My playlist

OUT TODAY ACROSS ALL PLATFORMS

Preorder Breaka 003 here:
https://breakamusic.bandcamp.com/album/breaka-003

Breaka & Frazer Ray - The Loudest Woiioii Ever

Comfort Zone 02 Luxury Downtempo Chilled Grooves

Ocean Beat (2011 Remastered)

!!! These are stripped-down 192mp3 snippets of the original tracks!!!

Artist: V.A.
Title: Elaste Vol. 4
Cat No: CPT 439-1
Format: 2 LP / CD / Download
Release Date: 24th January 2014

TRACKLISTING: 

CD:
01. Charanjit Singh „Raga: Madhuvanti“
02. C Cat Trance „Shake The Mind“
03. Cybotron „Mumbo Jumbo“
04. Rinder & Lewis „Gluttony (Dompteur Mooner Edit)“
05. Man Friday „ Love Honey, Love Heartache (Larry Levan's Original
Unreleased Garage Demo Mix)"
06. Barbara Norris „Heavy Hitter (Dompteur Mooner Edit)“
07. Change „The End (LP Version)“
08. Gino Soccio „Remember (LP Version)“
09. NAD „Distant Drums“
10. Equip „XXXO“
11. Sandée „Notice Me (Notice The House Mix)“
12. Disco D „Beat It“
13. Dopplereffekt „Infophysix“

VINYL:
A1: Charanjit Singh „Raga: Madhuvanti“ 
A2: C Cat Trance „Shake The Mind“ 
A3: Disco D „Beat It“
B1: Cybotron „Mumbo Jumbo“
B2: Rinder & Lewis „Gluttony (Dompteur Mooner Edit)“ 
C1: Barbara Norris „Heavy Hitter (Dompteur Mooner Edit)“ 
C2: Tambien „Quedarte“ (Vinyl Only Bonus Track)
D1: Equip „XXXO“
D2: NAD „Distant Drums“
D3: Dopplereffekt „Infophysix“

Info:
Welcome to the fourth chapter of the ELASTE series!
In this compilation I am progressing a style I am inaugurating: Vintage Futurism.

The best metaphor for this genre is Charanjit Singh's 1982 album Ten Ragas to a Disco Beat in which he created a sound which mirrors, but more importantly pre-dates, the first acid house record by five years. It is no novelty record, but truly capturing the hypnotic potential of acid/house music. It became my key track for Elaste Volume 4.
Previous incarnations of Elaste have aimed to catch the spirit of the late 70’s Italian Cosmic Discotheque, a place where the history of DJing was rewritten within this microcosm. For this latest instalment I was most intrigued by weird of-the-time (or ‘out-of’ as the case turned out to be) electronic disco, a vast genre!

Bringing together those progressive avant-garde tracks that were expanding the genres of house, disco, acid, new wave; and ultimately use Elaste as a vehicle to highlight those tracks that were ahead of their time. These legendary works ranges from 1978 to 1996, a wide spectrum of musical history, in which some of the older tracks may sound modern, and newer ones sound may sound vintage.

Many of these authentic back-to-the-aural-future moments were initial sparks for whole genres - Larry Heard ́s Disco-D alias happened just before house music. Greg Wilson’s 1984 project Equip was produced for a UK Electro compilation, but never made the LP, because it sounded simply too futuristic. Michael Rinder ́s Gluttony can’t be called Disco any more, not even Post-Disco.

For Elaste Vol. 4 we have built Vintage Futurism as a home for these ultramodern mavericks.

About Dompteur Mooner
Mooner stepped into the limelight as part of Zombie Nation, whose 1999 smash hit 'Kernkraft 400' was signed to DJ Hell's Gigolo label and earned worldwide chart success. As one of the most knowledgeable experts in obscure vintage electronic music, Mooner however decided to do things a little less obvious from that point on: He left Zombie Nation and founded Erkrankung durch Musique, a label dedicated to releasing left-field electronica, from techno to experimental pop, old and new.

He also a highly regarded DJ, known for his unmatched record collection and bootleg edits, such as his „Girls Girls Girls“ Ep that combined great 80s girl bands as extented edits, or „Greatest Hits“, an hommage to dance – orientaed Rock music.

Mooner just finished his fourth chapter of „Elaste“, a compilation series for Compost Records that started the Cosmic Disco hype.


www.compost-rec.com
www.facebook.com/compostrecords
www.myspace.com/djmooner 
www.myspace.com/loveincm 
www.mooner-industries.de 
www.hartofnoise.com 
www.erkrankung.net

Sandée „Notice Me (Notice The House Mix)“

Please message or email myself or management if you would like this track to be removed for copyright reasons. This Track is NOT monitized and is shared for entertainment purposes only.
Contact: blacktrafficmusic19@gmail.com or rebootagencybookings@gmail.com

Skream & Jackmaster – The Attention Deficit Track (Black Traffic Edit)

"Edinburgh producer Dansa steps up with a set of tried-and-tested club wreckers to mark the debut solo release on the Palidrone label.

Drawn from a myriad of influences without attaching to one specific style, on ‘Kill The Body And The Head Will Die’ Dansa blends propulsive drum patterns with gritty bass murk and explosive sound design, resulting in three hefty club workouts made for maximum dancefloor impact."

Dansa
Soundcloud: https://soundcloud.com/dansa_eh
Instagram: https://www.instagram.com/dansa_eh/

Palidrone
Soundcloud: https://soundcloud.com/palidrone
Facebook: https://www.facebook.com/palidrone
Instagram: https://www.instagram.com/p/Co9fKb_AoRk/

PREMIERE: Dansa - Forceps (Palidrone)

Mashup of:
Svært at være fantastisk-AndreasOdbjerg/EmmaSehestedHøeg/Bulbo-Feathered Sun
Mashup af Bartante

EmmaMashupBartante/Sværtatværefantastisk

Opera

Chocolate Elvis

St. Barths – Chillout Lounge & Nu Jazz is a 12-track journey through warm Caribbean sunsets, turquoise waters, and elegant island nights. Smooth lounge grooves, subtle nu-jazz textures, and relaxed rhythmic flow create a refined atmosphere made for terraces, beach clubs, and late-evening escapes. Thanks for listening and supporting this project!

Golden Terrace

SERALP02: Satellite Era presents “Seedful Things (20th Anniversary Edition)” - a revival of perennial demos written in 2001-2005 by Julian La Brooy, best known as @hitori-tori

Out now on digital + limited edition CD: https://ffm.to/seralp02

For the first time ever, “Seedful Things” sees an official release two full decades after its conception. The 20th anniversary edition includes the original 13 tracks from the debut Hitori Tori album, along with four unreleased tracks written in the same time period. The CD version also features an exclusive hidden track unavailable on digital platforms.

The year was 2005 when Julian La Brooy finally decided to plant the seed of his newfound Hitori Tori project. Based in Japan at the time, he recorded a batch of promising demos onto a pack of CDs to ship out to record labels abroad. Nearly four years of studying the craft of balancing aggressive breakbeats with comforting melodies was compiled and ready to share with the world. After running into logistics issues at his local post office that prevented the CDs from traveling anywhere, La Brooy gifted the recorded demos to friends surrounding his artistic endeavors. Unbeknownst to him, the CD would eventually make it onto SoulSeek, an infamous peer-to-peer file sharing network where its community tends to influence the growth of rare and obscure music projects. Becoming a hit beneath the interweb, the album was eventually uploaded onto YouTube, gaining even more interest and becoming a cult classic within the niche of braindance enthusiasts.

It is our utmost honor to finally give Hitori Tori’s debut album a proper home. Welcome to the 20th anniversary edition of “Seedful Things” - a celebration of experimental electronic music through the passage of time, only made possible by the virtual crate diggers that fuel it. Each track’s arrangement has been left as is, with the only enhancements coming from the improved mastering technology in our arsenal two decades later. The album centered around the development of drill ‘n’ bass, familiarized by the legendary sounds of Warp and Planet Mu in the 90s. The subgenre serves as sort of a neutral zone between braindance, drum ‘n’ bass, trip-hop, and electronica. As breakcore began making its digital footprint, the high stakes, high tempo movement was immediately met with La Brooy displaying a warmer, more playful interpretation.

“Seedful Things” is a vibrant ecosystem of distinct species coexisting. Each intersection seems as leftfield on its own as it feels tightly woven, merging influences from the internet and La Brooy’s environment into one. In tracks like “Yutaka,” he sampled one of his Japanese students playing with toy trains in class, only to end the track with field recordings of a nearby train stop. There are plenty of moments throughout the album that are purely inspired by La Brooy’s routine commutes around Japan, surrounded by strangers with birds meandering above. Occasionally, a few wrong turns would lead him on a side quest - “Walls Of Shibuya” was written after purchasing tea at an undiscovered shop that led to mild hallucinations. The project is riddled with relics of a distant yet familiar past, like in “Breakfux Of Champions.” Here, he used samples from a contest held by Nautilis, the now defunct project of a household name in electronica, to create a glitched-out blend between hip-hop and breakbeat. La Brooy is also unafraid to pick up the microphone in “Ishibashi vs. Tennoji” and “Why You Drinking Booze?” as he turns simple interludes into displays of conscious rap, only with unconscious lyrics meant to be taken unseriously. Aside from the many crossovers, there are tracks that have certain recognizable styles, such as “Keihan Line” and “Aonepsco” taking on breaky drum ‘n’ bass aesthetics. “Stole My Tet” and “Chioal” provide lovers of trip-hop a nice place to roost, just before the album chaotic unwinds into the final few tracks previously unheard.

BUY / STREAM

Hitori Tori - Chioal (2025 Remaster)

The Richest Man In Babylon

From Creation

* Read more: https://boltingbits.com/tambura-tikitaka-dazion-remix-kalahari-oyster-cult
* Watch on YouTube: https://youtu.be/seFZ8u6yxgU
* Order: http://bit.ly/30iEQAR

Munich. 1994. A group buck current trends with a ground-breaking release. Tikitaka by Tamburá left aside the techno of the time to focus on a the lesser known styles of afrobeat and tribal music. The result was three tracks that sail and soar on a primal energy, three works that whisk listeners away to exotic lands of wooden wind instruments, ritualistic vocals and, even, bag pipe majesty. For twenty five years this record has been an unattainable mystery, until now that is. Kalahari Oyster Cult have lovingly restored all three of the trailblazing original tracks alongside two very special remixes. Melbourne’s Tornado Wallace adds new layers of intensity as he cuts and reshapes melodies and beats to set any floor alight with this visionary remake. Dazion offers a very different interpretation. Focusing on vocals, this new talent accentuates the shamanic-like chants of Tikitaka, using them as a base from which throbbing synth lines grow as new depths are explored. An EP every bit as daring in 2019 as it was in 1994.

PREMIERE: Tambura - Tikitaka (Dazion Remix)

Official Soundcloud of Thievery Corporation

From Creation

Thievery Corporation

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