I like this melodie sound and bear mix.. almost sounds like backwards to.. the other side.. :)

@uli-stonedigger: You're absolutely right. In exploring negative and positive vantage points, I was trying to create competing soundscapes. Thanks very much!

Tense and dramatic piece, and in the end comes the light...well done, Chris!

Ⅰ feel a story....artistic sound.  Great it !

Mixed Friends 44

MIXED UP - Love hammer

TRAPMYSTIC - Caught In A Trap  (first mix 2015- EXCLU)

DanleMiel compo, 2016.
Computer Assisted Music.

BABYLONE - Mine Field

Negative Space

Improvisation III

Indian summer:
dragonfly shadows seldom
brush the window.

Poem by Masaoka Shiki https://terebess.hu/english/haiku/shiki.html
Picture by Gabriele Diwald https://unsplash.com/@gabrielediwald

clicK-herE

halF dragonflY [naviarhaiku232]

An all-interval 12-tone row (serialism!) gets repeated over and over (minimalism!), but the tones are gradually revealed as 4th harmonics of implicit fundamentals (spectralism!) that get randomly (aleatoricism!) replaced, in each clarinet's part, by other harmonics.  The result is not midway between tonality and atonality, but rather, paradoxically fully committed to both logics at all times.  The harmonic cloud around the row gradually obscures its structure, and something happens at the midway point that may only seem obvious to the listener who gets to the end and goes back to the beginning.  This imparts a certain approximate symmetry (formalism!).  

The affect of the effect reminds the composer of butterfly flight, and the title refers, casually, to some recent research concerning how that all actually works.   The hidden crucial moment might suggest a "butterfly effect," but chaos theory is not literally implicated in the piece.

The practical score will call for three players even though effectively the work sounds as a mere duet.

Butterfly Waggle Vortex Rings, for clarinets

Boson Spin - Ossmilor

Submission for Disquiet Junto Project 0337: Through Composted
(Create a piece of music that is through-composed, but built entirely from samples.) For more information, see: https://disquiet.com/0337

Having written a through-composed folk song for February Album Writing Month 2011, I sampled my demo from YouTube ( https://www.youtube.com/watch?v=My_7VH9PRw4 )and used this as the backbone for my assembled tragedy.

Prince Of Thorough Compost [disquiet0337]

Sixth track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

IMPROVISE III

Wilder:  The First Time I Get My Hair Done (2015)

Seventh track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

Wilder:  Omnidirectional Transport (2015)

Wilder:  Sunflower (2015)

Eighth track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

Wilder:  Recycling The Past (2015)

Ninth track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

Wilder:  A Dog's Journal Entry (2015)

Tenth track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Vocal by Chris; artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

Wilder:  Living One Vibrational Energy (2015)

Eleventh and final track in the 2015 series from my brother Chris soundcloud.com/third_eye_cue/tracks and me; now we are using iPad apps along with our hardware, and more sequencing, creating tracks that are somewhere between improvised and produced. Artwork by Chris. (Equipment & software listed below is for this series of tracks; they are not all used on every track.)

Equipment used:

•	Roland VS880 Digital Studio Workstation 
•	Alesis QS8 Digital Master Controller Synthesizer
•	Roland MC-909 Sampling Groovebox
•	Korg MS2000 Analog Modeling Synthesizer
•	Roland MC-505 Groovebox
•	Roland GAIA Analog Modeling Synthesizer

Software Used:

Apple Logic Pro
Apple Soundtrack Pro 
Korg Gadget, Thumbjam, Yellofier, Bebot, Musyc, Bloom, Orphion, Voice Dream Reader (iPad Apps)

Wilder:  Understated Elegance (2015)

Curly Compositions from a German Composer.

ART DEPT compositions, while remaining within the stylistic realm of experimental pop, are more formal in structure (entirely programmed with hand-made synthetic loops, samples, and traditional electronic instruments recorded live).

Additional compositions are a mixture of improvised and loosely rehearsed tracks minimally produced utilizing both conventional and software-based instruments.

Negative Space

ART DEPT

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