music has also been described as "raw and playful house music drenched in oceans of soul". He graduated with a master's degree from Valand School of Fine Arts in 2010 and currently lives in the calm and peaceful Stockholm suburb Gröndal.

Axel Boman - Fantastic Piano (from the album Family Vacation, out on Nov 11)

https://thebrosclub.bandcamp.com/track/pass-it-on
http://brosentertainmentrec.wix.com/brosrecords

Eddie Hooper - Pass It On

Marquis Hawkes - Outta This Hood

Len Leise Edits (LL001)
Limited edition edits. Side A 'Stars for Jorge' turned into more of a remix and the B side 'Desperado Dining' is much simpler in execution. These started as edits for me to play out a couple of years ago. But due to a few requests I thought i’d give a them a press. I’ve only pressed 150 of these. All hand numbered.

Out at the end of May.
Exclusively available via Public Possession
http://www.publicpossession.com/
Distributed in Australian via bandcamp: https://lenleise.bandcamp.com

LL001 - Side A - Stars For Jorge

Letta Mbulu - Nomalizo (Walter Wolff Edit)

For a Russian native, A Vision Of Panorama paints quite the accurate landscape of Balearic, summer-seasoned euphoria. An impressive debut came on Manchester-based Aficionado Recordings in late 2014 with a sumptuous Andras Fox remix on the flip. This June he ushered in his own Mellophonia imprint release with panache. Seaside Tune, was a tropical knickerbocker glory of six tracks characterised by Caribbean-tinged percussive play and a serene feel. Two Birds is the successor. Once again dipping into the Balearic whirlpool, "New Horizons" is a real downtempo doosy. No jagged basslines or fist pumping crescendos round here; just vivid imagery of Wayfarers, waterskis and warmth.

Keep your eyes peeled for its release some time in October.

A Vision Of Panorama "New Horizons" - Boiler Room Debuts

"Closed Sessions", featuring tracks by @perseus-traxx, @stanley-schmidt-music, @profilemusic, @mod-civil and @pablo-mateo-10 will be released January 15th through @rivuletrecords. Find out more about the release and read our interview with Stanley Schmidt: bit.ly/RVLT005

Info

Perseus Traxx - Sigil Magick

Buy 12": http://www.juno.co.uk/products/och-time-tourism/597847-01/ 
The track features on fabric 85: Baby Ford. Buy CD: http://www.fabriclondon.com/store/fabric-85.html | Download: http://found.ee/fabric85digi 
Read more: http://www.fabriclondon.com/blog/view/audio-exclusively-stream-baby-fords-remix-of-the-och-track-time-tourism

Buy fabric 85

OCH - Time Tourism (Baby Ford Remix) - taken from fabric 85: Baby Ford

To celebrate 10 Years since its first release MERCMUSIC is re-releasing Mark E's first edit " Scared ", and the B side has PLASTIC PEOPLE, which until now hasn't been available on vinyl.

Released 15th February 2015.

E - Versions 6 -  Scared

A-side of the the Blue Gas 7" single, entitled Shadows From Nowhere (1984), originally released in France by Night Records .

Shadows From Nowhere

Blue Gas - Shadows From Nowhere

Taken from release FLEE 001 "Benga Music - A signature genre from Kenya" out now.

Order on www.fleeproject.com

Rapar Wuon Osimbo (Jaakko Eino Kalevi edit) - C.K. Jazz Band

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

Phase II

Mildlife - Phase II (RREP02)

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Eddie Hooper - Pass It On

The BROS Club

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