They are fantastic in person.  So many good vibes.

Bassline (played by Jeffery Young) from "Afro Golden Line", by Sefi Zisling, Uzi Ramirez, Rejoicer and Amir Bresler.  Improvised Rhodes over top (played by Sean Nixon).

Golden Line with Rhodes - with Jeffery Young (bass)

Crescent Blade

Religion for One

10 Ain't No Grave(Crooked Still)

Release Date:  January 20, 2015
http://thesuffers.com

Make Some Room

Intro (spoken / soft):
Whatever you want, anything you want,
Just come on in.
To say, here you go, take a chance,
Just walk the dance, just do a little,
To say, you felt it, just stay a while,
If you can, enjoy it here, there’s company.

⸻

Verse 1:
You can be aware, yes, you can exist,
You can see where you’re at to feel,
You can see what’s out there to say, I’m aware,
You can hear, and the sound you make to feel,
To say, I’m aware of me.

Cause you listen in to say, I exist in where I’m at,
Come on to feel, it’s great here, life is a journey.
When you step in, you’re on the conveyor belt of time,
And it brings you through identity,
To say, you explore, how you figure out
To put yourself together.

⸻

Pre-Chorus (tension):
You’re the construction line in time
That minds yourself through iterations of your design.
You’re controlled by feelings, they take over you,
You lose control of you, you can’t see yourself through.

⸻

Chorus (release, uplifting):
But you can connect the dots to say,
I can see a bright light tomorrow.
Here you go again, thank you for befriending me, my friend,
The love will open you up, the fear will dissipate away.

⸻

Verse 2:
Your identity of mind takes you in
To find a dark place,
That you can’t see out from,
Because you’re over you.
You can bring in the clouds over you.

But love can come in,
And you’ll be overwhelmed with joy,
And you’ll say, where’s this been, where have I been,
How could I get lost so far and deep within,
Thank you for bringing me back again.

⸻

Bridge (soaring / drop builds):
And the light through the tunnel that you doom yourself in,
Can open up, to say that it wasn’t far away.
The shutters were just closed,
And you had to adjust your focus.

And the light that you let in, allowed the tunnel to grow,
And what you knew was your circumference of love,
That was brightening up you,
It surrounded you, it encompassed you,
It took over you, and you fell into love.

⸻

Final Chorus (anthemic, repeated):
Here you go again, be where you are,
Here you go again, be where you are.
Love will open you up, the fear will dissipate away,
Here you go again, be where you are.

⸻

Outro (gentle, fading):
Whatever you want, anything you want,
Just come on in.
To say, here you go… here you go again.

Here You Go Agan

New Beginning

Give Me One Reason

The Very Best Of Fleetwood Mac

Dreams (2002 Remaster)

Daptone Records Singles Collection: Volume 4

Heart of Gold (feat. Menahan Street Band)

released May 25, 2017 
2017 Kendra Morris 

Production and Guitars - Jeremy Page, 
Jeremy Siegel - Bass 
Sam Merrick - Drums

End Times

Skilled Mechanics

JD Twitch (Optimo) Vs William Onyeabor- Why Go To War

"Ghost Carnival" is the new album of Hypnolove, produced by Ed Banger's Mickey Moonlight

Follow Hypnolove :
http://facebook.com/hypnolove
CD, vinyl, digital : http://hypnolove.bandcamp.com


With spring just round the corner, Record Makers – the label that brought you Sebastien Tellier and Kavinsky (amongst others) – proudly present the sophomore album from Hypnolove, the Toulouse-based trio that have just created the soundtrack to this year’s sunshine. Welcome to the Ghost Carnival…

Featuring the musical talent of Thierry (vocals/keys), Henning (vocals/chords/drums) and Nicolas (guitar/bass), Hypnolove is a group formed between friends that share a common dream, and above all, a passion for discovering and creating music that defies easy categorization. In the purest sense, ‘Ghost Carnival’ delivers a delightful moment of modern pop, although delve deeper and their more obscure influences shine bright – something that the producer, Ed Banger’s UK ambassador Mickey Moonlight, should also take great credit for.

Nicolas explains, “We needed to find a guideline for this album and although disco and pop built the frame that we worked from, our listening is much wider than that. Artists such as the Walker Brothers, Lucio Battisti, Kid Creole & The Coconuts, Prince, Strafe, ZZ Top, Talking Heads… the list goes on, all of them deserve a salute!” Thierry continues, “We are always looking for new music to listen to and we are all LP lovers, so it was very important for us to make a cohesive album that worked from back to front. Working with Mike was fantastic, he knew all our reference points and was able to change our sound for the better without betraying the spirit of our songs”

There’s no doubt that the combination of Hypnolove’s song-writing with Mike’s production style has elevated the band’s sound and there’s a clear progression in ideas and song structures from their 2006 debut ‘Eurolove’. That album featured the cult hit ‘Mademoiselle’ and, like ‘Ghost Carnival’, was the embodiment of several years of work and that can only be put down to the group performing for pleasure before anything else. Like when they were teenagers, injected with electro-pop, New Order and the Pet Shop Boys, or years later, uncovering obscure bands and stranger more-cryptic oddities, their sound and musical connection is a natural evolution of experience and knowledge.

Lasting just over 30mins, ‘Ghost Carnival’ is as short as it is sweet, but it makes sure that not a moment is spared, with the warm feeling of a summer’s day shining down from the outset. The already released ‘Holiday Reverie’ follows the French-horned, Arthur Russell inspired intro ‘Simple Classic Beautiful’ that provides just enough skip to start your step. The glistening electro-pop of ‘Midnight Cruising’ and band-favourite ‘Come To My Empire’ fall neatly either side of ‘Winter In The Sun’ that features the brilliant vocal talent of British singer Findlay Brown. Two more friends then join the party, with Puro Instinct leader Piper Kaplan and the 9 years-old Freya Parry providing the female touch on both ‘Beyond Paradise’ and ‘Ghost Carnival’ to brilliant effect. There’s one last blast of Italo strings with the dance floor driven ‘Sleepwalker’, before ‘Goodnight Kiss’ provides the perfect, and memorable, goodbye the album so deserves.

It will have you clicking repeat, over and over. As Thierry invites us all to : “close your eyes and come to my empire”

Make Some Room

The Suffers

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