2025年7月24日 19:30-22:30 JST 

Shogawin
Erika
Resom




#dub-techno #ambient

R 303 Radioとruralのコラボレーション企画として、rural 2025へ出演するアーティストを中心としたプログラムがフェスティバル前後に配信が決定。 世界を舞台に活躍し、本祭でも個性あふれるパフォーマンスを届けてくれるであろうアーティストたちが、R 303 Radioスタジオから違った側面のセットを披露してくれます。 Ginger Coven、またソロとしても出演するErikaとResomがShowgawin名義での出演をはじめとして、様々なアーティストによる特別な公演をお楽しみください。

As part of a collaboration between R 303 Radio and rural, a program centered on artists appearing at rural 2025 will be broadcast before and after the festival. Artists who are active on the world stage and are sure to deliver unique performances at the festival will reveal a different side of themselves from the R 303 Radio studio. Featuring Ginger Coven, as well as Erika and Resom performing under the name Showgawin, along with various other artists, this special performance promises to be an unforgettable experience.

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

Shogawin (Erika & Resom) ｜2025年7月24日｜#dub-techno #ambient

Episode 50: Owl

There’s a special kind of trust when a festival makes someone a resident. For Les Chaos Ambiants, that someone is Lynne. We’ve partnered with this boutique French festival for the second year, sharing the sounds and stories behind their lakeside weekend in the wooded hills of Sommant. The festival thrives on curation that feels personal, lineups that move like chapters in a book, sound systems tuned to catch every detail, and a setting where the air itself seems to carry the low-end.

Lynne embodies that approach. Originally from Japan and now based in London, she’s built a reputation on mixing low-lit atmospheres with rhythm patterns that shift just as you think you’ve caught them. Her triumphant comeback to our podcast series finds her opening the spectrum: warmer tones, space between the beats, a subtle dub pulse, and even flickers of jazz phrasing. Yet the structural backbone remains hers, breaks that fold time and pacing that keeps you just ahead of the next turn. It’s not a departure, it's more like a widening of the frame, perfectly in sync with the spirit of Les Chaos Ambiants.

https://soundcloud.com/lynne-tokyo
https://www.instagram.com/lynne_tokyo/

https://soundcloud.com/leschaosambiants
https://www.instagram.com/leschaosambiants/

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Delayed x Les Chaos Ambiants: Lynne

♥‿♥
Recorded at @noname_community • June 2025

thank you @aspetuck

e25.orbit07 • aspetuck

Disquiet Junto Project 0711: Show & Tell &
The Assignment: Share some recent music; get and give feedback

Step 1: Choose a track/composition you’re working on. Share the recording on the Lines forum on the llllllll.co discussion thread at:

https://llllllll.co/t/disquiet-junto-project-0711-show-tell
Step 2: When posting the track, mention that you’re looking for feedback, describe what you’ve been up to on the track, and if applicable specify some aspects of the recording you might want input on.

More on the 711th weekly Disquiet Junto project, Show & Tell & — The Assignment: Share some recent music; get and give feedback — at https://disquiet.com/0711/.



time and motion [disquiet0711]

The second week of August 2025.
Oslated Special Mix 078 - Kamran Sadeghi

Amenthia Recordings
New York
US

Kamran Sadeghi is a composer, record producer, interdisciplinary artist, and curator based in New York City. His work incorporates sound art, multi-channel composition, architecture, moving image, modular synthesis, and field recordings. This layered practice explores the intersection of interior and exterior worlds—physical, cultural, and psychological. He has collaborated with Zimoun, Patti Smith, Ellen Allien, Nan Goldin, and Matthew Herbert, with solo and collaborative presentations at CTM Festival, The Louvre, Berghain, Centre Pompidou, and Volksbühne. 

Discography
TAKT - Acid Futurism EP [Forthcoming 2025 / Synchrophone]
Inner Image LP [Forthcoming 2025 / Amenthia Recordings]
Disappearing Music (for Nam June Paik) [2023 / Line]
And more....

https://kamransadeghi.com
https://soundcloud.com/kamransadeghi
https://www.facebook.com/kamransadeghiofficial
https://www.instagram.com/kamran_sadeghi_official
https://kamransadeghi.bandcamp.com

- Artwork by Clément Davout

Oslated.
http://www.oslated.com

Oslated Special Mix 078 - Kamran Sadeghi

Softly goes Europa

Mostra and Deep Breakfast Series are collaborating for a second year to bring you home some of the sounds that echoed through the festival’s unique spaces. Mostra is an intimate, independent festival dedicated to forward-thinking and experimental electronic music, taking place over four days in Barcelona.

Among the featured performances was nigul, the ambient drone project of Jaume Muntsant (also known as Droneghost). Active since 2004, nigul explores themes of darkness and fear through dense sonic textures, field recordings, and evolving soundscapes. His hybrid set unfolded on the second day of performances at Fabra i Coats: Fàbrica de Creació.

Photo Credit : Laura Dominguez

Follow:
https://soundcloud.com/nigul
https://soundcloud.com/mostrabcn

Deep Breakfast Series
Instagram: www.instagram.com/deepbreakfastseries/
Facebook: www.facebook.com/DeepBreakfastSeries/
Tumblr: www.tumblr.com/deepbreakfastseries

Deep Breakfast x Mostra ~ Nigul (Hybrid Set)

Undertow

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

Follow us on social media: 

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Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

Honoured to welcome one of the finest ambient selectors on the planet...

'A certain recluse monk once remarked, "I have relinquished all that ties me to the world, but the one thing that still haunts me is the beauty of the sky." I can quite see why he would feel this.' - Yoshida Kenkō

"Mostly new music, brought together in the moment - at home, one afternoon in Tokyo, summer 2025." - Chris SSG

https://soundcloud.com/mnml-ssgs

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Chris SSG

Curated by @jaykeegan

Artwork by Clayton Ciolac
https://claytonciolac.com
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Chris SSG

The Observatory

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