Amazing Ambient Music

Plenty Of Space (Ambient Tales)

Nothing To Forgive (HYPNOSIS)

Previews from my latest album Cryosleep Dreams, an atmospheric and cinematic collection of 10 ambient space music tracks that take the listener on a journey to the far reaches of space and imagination.

Ideal music for relaxation, sleep, dreaming and meditation. The album contains 101 minutes of music and is available to download with a pdf booklet of artwork directly from my website for £4.99:

http://www.thebluemask.com/music-tracks/cryosleep-dreams/

YouTube promo video:

https://www.youtube.com/watch?v=1AvjxpLqyPM

And also available from:

Amazon:
http://www.amazon.com/gp/product/B00ZEQBNG0/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00ZEQBNG0&linkCode=as2&tag=thebmusiforfi-20&linkId=2XEK5B427OVMJF2N

Bandcamp:
http://thebluemask.bandcamp.com/album/cryosleep-dreams

Google Play:
https://play.google.com/store/music/album/Simon_Wilkinson_Cryosleep_Dreams?id=Brmqwcj5aquwep6dj4p7yrvfc5e

iTunes:
https://itunes.apple.com/album/cryosleep-dreams/id1004780963

Spotify:
https://play.spotify.com/album/0o40KUyDMVmDFlgqKoR613



Cryosleep Dreams (preview clips)

Credits : SkyGuide app
For the full 3 hours version ---------> https://www.youtube.com/watch?v=PZYZq1fzuwk&t=2220s&ab_channel=Zico580

Check out my youtube channel for more 
https://www.youtube.com/channel/UCuJu_iQaag96hEMaDCZYMsQ

Space Ambient Music (SkyGuide Theme)

One of the strangest and most fascinating aspects of ambient music is the way it can sometimes morph from sonic wallpaper -where it basically functions as a soundtrack- into an agent of transformation, allowing the reshaping of the perceived world around the listener. Some of Mathias' albums have had this effect on me before, and the Darklight Quest definitely falls into this territory. gterma is happy to shine a light on this now mostly forgotten treasure, originally released as a DIY CDr in 1998.

Tracklist:

1. Prelude (5:09)
2. The Abyss (33:23)
3. Unseen Worlds (29:25)
4. Beyond Nothingness (9:21)

The Darklight Quest

[gterma047] : Mathias Grassow - Beyond Nothingness

Despite 250 years of spaceflight and terraforming, humanity is still not closer to solving the age old riddle of our cosmic origins or the true purpose of our existence. The journey must continue across new frontiers. gterma takes the help of two artists in illustrating modern life in the Vega system, one of the core colonies and located a mere 25 light years from Sol. The album is dedicated to the iconic British painter Peter Elson, whose lavish illustrations fill the 16-page booklet.

Tracklist

1. Colourful Island (7:03)
2. Watching The Sea (5:59)
3. Nightfall (Down Mix) (7:07)
4. Solar Wind (8:06)

5. Northern Lights (6:03)
6. Floating Far Above The Clouds (8:19)
7. A Clear Night Sky (7:22)
8. Unknown Horizon (5:49)

9. In Between (Ambient Mix) (5:23)
10. Travelling In Outer Space (8:44)
11. The Dream (7:57)

[gterma027] : SecondFace - Northern Lights / Floating Far Above The Clouds

Claude Challe Buddha-Bar II Di - Desire- Deepak Chopra featurin

1-Anahata -f-Drone
2-Nanase  Hikaru-Imaginary Space
3-Hidrosphere-Nebula
4-Sunrise-The Astral Planes
5-Out of Times-Early Times

Navegando en los Jardines del Tiempo   
~Mixed For Nashrax Ziox Transitrances
:::::::::::::::::::Thanxsforlistenings! Enjoy ♥

Transitrances Trncdncs ~ Ambient-Space I

Internationally famous composer, director and producer Thierry David is one of the great names in new age music. Claude Challe, initiator of the Buddha Bar compilations, calls David one of the few French people to legitimately belong to the genre. On the eve of the release of his new work Evasions (released in France, May 2007), this talented creator tells us about several significant times in his life. Thierry David was born in Paris in 1955. Rather than quietly flow through life, David mapped out his daily life and planned his life’s path. During his early years he practiced the major pieces from the classical repertoire before discovering the freedoms of jazz while still a teenager. “For my parents,” he remembers, "this confirmed passion for music was only a hobby.”

Upon graduation from ESSEC, one of the prestigious business schools in Paris, he flew to Peru as a volunteer posted to the cultural service of the French Embassy in Lima. During this long stay on the other side of the world, David devoted most of his leisure time to music. When he wasn’t playing with Peruvian musicians he was composing his first melodies, inspired by traditional classical music and enriched with departures into jazz and excursions into the South American repertoire. A great traveller who stayed in remote regions for long periods at the drop of a hat, David succumbed to the charms of the Andean melodies.

“Rather than rush into a diplomatic or business career, I attempted the entrance exam for Berkley College of Music in Boston," he says, and was accepted into this prestigious institution. “It was a very hard school that demanded a genuine personal investment. You had to work 15 to 18 hours a day. The less passionate soon gave up, a sort of natural selection process,” he reflects today with the necessary distance. “On my return to France, I thought my education in business and music would open the door to a major record company but nothing I did in this way succeeded and eventually I accepted a job as head of advertising with the ad agency Grey. We were managing huge budgets and for fun, I enjoyed composing jingles that only I listened to. In advertising, roles are divided between commercial and creative and each has its place,” he comments. “One day, I don’t really know how, I was listening to something that I had created for a new campaign for a famous brand of underwear. It was accepted. To avoid an awkward situation and make things more clear-cut, I handed in my notice and threw myself into my music. From there, I did everything — played in piano bars, gave piano lessons, accompanied jazz groups, rock groups, heavy metal groups and more. Over time I signed my first music commissions, first radio jingles and, above all, gained in experience. A trained pianist, I learnt to create my own sound and clearly preferred creating my own musical world.”

With this clear view of his art, Thierry David fully invested himself in the burgeoning venture Koka Media, which is today recognised as one of the great musical catalogues. “The label enabled me to work with other musicians” he says, quoting a medley of names from the percussionist Steve Shehan to the guitarist N’Guyen Lé. “These have been genuine companions on my journey, artists with whom I have often worked since." David says of his musical style, “When my first commercial record Human Inhuman arrived on the shelves in FNAC, it crossed many different styles (classical, jazz, Indian, opera…), a blend of instrumental music that could be enjoyed both as relaxing background music not really needing attention or listened to more intently. Since the appearance of lounge compilations, we talk of ‘lounge music,’ which suits me as long as beyond the apparent simplicity of the compositions, there is recognition for the high degree of precision exercised by the one who takes care over the results, spending time adjusting the sounds, blending them and refining the arrangements of his compositions.”


Plenty Of Space (Ambient Tales)

thierry david

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