اون رفت منم رفتم. او آمد من رفته ماندم

everything else

I'd Like to be your Homeland

I'd Like To Be Your Homeland

This is a track from my debut album PERHAPS THERE... ( انگار همان جا ) coming out in November 2013

A Tale Told Again (poetry by Nima Yushij)

Darren Wall.................Upright Bass
Shahrouz Molaei.........Drums
Robbie Grunwald........Accordion
Sina Salimi.................Santour & Vocals

Recorded, Mixed and Mastered by Ali Kamali @ Arkwaves studio
Album Artwork & Design by <a href="http://www.kajart.com/" title="Kajart Design and Production">KAJART Design & Production</a>


داستانی نه تازه - A Tale Told Again

Music: Morteza Neydavoud(1900-1990)
Words: Hossein Pejman
Arrangement: Tara Tiba and the band
Tara Tiba (Voice)
Kate Pass (Double bass)
Laura Corney (Saxophone)
Reza Mirzaei(Guitar)
Talya Valenti(Drums)
Free Download link: http://www.4shared.com/mp3/AxicMt-0ce/My_King_My_Moon.html?
Buy the high quality Album here and support us for future music making!:)http://www.cdbaby.com/cd/taratiba



My King My Moon_Tara Tiba_شاه من ماه من_تارا تیبا

Gusheye Deylaman Ostat Banan|گوشه دیلمان آواز دشتی استاد بنان

دوبیتی‌ها از باباطاهر
سنتور پرویز مشکاتیان
از آلبوم قاصدک

غم عشقت به هر کس گفتنی نی

This song was recorded in Okaya Japan at Wave Studios, It is a simple accoustic song about hangovers. Vocals by Franco Jay,

Already Thinking About Sunday

تریفا(tarifa) - ترانه درخت و بارون

Sha`am O Shab

www,mahanmirarab.com
Mahan Mirarab: Fretless guitar
Robert Jukic: Bass
Wolfi Rainer: Drums

Mahan Mirarab (Jazz guitarist, Fretless guitarist, Composer, Architect)

Born on 13 July, 1983 in Tehran, started his first experience of art with painting, he spent his childhood during the war of Iran-Iraq in 80's. He started his first musical activities with playing piano at the age of 12 and after a year he switched to classical guitar. At that time there was no opportunities in Iran to listen to jazz music but at the age of 16 he could find the access to some tapes of Wes Montgomery and he started transcribing his tunes. In spite of lack of any approach to the basic learning instrument or any kinds of media in the form of books or any kind of recordings, he started to learn jazz. Although there was no teacher and school of music in Iran and the first step of his learning process was really hard, later after the development
of media in Iran in Mid 90`s he had the opportunity to listen to other jazz musicians and Kept continuing transcribing and analyzing the music of jazz legends like Charlie Parker, Bud Powell, Clifford brown, John Coltrane and many more.
Nearby tacking the first steps of learning music, according to his excessive passion to get influences from Persian traditional music, he started to play one of the main Persian musical instruments, called TAR. The influences and inspirations that he achieved from getting involved in learning traditional music have an indispensable role to shape his character as a musician, that is not only interested in jazz music but also is always grateful for Persian folk and traditional music. The main idea of playing
fretless guitar is on the one hand the difference between Persian and classic scales, because of existence of quarter tones in Persian music which makes it possible to be played by F.Guitar, and on the other hand it derived from his intention to find an appropriate and sufficient instrument that can accurately describe and express Iranian identity in his musical character.
The summer of 2003 was an important point of jazz music in Iran because the Legendary Armenian Pianist, Vahag Hyrapetian, organized the first jazz workshop in Iran since the Revolution of 1979.

It was a determinative event that was held for the first time in the realm of jazz music in Iran. Mahan attended to this workshop and also was asked by Vahag to play a duo concert with him.
Right after that he established his first Band as a Trio
set up with Dara Daraeei on bass and Amin Taheri on Drums. After some Concert Hamzeh Yeganeh a great Persian pianist and composer joined the band.
Beside his own project he cooperated with many concert and recording sessions as a side man during all this time. in 2008 he finished his studies in architecture in Tehran
art and architecture university and decided to move to Vienna. There he recorded his first Album with Wolfi Rainer(drums) and Robert Jukic(bass).This album is
a combination of Persian folk and traditional music with jazz .
The composition and arrangement of this project that started in Iran in 2006 is already
concluded and recorded in Vienna’s session in title "The Persian Side of Jazz" After moving to Vienna Mahan played with different Jazz and World music ensembles in Different European countries as well as United States.

9:40 am

Music By Parnaz & Robert 
Vocal & Violin : Parnaz Partovi 
Guitar : Robert Gharakhan 
Sound: Shayan 
Taar: Ali 
Lyrics : Nader Naderpoor

FB PAGE :http://www.facebook.com/Vitarband
YOUTUBE : http://youtu.be/pnOs8iucCow

"Hich" Parnaz Partovi

Araam Araam (A Lullaby)

در هضم‌ِ بَزم - سوُم /آن شبِ اردیبهشت 
هر کس خاطره را یک جور نگه می‌دارد برای خودش. برای من این جور است؛ ترانه‌هایی با یاد و در هضم‌ِ بَزم‌ها.ـ 
سوم٬ حکایت‌ِ بازی با نام‌ها بود و یادها؛ حکایت‌ِ آن شب‌ِ شیرین و آن حال‌ِ فرهاد؛ حکایت‌ِ آن شبِ اردیبهشت ...ـ


آن شبِ اردیبهشت

Mix & Master : Mehran Hooshmandian

Mass

ترانه سرا و آهنگساز:  رضا مرتضوی
 تنظیم:  اردلان پایوار
—————————————
آواز و گیتار:   رضا مرتضوی 
آواز:   شادی ی  
ویولن:   محمد تقاضایی 
 پیانو و طراحی سازها:  اردلان پایوار 
—————————————
Rez-in (Music and Lyrics)
Ardalan Payvar (Arrangement)
—————————————
Rez-in (Vocals and Guitar)
Shadi Y (Vocals)
Mohammad Taghazaei (Violin)
Ardalan Payvar (Piano and programming of bass, strings, and percussions)
—————————————
Mixed and Mastered by Ardalan Payvar

Waltz e Darya (Reza Mortazavi + Eendo)  |  والس دریا

یه دفعه طفلکی عاشق شد و گم شد دلکش
گم که نه، انگاری که کنده شد اصلاً کلکش
کمتر از یه قرقره با آسمون فاصله داشت
که یهو بد بیاری زد به نخ بادبادکش
پر گریه بود ولی خنده امونش نمی داد
انگاری گریه می داد یواشکی قلقلکش...

Araam Araam (A Lullaby)

The Vakhan

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