Live performance by Koi Collective:
Soprano saxophone: Maarten Vergauwen
Piano: Emmy Wils

Recording by Beeldenstrom (2021-11-24)

(... fend ...) excerpt - Koi Collective

(...en attendant personne...)

2019/2020

Recorded Live at De Singel Antwerp - January 15th 2022
Recorded by Acoustic Recording Service (Yannick Willockx)

Commissioned and performed Flanders Symphony Orchestra
www.symfonieorkest.be
Conduced by Martijn Dendievel
www.martijndendievel.com

The full recording of (...en attendant personne...) was released on Explicit Records/Etcetera in October 2023

(...to be listened to with headphones or good speakers...)

(...en attendant personne...) (2019-2020) (excerpt) - Flanders Symphony Orchestra - M. Dendievel

Ansatz (prelude for orchestra)
Written as a part of the SOV Composers' Academy
Performed by Kristiina Poska and Flanders Symphony Orchestra
Live recording by Yannick Willox at DeSingel (Antwerp) 2022-05-22
Picture by Wouter Maeckelberghe

Ansatz - Symfonieorkest Vlaanderen, Kristiina Poska

Short excerpt of Nymphes des bois for string quartet (2021-2022).
Commissioned by Transit Festival
Recorded live at Festival 20/21 - Transit 2022

Performed by Quartetto Maurice

Nymphes des bois (2021-2022) - for string quartet (fragment 1) - Quartetto Maurice

for six voices, flute, clarinet, harp, percussion, violoncello and double bass
Léo Warynski, Conductor

Ensemble Multilatérale
Matteo Cesari - flutes
Allain Billard - clarinets
Hélene Colombotti - percussions
Aurélie Saraf - harp
Pablo Tognan - violoncello
Nicolas Crosse - double bass

Les Métaboles
Anne - Clarie Baconnais
Aurélie Bougié 
Laura Muller
Steve Zheng 
René Ramos-Premier
Paul-Alexandre Dubois

16.07.2023
Friche la Belle de Mai, Marseille

<eludes> |  Les Métaboles & Ensemble Multilatérale (2023)

L'ombre que tu devins for viola da gamba and orchestra
by soloist Dirk Moelants and Continuo (cond. Kevin Hendrickx)

02/06/2024, Christus Koningkerk, Gent (BE).

L'ombre que tu devins for viola da gamba and orchestra

Séverine Ballon, solo cello
Recorded in Hertz Concert Hall, Berkeley on January 20th, 2015


------

The Spider as an Artist
Has never been employed —
Though his surpassing Merit
Is freely certified

By every Broom and Bridget
Throughout a Christian Land —
Neglected Son of Genius
I take thee by the Hand —


Emily Dickinson, 1275

The Spider as an Artist (2014) for solo cello

Recording by Mathieu Grillo, Helicopter Studio
Photo by Laurent Orseau (c)

Sculptuur - Live at Echo Chamber VOLTA

for eleven musicians and electronics

Ensemble Next
Dir.: Flavien Boy

Federico Altare, flûte
Youjin Jung, clarinette
Simon Munch, saxophone
Alessandro Rinaudo, percussions
Pierre Venissac, piano
Bastien Pouillès, accordéon
Youngseo Kim, violon 1
Karen Nonomura, violon 2
Nadine Oussaad, alto 
Yi Zhou, violoncelle
Jules Bauer De Milleret, contrebasse


21.03.2025 - Conservatoire National Supérieur de Musique et de Danse de Paris

zerre | Ensemble NEXT (2025)

Concordances II (2024) is a piece by Gerard Erruz for piano, accordion and electronics.
Performed on October 2024 at the Universität für Musik und darstellende Kunst Graz (KUG).

Piano: Ana Ostojic
Accordion: Maurizio de Luca
Composition and electronics: Gerard Erruz

Concordances II is part of an ongoing series of pieces that explore the integration of field recordings and environmental sounds into the musical discourse focusing on the control of the degrees of mimesis with instrumental sounds. It investigates the potential of suggesting symbolic relationships to objects, scenes, actions, by means of sounds and their unfolding through musical time.

L'ombre que tu devins for viola da gamba and orchestra

Siebe Thijs

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