Artist: Jan Loup 
Track: Tribalglitch with Incitation
Release: Looking for MTH 
Cat: SSTR/VA02 
Label: Sous Traitance 
Release date: 25 JAN 2023 
Format: 1x CD Various Artists 
Pre-order: https://soustraitance-sstr.bandcamp.com/album/looking-for-mth

Looking For MTH (SSTR/VA02)

DT PREMIERE: Jan Loup  - Tribalglitch With Incitation [Sous Traitance] (2023)

ᴘʀᴇᴍɪᴇʀᴇ
Artist: AH&N
Track name: Tellura
Release name: Primawärld II
Catalog Code: [MCR03]
Buy Link: https://monochromerecords.bandcamp.com/album/prim-rwald-ii
Release Date: March 20, 2024
Follow:

AH&N
▫️ www.instagram.com/a.h.n.music
▫️ https://soundcloud.com/attentionhereandnow

Monochrome
▫️ www.instagram.com/monochrome.association
▫️ www.facebook.com/monochrome.asso
▫️ https://soundcloud.com/monochromeasso

Bandcamp

PREMIERE: AH&N - Tellura [MCR03]

Akinsa - Tesseract

bkstn418418524 Planet Asia - Medallions (Remix Ξ&Λ)

Aikanã - Lakota

Atol Disks is a brand-new journey, one that doesn’t rely on many words—music speaks for itself.

Our vision is to trace a path of coherent eclecticism and spontaneous connections, like an archipelago of islands tied together by invisible currents.

No Era, No Tempo Vol. 1 embodies this idea:
14 tracks by Italian and international artists, curated by A-Tweed and Oltrefuturo. Each track is a world of its own, yet together they form a natural weave where differences meet and converse in instinctive harmony.

Atol Diskz -
https://soundcloud.com/atol-diskz
https://www.atoldiskz1.bandcamp.com
https://www.instagram.com/atol_diskz/

DE:MA -
https://soundcloud.com/demajacopo
https://www.instagram.com/itsde__ma/

PREMIERE: DE:MA - Fuck I Delete The Synth  [Atol Diskz]

@vinerrrrr @annafruit

Music Video: www.youtube.com/watch?v=p-42QsmV8Ug
-----------------------------------------------------------

Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazá [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn

Qurgōn LP

Viner - Qurgōn (A.Fruit Remix)

I wanted to make a techno track combined with a og frenchcore kick and this heavy track came out.
Shaddow always combines components of different genres and makes a banger out of it.

So here is "Hunter" from Shaddow.

Enjoy it guys!!!

Mix & Mastering: Shaddow
Producer: Shaddow
Sounddesign: Shaddow

Producing App: FL Studio
Audio Type: WAV



Shaddow - Hunter

Electronic Talk (Oliver & Surrender! remix)

Gliese 12b

Aquarian - The Snake That Eats Itself

Canadian born, Berlin based producer @Aquarian makes his full length album debut The Snake That Eats Itself on Bedouin Records. This record follows his collaborative EPs with Deapmash as 'AQXDM" and is his first solo release since his 2016 experimental mixtape for Quiet Time.

Nearly five years in the making,The Snake That Eats Itself is Aquarian's most complex, diverse and emotive work to date, plunging his trademark UK sound-system / techno hybrids into a self-contained, cinematic universe streaked with heavy influences from industrial, IDM, drone and dark pop music. Written in Brooklyn, New York, in a deeply transitional, yet seemingly endless period preceding his relocation to Berlin,the title of the album refers to the Ouroboros, a mythological serpent symbolizing the cycle of birth and death and infinity itself.

The Snake That Eats Itself pits Aquarian's most abrasive and brutal moments next to his most wistful and introspective. Viscerally thick layers of tape saturation envelop the album as sludgy synths ooze against brittle atmospheres; breakbeats fragment, explode and disintegrate into swarms of delay and noise; scorched, metallic percussion - sampled from a year-long demolition and construction project next to his apartment - forge the rhythmic backbone of the album. These elements, however, seamlessly make way to startlingly crystalline and shimmering ambient passages, offering a sense of reprieve and balance.

Tracklist:
01. End Credits
02. Blood Sugar
03. Sketch 2 (Song for D.O.U.G.)
04. Ouroboros
05. Tarp2
06. New York, An Eternity
07. Hate Is A Strong Word (Part 1)
08. Hate is A Strong Word (Bruxist Part 2) 09. Letting Go At Arm's Length
10. 365 Days And Counting

The Snake That Eats Itself​ is accompanied by art direction and a collaborative live A/V show by acclaimed artist and researcher Sougwen Chung.
Early support from Aphex Twin
Artwork by Sougwen Chung
All tracks written, produced and engineered by Aquarian unless otherwise noted. Tracks 4, 7, 8 & 10 mixed by Dean Grenier
Additional engineering by Dean Grenier on tracks 7 & 8.
Mastered by Goth Trad

'Hate Is a Strong Word, Pt. 1' taken from Aquarian's debut album titled 'The Snake That Eats Itself' that will be released on Bedouin Records on February 14th 2020.

Akinsa - Tesseract

Third Foundation

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