I like this stuff

FREE DOWNLOAD: https://hypeddit.com/disaffected/mzbrattselectadisaffectedbootleg

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Mz Bratt - Selecta (Disaffected Bootleg)

FREE DOWNLOAD: https://hypeddit.com/disaffected/missyelliottgeturfreakondisaffectedbootleg

Missy Elliott - Get Ur Freak On (Disaffected Bootleg)

Hope you enjoy <3

Artist IG: https://www.instagram.com/rwbmusicuk/

Artist Bandcamp: https://rwbmusicuk.bandcamp.com/music

Over and Out IG: www.instagram.com/overandout.uk/

Over and Out Bandcamp: www.overandoutsounds.bandcamp.com/

Rotate - Test & Aim

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[FREE DL] Rumble - Skrillex, Fred Again.. & Flowdan (bullet tooth Bootleg)

MAMADA DUB

FREE DOWNLOAD IS THE EXTENDED MIX

Previously called Speakers Blow Your Mind. 
After the first video went viral on TikTok I've been teasing this one for months. I thought it was about time to give it to you all as a free download and show you the heavier UKG/Breakbeat sound I have been experimenting with. Teamed up with my brother Manny Martey on this one which has been shutting down dancefloors across the UK.

Free Download

Black Eyed Peas - Pump It (Riordan x Manny Martey Edit)[FREE DL]

[FREE DL] Warning - Shy Fx feat. Gappy Ranks (bullet tooth Bootleg)

Molecule - Rabbit Hole WEB CLIP(UNSIGNED)

One of my most personal mixes. For this one I really tried to go outside the box conceptually - who would have thought to do a fantasy role-playing themed drum and bass mix? Having been a life long Dungeons and Dragons fan, I thought it would be cool to basically let everyone know that I was into role-playing games. And for the intro I was able to lock down the voice of Optimus Prime himself Peter Cullen! During the recording process I was patched into his headphones when he was in the studio and was even able to direct him. It wasn't until later that I discovered he had voiced the character of Venger on the 80's cartoon series Dungeons and Dragons. Awesome! The artwork was once again handled by the legendary Akira Takahashi. One of the coolest parts of the art is the reoccurring image of a dragon which is an exact copy of the dragon tattoo on my back. I always thought Akira was very clever to incorporate that image so deeply throughout the design. Though you cannot see it here, I spent a lot of time working on the liner notes so that they kind of read like stuff you would find in Dungeons and Dragons rulebooks. One of the coolest things about this project was being able to get remixes made of popular non-dnb artists like Tiësto, Sasha, Josh Wink and BT. It really sort of pushed this thing over the top at the time. Finally there is something that needs to be said about one of the tracks on here. The Paul B + Subwave remix isn't of the Tiësto tune "Flight 643". It is a remix of his track "Lethal Industry". I can't remember why this happened in the first place, but there you go! Enjoy :)

—

TRACKLIST

Dieselboy - Prologue
Cartridge - End Of The World
Break - Accelerate
Kaos + Karl K + Jae Kennedy - Soul On Fire (Concord Dawn Remix)
Basic Operations - White
Tech Itch - The Hand
Raiden - Infection (E-Sassin Remix)
Sasha - Immortal (Kaos + Karl K Remix)
Wink - Evil Acid (Gridlok Remix)
Teebee + Calyx - Follow The Leader
BT - Knowledge Of Self (Evol Intent Remix)
Dub Faction - Flightpath
Usual Suspects - Doorway (Gridlok + Echo Remix)
Dom + Kemal - Moulin Rouge (Dieselboy + Kaos + Karl K Remix)
Tiësto - Flight 643 (Paul B + Subwave Remix)
Concord Dawn - Take Me Away (Ill Skillz Remix)
Decorum - Contrax (Weapon Remix)
Dumonde - Human (Ill Skillz Remix)

The Dungeonmaster's Guide

Slick Back

Chew It

Here is “The Soldier’s Story”, my first truly original cd for the prestigious American electronic music label Moonshine. For this release I was given complete control of choosing all of the music and really went out of my way to find the best future thinking, unreleased and heavy as hell drum and bass at that time. This one was not just for the dancefloor and really started to establish the way I would approach choosing music for all future mix projects. Some of the key tunes on here would be my collaboration with Technical Itch “Atlantic State”. The bassline was born out of a keyboard glitch and the cool pads in the intro are from a Skinny Puppy sample cd. The name was a nod to the classic 808 State tune “Pacific State” (the Atlantic ocean separates the USA and the UK ;). Jonny L “Bellz” was just a white hot smasher that I loved to death. And “The Stalker” was a weird super minimal tune that eventually became the anthem for my drum and bass weekly “Platinum" in Philly (everyone used to love that track!). For the intro I used a bunch of samples from the videogames Half Life and Quake (I found the sound libraries and broke them up and mined the shit out of them). At one point I was contacted by some people who worked on Half Life and they said they used to play my mix at the office. That was awesome. This mix sounds fast because I mixed it on my home turntables that were modified to play faster than normal. I always thought faster was better. The artwork was done by the late Todd Baldwin of Airline Industries. He hired famous Marvel comics artist Paul Gosier to draw me as a super soldier for the cover. Most people didn’t really think it looked like me ;) Finally, I lifted the title from the movie “A Soldier’s Story”. In the drum and bass scene a “soldier” is a die hard fan of the music. That pretty much sums me up to this day. Enjoy!

—

TRACKLIST

Dieselboy - Precautionary Procedure
Konflict - The Beckoning
Usual Suspects + Fierce - Sawn Off
DJ Friction - Photon Remix
Future Cut + Mark Da Intallex - Plastic
Technical Itch - Deception
Technical Itch - Stack
Moving Fusion - Sex Drive
Jonny L - The Bellz
Usual Suspects + Loxy - Stalker
Vertigo - Drained
Danny Breaks - Dissonance
Peshay - Vegas
Kosheen - Yes Men (Decoder Remix)
Technical Itch + Dieselboy - Atlantic State
Decoder - BS9

A Soldier's Story

System Upgrade was my 4th and final mix CD release for Moonshine back in 2000. I was on a roll at this point, given that my last CD “Soldier’s Story” had been released only one year before. I was super motivated by the freedom that I had finally been given to select all of the music in my mixes, and this tracklist reflects a truly diverse selection of really great drum and bass from that era. Being able to kick things off with the remix of “Mindscan” by the legends Ed Rush and Optical was truly an honor for me. At that time stateside artists and DJs were still struggling with garnering respect from the UK. I feel that this mix was sort of a transition for building trans-Atlantic relationships during that unfortunately tense era. Dillinja came through with a beast of a remix for American super producer Hive with “Ultrasonic Sound”. Decoder did serious justice to his remix of my tune “The Descent”. And E-Sassin was one of my favorite artists at the time and straight killed it with tracks like “Symptom”. A true American DNB classic. The rest of the mix was filled out with plenty of great music from the likes of Bad Company (the first time they licensed a tune for the American market), Kemal and Rob Data AKA Konflict and of course Dom + Roland, Tech Itch, etc. Was always super happy with the tunes I was able to get for this one. And yes, this was another mix I did in my pajamas sitting on the floor of my living room in my apartment in Philadelphia. Very classy! The artwork was handled by Justin Fines, otherwise known as Demo Design. I discovered his work on a flier at a rave in Detroit back in the 90s. He was way beyond most flier designers at that point in time. Currently he is killing it in the world of TV commercials here in NYC. Was very lucky to have him on board for this project. The concept of the mix was elevating consciousness through music. This theme played out through the title of the mix, the graphics, the liner notes, and the intro (which was a collaboration between myself and a Mr Justin Geller). Here is a fun story. The rainforest environment FX in the intro were recorded in binaural sound (that means in headphones they should sound like they are in true 3D audio). We also used a sample from one of my favorite new age / synth artists at the time named Steve Roach. Outside of the new age music scene I didn’t think he was well known. Buuut…Moonshine ended up getting contacted by his lawyers for my illegal sampling of his track. I had to forfeit all of my income from the CD to pay Steve Roach back for using his music in my intro without clearance. To this day I am still not sure how he found about it. Long story short, “System Upgrade” is a mix that reflected the vibe of drum and bass at the time and it was a very important stepping stone between what I had previously been doing before mix wise and what I would go on to do with the “6ixth Session” and future mixes. And, to this day, people still tell me that it is their favorite mix. I don’t disagree. I feel like this was an important moment in the progression of the  US drum and bass scene.

—

TRACKLIST

Dieselboy - Loading Program
Ram Trilogy - Mindscan (Ed Rush + Optical Remix)
E-Sassin - Symptom
Hive - Ultrasonic Sound (Dillinja Remix)
Biostacis - Brain Hack
Dom + Roland - Can’t Punish Me
Decoder - Road Rage
Future Cut - Overload
Kemal + Rob Data - Konspiracy VIP
Stakka + Skynet - Side Effects
Dieselboy - The Descent (Decoder Remix)
Jonny L - Selecta
Decoder - Dumb
Facs + B-Key - Antics
Technical Itch - Deadline
Bad Company - Sentient 
Absolute Zero - The Code (Usual Suspects VIP)

System Upgrade

**TBMR Exclusive 073** Sammy Virji - Rotten Riddim VIP

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CONTACT for all business related inquiry
thinkmolecule@gmail.com or facebook.com/timothy.parenteau

The DJ/ Producer known as Molecule began his journey into creativity in the mid 90’s.Hailing from Columbus, Ohio his roots couldn’t have been established in a better place.With the Mid-West to East Coast rave scene becoming pioneers in the United States for electronic music producers and DJ’s, Molecule absorbed from and associated with leaders in the boom era.Playing in line-ups with top DJ’s ranging from DJ Dan to DJ Dara and events from Revolution to Tilt, Molecule has been used to the control of the crowd and spotlight persona.Learning to DJ at 13 years old, Molecule began producing his own music as well at 17 due to personal artist development and creative progression.There is no genre that can’t be mastered or professionally accelerated in for this guy.Some DJ’s just do it for home town love or because they are bored at the clubs they go to.Molecule does this because he was born to.Sometimes the crowd can not tell if a DJ is good or bad, but the DJ’s can. Mr. Molecule gets respect from all around the room when he gets his chance to light up the dance floor.That is why it is a no brainer to expect nothing but great music and great times when following this ever evolving master of his craft.

Acts I've Opened Up For:

12TH Planet
AK1200 
Araab Muzik
Baby Anne
Bare 
Brillz
Bunny
Cookie Monsta
Crizzly
Datsik 
Dieselboy 
Document One 
Doctor P
Downlink 
ETC!ETC!
Figure
FuntCase
Killabits
Liquid Stranger 
Luminox
Messinian 
Mt. Eden
Nerd Rage
Roksonix 
Savant
Schoolboy
Smash Gordon
Steve Aoki 
Team Grime 
Terravita 
The Widdler 
TZR
Vaski

Molecule - Rabbit Hole WEB CLIP(UNSIGNED)

Molecule

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Ian Cook 1

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Molecule - Rabbit Hole WEB CLIP(UNSIGNED)

**Molecule**

Recent comments

Ian Cook 1

INTRINSiC

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Molecule