So awesome! Thank a lot of your music. I miss Vietnam so much... :'(

Chill Out in Paris

Huong Vietnam (Chill & Lounge Tales)

Sensitive Kind (J.J Cale)

Janet Seidel - Les Parapluies de Cherbourg

Girl, You'll Be a Woman Soon

I hear your call
Your lips won't move
There's so much hurt 
So much past

Richard Durand feat Simon -  No Way Home (Unplugged)

Kayah & Bregovic

To Nie Ptak

Windham Hill Chill

Miserere

* sound optimized

Thx to Alchemist Project for
this great Track and Lukas Termena 4 great Mix :-)
Have Fun : )

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Alchemist Project - Save me ( Lukas Termena chillout mix - Rework by Rob 2016 )

Charangosongs

Rise (Eddie Vedder Into the Wild Soundtrack)

Mixed Live, Not In Studio

Download Link :- http://ipendu.net/music/view.php?id=172 http://www.tunescoop.com/play/323634333735/bally-sagoo-ft-shabnam-majid-dil-cheez-hai-keya-jana-kamsaini-chandigarh-chill-and-fever-remix-mp3

<a href="https://theartistunion.com/tracks/470005?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Bally Sagoo ft Shabnam Majid-Dil Cheez Hai Keya Jana [Kam'Saini (Chandigarh Chill and Fever Remix)]

Buddha Bar 6 - CD 1 - 07 - Cellar 55 - Pro-Do-Sol

Ibiza Jazz house featuring Ramon Sanz Garcia on sax

FLOW WITH IT

I want to share this new unreleased song with you:

This is a song I wrote inspired by a painting done by a brilliant artist friend of mine, Jacqueline Alma. The title of the painting is "Shallow Waters" and the title of my song is "I see it All".  My song is not only a response to the painting and its subject, which addresses discrimination within society, but it's also a tribute to the artist's creative process; I am very impressed by Jacqueline's dedication to an old school approach to painting - using only 5 colours and mixing everything from that (using no black), painting only from life never from photographs (Kenton posed for 500 hours for this painting!) and her patient attention to every detail; sourcing the linen and  preparing the canvas are as much a part of the process for her as painting the picture.

I love the idea of one art form responding to another. Crossing the borders between different forms of emotion and expression.  I hope to do more of this in the future." -Heather Nova

Heather Nova "I See It All"

Lodi Garden

Some recordings we knocked up to wrap your audio flaps around.

THE WEATHERMAN

Internationally famous composer, director and producer Thierry David is one of the great names in new age music. Claude Challe, initiator of the Buddha Bar compilations, calls David one of the few French people to legitimately belong to the genre. On the eve of the release of his new work Evasions (released in France, May 2007), this talented creator tells us about several significant times in his life. Thierry David was born in Paris in 1955. Rather than quietly flow through life, David mapped out his daily life and planned his life’s path. During his early years he practiced the major pieces from the classical repertoire before discovering the freedoms of jazz while still a teenager. “For my parents,” he remembers, "this confirmed passion for music was only a hobby.”

Upon graduation from ESSEC, one of the prestigious business schools in Paris, he flew to Peru as a volunteer posted to the cultural service of the French Embassy in Lima. During this long stay on the other side of the world, David devoted most of his leisure time to music. When he wasn’t playing with Peruvian musicians he was composing his first melodies, inspired by traditional classical music and enriched with departures into jazz and excursions into the South American repertoire. A great traveller who stayed in remote regions for long periods at the drop of a hat, David succumbed to the charms of the Andean melodies.

“Rather than rush into a diplomatic or business career, I attempted the entrance exam for Berkley College of Music in Boston," he says, and was accepted into this prestigious institution. “It was a very hard school that demanded a genuine personal investment. You had to work 15 to 18 hours a day. The less passionate soon gave up, a sort of natural selection process,” he reflects today with the necessary distance. “On my return to France, I thought my education in business and music would open the door to a major record company but nothing I did in this way succeeded and eventually I accepted a job as head of advertising with the ad agency Grey. We were managing huge budgets and for fun, I enjoyed composing jingles that only I listened to. In advertising, roles are divided between commercial and creative and each has its place,” he comments. “One day, I don’t really know how, I was listening to something that I had created for a new campaign for a famous brand of underwear. It was accepted. To avoid an awkward situation and make things more clear-cut, I handed in my notice and threw myself into my music. From there, I did everything — played in piano bars, gave piano lessons, accompanied jazz groups, rock groups, heavy metal groups and more. Over time I signed my first music commissions, first radio jingles and, above all, gained in experience. A trained pianist, I learnt to create my own sound and clearly preferred creating my own musical world.”

With this clear view of his art, Thierry David fully invested himself in the burgeoning venture Koka Media, which is today recognised as one of the great musical catalogues. “The label enabled me to work with other musicians” he says, quoting a medley of names from the percussionist Steve Shehan to the guitarist N’Guyen Lé. “These have been genuine companions on my journey, artists with whom I have often worked since." David says of his musical style, “When my first commercial record Human Inhuman arrived on the shelves in FNAC, it crossed many different styles (classical, jazz, Indian, opera…), a blend of instrumental music that could be enjoyed both as relaxing background music not really needing attention or listened to more intently. Since the appearance of lounge compilations, we talk of ‘lounge music,’ which suits me as long as beyond the apparent simplicity of the compositions, there is recognition for the high degree of precision exercised by the one who takes care over the results, spending time adjusting the sounds, blending them and refining the arrangements of his compositions.”


Huong Vietnam (Chill & Lounge Tales)

thierry david

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Nguyen Ngoc Ly Ly

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