Harry

Pururuca Records Orgulhosamente Apresenta:
Torresmo Sessions #01: Tarso Miller and The Wild Comets
Música: Honky Tonker (The Traveling Kind)

Gravado ao vivo no estúdio Pururuca Records dia 25/02/204
Violão e Voz: Tarso Miller
Baixo: Alliss Big Bull
Guitarra: Tiger Jr.
Gravação, Mixagem e Masterização: Thiago Calegari
Gravação e edição de video: Thiago Calegari
Cameras: Thiago Calegari e Guilherme Calegari

Torresmo Sessions #01: Tarso Miller And The Wild Comets - Honky Toker (The Traveling Kind)

SCOPE - Die Zukunft (Original German Mix) - 1990

Sad Lovers & Giants- Colourless dream

The Cure – A Forest (Peel Sessions)

This track is from the album Hometown Nights and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/tarsomillerandthewildcom

Southern Star

Side A on the new tour single for Makthaverskan. Out digitally now!

Out on 7" March 3rd in Scandinavia, April 18th in the US. 

Makthaverskan - Witness

Credits
Artwork [The Phuture Of Graphics] – Jay Why Kelly!*
Mastered By [Vinyl Cut] – SST (8)
Music By – A. Fischer*, H. Wick*
Producer, Composed By, Mixed By – Andre Fischer, Holger Wick
Recorded By – Nino Tielmann
Notes
Recorded at Power Station, 1989. 
Published by ICM/Hanseatic. 
S.M.P.! Records is a division of Muzic Research GmbH. 
Distribution by AMV - Strahlenbergerstr. 125 A 
D-6050 Offenbach. 
Made in Germany 

Scope / Die Zukunft (Last Minute Mix) (Suck Me Plasma ‎– SUCK ONE 1989)

New Order - Ceremony (studio)

From The upcoming album "Abyss", available everywhere August 7th, 2015

iTunes pre-order includes "Iron Moon" Instantly: http://smarturl.it/CWAbyss 
US CD/LP Pre-Order: http://chelseawolfe.hellomerch.com
UK & EU CD/LP Pre-Order: http://sargenthouse.awesomedistro.com/artists/chelsea-wolfe

http://chelseawolfe.net
https://facebook.com/cchelseawwolfe
http://twitter.com/cchelseawwolfe
http://instagram.com/cchelseawwolfe
http://sargenthouse.com/Chelsea-Wolfe

Chelsea Wolfe - Iron Moon

There's a Girl in the Corner (Robert Smith version)

It’s San Francisco in 1966 and we’re lying in the long grass overlooking the bay realising that life might never get better than this. Same year, different location. We’re walking down St. Mark’s Place in New York towards the Dom, where the Velvet Underground are performing this very evening. Post-punk London: pop possibilities, psychedelic outcomes, unsteady futures. Connecticut 2004, a collegiate idyll and meeting point for Andrew VanWyngarden and Benjamin Goldwasser whose primordial wigouts are released under the name MGMT.

Lysergic mgmt diethylamide: this music is for those who know their Orange Sunshine from their Windowpane. Drenched in pop as much as psychedelia, they don’t need a map and compass to find the tunes. MGMT formed at Wesleyan University in Connecticut and after some indie activity soon caught the attention of Columbia who have so far released the first two albums, the aptly-named Oracular Spectacular and Congratulations. There have been Grammy nominations (and even a Grammy win for Justice’s remix of ‘’Electric Feel’), though these are mere fripperies in the face of Owsley Stanley and his pals.

Although their sound has morphed considerably over the first two LPs, their attitude has not. In ‘Song For Dan Treacy’, they show their affection for a certain type of British songwriter (Treacy’s band TV Personalities are included here), while Congratulations’ producer Peter Kember is a former member of the Spacemen 3, the best psychedelic band ever to come from Rugby – who also figure on this very compilation with the delightful ‘Lord Can You Hear Me’.

They are firstly fans of other people’s records, those MGMT boys. You can tell by the impressive depth of their selections and by how sympathetic this music sounds when blended together. We can’t overlook the tremendous contributions of the English psych aristocracy hereabouts. There is the Droolian himself Julian Cope whose song, ‘Laughing Boy’, is taken from his finest hour Fried. Then there’s the unbearably cultish Felt, featuring the wonderful Lawrence Hayward, with ‘Red Indians’ and Vini Reilly (aka Durutti Column) with the slinky ‘For Belgian Friends’. If Syd Barrett, Kevin Ayers and the Singing Policeman had been present, the eccentrics of Great Britain Society would have had a quorum.

But that is not all. Oh no. That is not all… There’s the other side of the pond, too. The Grace Slick-led Great Society’s ‘Love You Girl’ and Suicide’s Martin Rev who weighs in with the magnificently batty ‘Sparks’ from 2000’s Strangeworld. But then, just when you think you’ve get them all figured they go and throw rockabilly hero Charlie Feathers into the ring. To top it all, there’s also their reading of Bauhaus’ uncharacteristically beautiful ‘All We Ever Wanted Was Everything’ for our now traditional Late night Tales cover version. TKO MGMT.

Gently remove your I Was Lord Kitchener’s Valet army uniform. Take a sip of green tea, lie back on the chaise longue and wait for the magic carpet to arrive. Let’s take a trip.

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

MGMT - All We Ever Wanted Was Everything [Bauhaus Cover] (Late Night Tales: MGMT)

Interpol - Leif Erikson

Creux Lies - The Hearth
Download "Portals" for Free: 
https://creuxlies.bandcamp.com/track/portals

Revered for use of reverb-laden guitar work, creative synth structures, and dynamic vocals akin to the style of many early shades of 80’s pop darkness, Creux Lies are known as an alternative / post-punk / new romantic-esq project from Sacramento, California. Created out of the band formerly known as NMBRSTTN, singer Ean Clevenger, guitarist Barry Crider, synth/electronics David Wright, drummer Topher Snyder, and bassist Kyle Vorst have focused their creative vision toward a new path of electro-drenched melancholy sonic styling.

Sharing stages with a roster of notable acts such as Clan of Xymox, Drab Majesty, Soft Kill, and others has encouraged Creux Lies to develop their own headlining performance antics, including powerful performances in step with a dramatic visual/light experience. Catch them playing this years amazing Out From The Shadows Festival and in your city soon.

The site & social media 
www.creuxlies.com
www.facebook.com/creuxlies/
www.instagram.com/creuxlies/
twitter.com/CreuxLies

The are planning their tour, here’s some dates
www.creuxlies.com/#tour-section

Please Subscribe to our channel for the latest #CleopatraRecords releases @cleopatra-recs

cleorecs.com/ (P) (C) 2018 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws



#DrabMajesty #SoftKill #RitualHowls #ClanOfXymox #PostPunk #NewWave #Darkwave #Goth #Synthpop

Creux Lies "Portals"

Blonde Redhead- 23

Jinx is the new album from Weekend.
Mirror is the first single from Jinx.

Jinx is out now on Slumberland Records.

iTunes: http://smarturl.it/weekend-jinx-itunes
LP/CD order (color vinyl, poster, etc): http://www.slumberlandrecords.com/weekend/jinx
More info + tour dates: http://weekendtheband.us/


“The trio have burned a lot of the haze off their sound (and some of the
ear-bleeding volume), in favor of more melody and danceability, albeit in a
gothy '80s kind of way.” - Brooklyn Vegan

“Weekend kiss the curb with their new single, “Mirror”. It’s a promising
jig for Jinx.” - Consequence of Sound

“Note those bells and whistles, folks...not to say the deeper into Jinx we
travel the noise won't greet us with a screeching wail we've come to
expect, keeping those plugs at arm's length, but Weekend is not hiding in
the feedback.” - Impose Magazine

"All the subtlety of a high-pressure firehose...a dour, post-punk
atmosphere that goes for immersion rather than force." - Pitchfork

“Ominous razor-sharp textures enrapture, "Mirror" foretells the future of
Weekend, where gloom and pandemonium is a joyous return.” - Prefix

“It's steamy post-punk with a circular bass attack leading the way over
galloping drums...[Weekend’s] trademark guitar-pile assault.” - Rcrd Lbl

“Craftsmanlike post-punk” - Stereogum

There's a Girl in the Corner (Robert Smith version)

thetwilightsad

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