T3R Hyperspace Series

Recorded live at RSO.Berlin.
November 2022.

Kwartz @ XFORM [RSO.Berlin]

Recording of my Live Act at Jardim Sonoro, in Lisbon. I used two controllers to control Ableton (108 knobs & 12 buttons) and an Erica Synths Perkons (also processed in Ableton in real time). 95‰ of the synth ideas you hear were created in the moment. No scene launch in ableton whatsoever. Let me know if you find the 5% pre recorded beats :D

It’s a completely raw recording, no level adjustment, no mastering and no editing (yes you can hear a little crash on my computer near the end).

Thank you all the danced with me in this special day :)
Thank you Jardim Sonoro for what you have accomplished. 
❤️

Temudo Live Act @Jardim Sonoro 01/07/2023

Nørbak & Quelza are the 348th guests of our original Hate Podcast series.

Download available.

Follow #Nørbak here:
https://soundcloud.com/norbakmusic
https://www.instagram.com/norbak_hayes/
https://www.facebook.com/norbakmusic/

Follow #Quelza here:
https://soundcloud.com/quelza
https://www.instagram.com/quelza_m/
https://www.facebook.com/quelzamusic
https://ra.co/dj/quelza

HATE Podcast

HATE Podcast 348

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Nørbak & Quelza - HATE Podcast 348

The full 3h recorded set of my debut at the legendary @tresorberlin on October 25, 2023 - invited by @push_femaledjnetwork for the Tresor Berlin New Faces event series.

Isabel Soto @ Tresor Berlin | 25.10.23 (New Faces)

EERSTE COMMUNIE #038 IGNEZ

For BASEMENT 008, we've turned things over to Holden Federico.   A favorite of the NY underground, Federico holds a reputation both for his comprehensive knowledge of techno's most obscure corners and for his capacity to channel his sprawling collection into DJ sets of exceptional poise and vibrancy. Raised in Pennsylvania, an early fascination with software production led him from live music into an obsession with track building and the limitless possibilities of electronic music. In 2020, he launched @90stechno.redux, an online platform that catalogues some of the finest, and often nearly-unheard, examples of the genre's golden age. Drawing heavily on the Detroit-Berlin axis, Federico exemplifies the focus and discernment of a purist, engaging with techno both as a true art form and as a near-spiritual discipline.
— @holden-federico

BASEMENT 008 - Holden Federico

To kick off the year, I’m excited to share my set recorded in August 2024 for the incredible Unfold party at @foldldn!

From the moment I stepped into the club, I was instantly embraced by its electric and welcoming vibe. The venue itself is mind-blowing, and the sound system brought the music to life in a way that was unreal.

What really made the night special was the inclusive, beautiful queer energy throughout the space. It was a true safe haven, where everyone could fully express themselves. Such a cool evening! ❤️ 

Hope you enjoy the flow of this set as much as I did playing it!

Mastering: @arkantechno

Justine Perry @ Unfold | Recording set at Fold London | August 2024

T3R Hyperspace 59 - Paula Koski

Tatsuya Kanamori quickly became one of the few Japanese techno producers to rise to worldwide prominence within the late 90's techno scene with his productions and remixes as DJ Shufflemaster.
Originally a committed member of the Tokyo-based label Subvoice, where he released several of his early EPs, Kanamori's reputation outside of Japan was greatly aided by his affiliation with European techno heavyweights such as Adam Beyer, Joel Mull, Ben Sims and Carl Lekebusch.

It was no surprise that Berlin-based Tresor knocked on the door and offered Kanamori the opportunity to record her first full-length album. In 2001, he appeared via Tresor, a full-length LP packed with a string of dancefloor-oriented techno productions featuring Kanamori's trademark aesthetic, making him one of the first Japanese techno producers to achieve worldwide recognition.

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T3R Hyperspace 59 - Paula Koski

The Third Room

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