The Melvins' "Live at Third Man Records" is available here: https://thirdmanstore.com/catalog/product/view/id/978/s/the-melvins-live-at-third-man-records/

Recorded Direct-To-Acetate on May 30th, 2013 at Third Man Records in the Blue Room.

The Melvins - "It's Shoved" Clip Live at Third Man Records

Seasick Steve's "Hubcap Music" is available here: https://thirdmanstore.com/hubcap-music

Wielding his Morris Minor guitar fashioned out of two hubcaps and garden hoe, Seasick Steve is indisputably a living legend, and is recognized as such the world over--particularly in the UK where he has received four gold and one platinum records, sold out the likes of the Royal Albert Hall and and the Manchester and Hammersmith Apollo theaters, appeared on national TV, been nominated for multiple Brit Awards, played the Glastonbury and V Festivals, and shared the stage with the likes of John Paul Jones and Dave Grohl. In 2011, Steve released You Can’t Teach An Old Dog New Tricks, his first full length album for Third Man Records. 

Hubcap Music kicks off with "Down On The Farm," which Steve debuted live at last year's Pinkpop Festival in the Netherlands and is one of several tracks on the record to feature John Paul Jones on bass. Jones also contributes mandolin, Hammond organ and more to the record, while other Hubcap players include Jack White on "The Way I Do" Luther Dickinson on "Home," and Dan Magnusson holding down the beat as he does for Steve's live shows.

Seasick Steve - "Home" clip from HUBCAP MUSIC

Jack White's "Would You Fight For My Love?" 7" single is available here: https://thirdmanstore.com/jack-white-would-you-fight-for-my-love-7-vinyl

"Would You Fight For My Love" b/w "Parallel"
The 7" single "Would You Fight For My Love?," the second single off Jack White's second album Lazaretto with non-album B-Side "Parallel"

Parallel

Jack White - "Parallel" Clip - Non-Album B-side to "Would You Fight For My Love"

Jack White's "The Black Bat Licorice" 7" single is available here: https://thirdmanstore.com/catalog/product/view/id/1331/s/jack-white-that-black-bat-licorice/

Jack White's "Lazaretto" is available here: https://thirdmanstore.com/jack-white-lazaretto-12-vinyl

Get Lazaretto on iTunes: http://smarturl.it/Lazaretto

Blue Light, Red Light (Someone's There) written by Harry Connick Jr.

Exclusive non-album B-side from Jack White's 7" single 'That Black Bat Licorice'.

Blue Light, Red Light(Someone's There)

JACK WHITE - "Blue Light, Red Light(Someone's There)" Clip

Rough Detective

The Dead Weather - "Rough Detective"

Envie - Share How You Feel WIP

The Dead Weather's "Dodge and Burn" is available here: https://thirdmanstore.com/the-dead-weather-dodge-and-burn-12-vinyl-or-cd

iTunes: smarturl.it/DodgeAndBurn
Amazon LP: smarturl.it/DodgeandBurnAmazon
Amazon CD: smarturl.it/DodgeandBurnAmazonCD

http://thedeadweather.com
http://thirdmanrecords.com/
https://www.facebook.com/Dead.Weather

Dodge and Burn

COP AND GO

The Dead Weather - Cop And Go

The wry and dry songstress stopped by Third Man Studios in Nashville over a long weekend in the summer of 2015 to record a couple tracks and damn did she deliver! The A-side “Boxing Day Blues Revisited” is the slinky and bittersweet epilogue to “Boxing Day Blues”, the somber album closer from Sometimes I Sit and Think, and Sometimes I Just Sit. It’s a strangely catching, plaintive reflection on the loneliness that blossoms when a person you care about treats you like literal garbage. The track is jaunty yet aloof, with CB’s trademark conversational lyricism in perfect contrast to the B-side, a beautifully dark reboot of the Roland S. Howard penned “Shivers” back in the days of The Boys Next Door.

Boxing Day Blues (Revisited)

COURTNEY BARNETT Boxing Day Blues (Revisited)

Courtney Barnett - Shivers

Third Man Records is proud to present a truly rare musical oddity- a two disc collection of primal and unhinged Greek village music that at times sounds more like free jazz or doom folk, feral and trance-like as it is. After years of research, fieldwork and collecting, Christopher King-Grammy-winning producer, sound-engineer, curator and writer- has gathered together from his private 78 rpm archive the most mind expanding and libido inducing song and dance music from the rural hinterlands of mainland Greece and its islands. Recorded between 1907 and 1960, this collection contains the first and the last-the alpha and the omega-of Greek demotika- or folk music. And it is not what you would expect.

Remastered from the original 78 rpm discs, this set contains 28 previously unissued recordings made in the cramped, primitive studios of Athens, Greece, New York, NY, and Chicago, IL. Crazed Macedonian bagpipes, keening violins, shiver-inducing zournas and shepherd-pipes are found throughout the two discs. Cover artwork is by legendary underground artist R. Crumb and designed by Grammy winning Susan Archie. A beautifully thought-provoking if not radical essay on this music by King accompanies the lavish package. Not simply for historians or collectors of long gone sounds, this compilation is intended to push the limits of what we have come to expect of music, its purpose and indeed its origin. You will experience a profound musical transformation immediately upon listening.

Why The Mountains Are Black: Primeval Greek Village Music 1907-1960

VARIOUS Why The Mountains Are Black: Primeval Greek Village Music 1907-1960 (DOUBLE LP)

Kalamatianos (Dance Of Kalamata)

We hear so much about the cultural battle for Nashville's SOUL these days, and whereas yes, it's true there are more condos then ever before and you're less likely to know the folks eating the open faced roast beef sandwich next to you at Rotier's, there is little denying that there are things about this funny little town that will never change simply because they are part of our DNA.

Hard work, stick-to-it-ivness, grit, and pristine musicality drenched in real life experience from the school of hard knocks... THAT'S Nashville. That's Country Music. That, ladies and gentleman is MARGO PRICE, and we here at Third Man Records are damn proud to announce that we'll be releasing Margo Price & The Pricetags debut album Midwest Farmer's Daughter in March of 2016. Enjoy this first 7" offering "Hurtin' On The Bottle" with non-album B-Side (and one of our favorite country tunes of the past forever) "Desperate and Depressed."

Midwest Farmer's Daughter

Margo Price - "Hurtin' (On The Bottle)"

The opening track from Margo Price's debut LP 'Midwest Farmer's Daughter'. "Hands of Time" is a bleeding country anthem that doubles as album centerpiece and biographical mission statement. 

'Midwest Farmer's Daughter' was recorded at Sun Studios in Memphis, with Price pawning her wedding ring and selling her car to pay for the sessions. Next week she'll perform at NPR Music's SXSW showcase, billed next to Vince Staples and Anderson Paak. Here she is making her debut at the Grand Ole Opry: https://www.youtube.com/watch?v=-ebTQwvSo-I

In addition, yesterday morning the New York Times ran a massive '25 Songs That Tell Us Where Music Is Going' package, including Price's "Hurtin' (On The Bottle)" alongside song by everyone from Rihanna, Coldplay, Run the Jewels, Kendrick + more: http://nyti.ms/1pzBHdr

*"To listen to a song for the first time, by a performer you don’t know, and feel uncomplicated joy, with awe laced through it, is a rare and wonderful thing. That’s how I felt when I first heard Margo Price." - New Yorker

*"Effortlessly baddass" -Stereogum 'Band To Watch'

*"Country's Next Star" -Fader

*"A potential classic" -Pitchfork

*"Margo Price will stop Music Row dead in its tracks." -NPR Music

MARGO PRICE Midwest Farmer's Daughter

Margo Price - "Hands Of Time"

Carter Logan, Jim Jarmusch, and Jozef Van Wissem are SQÜRL, An enthusiastically marginal rock band from New York City who like big drums & broken guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop, and imaginary movie scores. We are an enthusiastically genre-free record label who likes to hold good bands hostage in a big blue room with no corners and record their music with no take-backs or do-overs. SQÜRL's experimental stage show and our desire to capture it are a match made in heaven for your ears and your turntable, and we're ready to prove it to you. To date, SQÜRL has released a series of 3 EPs with ATP/Recordings as well as music for the films THE LIMITS OF CONTROL and ONLY LOVERS LEFT ALIVE, the latter with Jozef Van Wissem who has since joined the band for many live dates, etc... We are glad to add their discography with this brand new live record, recorded direct-to-tape in March of 2015.

SQÜRL: Live at Third Man Records

SQÜRL SQÜRL: Live at Third Man Records TMR313

SQURL Live at Third Man Records — The Taste Of Blood

Today, Third Man Records announces the release of Death From Above 1979’s epic live EP. For over 10 years, these international men of mystery, Jesse Keeler and Sebastien Grainger, have dipped their toes into whatever waters they pleased (MSTRKRFT, Deserts/Bad Tits, Femme Fatale, The Mountains, Black Cat No.13), and created songs that'll get you off your ass and make you feel things. 

A decade after a sudden break up, following the release of their rich and gritty first record You're A Woman, I'm a Machine, tours with Nine Inch Nails and Queens Of The Stone Age, and one foot in the door of the mainstream, Death From Above 1979 reunited and released their second LP The Physical World last fall. The duo picked right up where they left off and hit the road last summer. Amidst their resurgence, DFA 1979 decided to dip their toes in the water of Third Man Record’s Blue Room. The room which is home to the 1953 Scully Lathe that previously cut James Brown singles at King Records, and where they decided to record the epic live performance to master and be reproduced for generations to enjoy. United Record Pressing has completed the pressing of these records and they are officially ready for release.  The Live EP is set for release on April 22.</p>

<p>“We’ve always been wary of live recording experiences because they can end up so sterile and flat sounding and they hardly ever translate the feeling of the actual show. The feeling of the moment,” DFA 1979 said of the experience. “When we were asked to record Live At Third Man Records we agreed without hesitation. If there is one person who knows about feeling the moment, it’s Jack White. He’s the patron saint of vibes. We cut two twenty minute long sets straight to acetate. No second chances. Terrifying but alive. Third Man were such phenomenal hosts and the audience went bananas with us. It was such an honour to be a part of. The whole thing was such a rush, it almost feels like a dream.”

“Oh yeah, Mick Jagger was there. Did we mention that we went out to dinner with Jack and Mick after and then went bowling until 3am? It’s also worth noting that Jack got the highest score followed by Sebastien. Mick and Jesse tied.”

Death From Above 1979: Live at Third Man Records

DEATH FROM ABOVE 1979 Death From Above 1979: Live at Third Man Records

Death From Above 1979 — "Right On Frankenstein" Live at Third Man Records

The Detroit Cobras' "Life, Love and Leaving" is available here: https://thirdmanstore.com/life-love-and-leaving-12-vinyl-or-cd

Continuing our commitment to shining a celebratory light on classic and influential music from Detroit, Third Man Records is honored to re-introduce the world to the undeniable importance of the Detroit Cobras. We will reissue the Detroit Cobras debut records  — Mink, Rat or Rabbit and Life, Love and Leaving — on August 26th on glorious black vinyl at a record store near you, and available at thirdmanstore.com for pre-order today.

The band has experienced many roster revisions over the years, especially when it comes to their touring configuration, but the perfectly irreverent Rachel Nagy on vocals and Mary Ramirez, one of the greatest guitarists to ever come out of Detroit, have been near constants and the creative force behind these two records. The first of the two releases also include noted Detroit photographer Steve Shaw (The Fondas) on guitar, the prolific Jeff Meier (Rocket 455, Nathaniel Mayer) on bass, and the pure drum work by Damian Lang (Two Star Tabernacle) making for a line-up of pure perfection.

As one of the earliest salvos in the great Detroit garage explosion of the turn of the century, the Detroit Cobras' Mink, Rat or Rabbit (1998) is a landmark album. Comprised solely of covers songs (as has always been the band’s MO) the Cobra’s spirited takes on Motown classics (“I’ll Keep Holding On” originally by the Marvellettes), garage punk laments (“Bad Girl” originally known as “Bad Man” by the Oblivians) girl group tear-jerkers (“Easier to Cry” originally by the Shangri-Las) and New Orleans soul standards (“Break-a-way” originally by Irma Thomas) and the end result is nothing short of a staple that any record collection is empty without.

Originally released in 2001, the Detroit Cobras' Life, Love and Leaving is the group’s best-known effort, coming at a time when bands like the White Stripes and Dirtbombs were also releasing seminal albums that started picking up recognition outside of their collective hometown. Hitting hard with songs by soul heavyweights like Solomon Burke (“Stupidity”), Mary Wells (“Bye Bye Baby”), Otis Redding (“Shout Bamalama”), the inimitable vocals of Rachel Nagy would no-doubt be a template from which folks like Amy Winehouse would work from years later. A landmark collection of covers.

To wet your whistles, here is a previously unreleased song, which has been pressed as a bonus track on Life, Love and Leaving titled "This Old Heart."

The Detroit Cobras - This Old Heart - Bonus track on Life, Love and Leaving

The mysterious collective known as Man or Astro-Man? hail from the lowdown depths of Alabama, though their sound is hardly Southern, or American, or even terrestrial. Having released music throughout the ’90s and ’00s on garage punk stronghold Estrus Records as well as the legendary Touch and Go Records, they have wasted no time earning their places as mainstays in the American rock underground. Although they’ve released 10 full-lengths to date, chronicling quasar-hoppingquests and intergalactic misadventure in every direction, the centerpiece of their tenure will always be the band as they are on stage, frenetic, focused and swaddled in literal lightning from a homemade Tesla tower. Naturally, when the fine folks at Third Man Records began planning festivities for Record Store Day 2016, they could not help but indulge in the surf madness of Man or Astro Man? No doubt a signal of things to come—namely the first vinyl record played in space. The result is a retro-futurist surf riff bombast. The career-spanning set (which did include a Tesla tower and, ultimately, a charred drum set— yikes!) was a thermonuclear drag race and a welcome addition to a world-class live series.

Although there’s never a perfect substitute for being in the room when an artist owns the stage, Third Man Records continues to bottle the iridescent magic of the Blue Room with Man…Or Astro-Man? Live.

Man or Astroman Live at Third Man Records

Man... or Astro-Man? - Antimatter Man

"People still sing goddamn it. Praise be to erica lewis.” — Sampson Strakweather, author of PAIN: The Board Game


"erica lewis' poems map the relationships among music, memory, place, and the passage of time . . . . By intertwining the public and the personal, Lewis's poems become a membrane through which pop culture permeates the most intimate experiences of selfhood" — Publisher's Weekly


"Every word is held accountable and must carry a sort of gravitas. For all the white space and sparse lines, what remains in the gaps after all the excess has been chipped away is striking. lewis manages to strip language down not to its bare bones, but the particulate marrow contained therein” — The Rumpus


* erica lewis being of both Native-American, white, and black descent gives her a unique, and diverse perspective on American life.


* Every poem is inspired by a line from a Stevie Wonder song.

* The poems focus on lewis' mother’s side of the family, specifically the women. That matrilineal thread is at the core of the book.


* The book’s photo gallery allows the reader to see the people whom lewis writes about, it’s almost like reading a family album.


* mary ... definitely points to the oral traditions and storytelling that are passed down through the women in both native american culture and African-American culture.


* mary … bridges past with present – all of the race and #blacklivesmatter issues happening today happened 100, 50, 30 years ago, not just yesterday.


* mary … is lewis' fifth poetry book and the second book in a book trilogy called box set. The first book of the trilogy, darryl hall is my boyfriend, was published by Barrelhouse in 2015.


* Audio interviews between erica and her mother about the family's experience will be included via a download link


* Poet Tyrone Williams wrote the introduction.

Bad Times

DATENIGHT Bad Times

erica lewis - But I Ain't Touch The Sky

Third Man Records is excited to announce their second Greek folk music compilation, Kitsos Harisiadis' Lament In A Deep Style 1929-1931. Another spellbinding compilation exploring the depths of overlooked Greek folk music from the curatorial genius Christopher King, Lament highlights the virtually unknown work of the heartbreakingly haunted hypnotic clarinetist Kitsos Harisiadis. Pre-orders of the album are available now. The compilation will be available in stores on June 1. Third Man Records first compilation of Greek folk music from Christopher King is Why The Mountains Are Black: Primeval Greek Village Music 1907-1960.

From 1929 through 1931, Harisiadis recorded instrumentals that have endured in the Epirotic repertoire well into the twenty-first century. Kitsos plays all fourteen pieces as if he were a Greek-Shaolin monk conversing with a grasshopper at his feet.

Through King's painstakingly thorough research and immersive storytelling, the listener is able to fully absorb the otherworldly aura that radiates throughout the release.

Painstakingly remastered directly from ungodly rare original 78 rpm discs and coupled with artwork by R. Crumb and design by Grammy Award-winner Susan Archie, the entire package is delightful in every sense.

Lament in a Deep Style 1929-1931

KITSOS HARISIADIS Lament in a Deep Style 1929-1931

Kitsos Harisiadis — "Skaros" off

(Sandy) Alex G's "Live at Third Man Records" is available here: https://thirdmanstore.com/catalog/product/view/id/4271/s/live-at-third-man-records-10-9-2017/

Third Man is absolutely ecstatic to be releasing the excellent live document of (Sandy) Alex G's Blue Room performance. Recorded on the 2018 US tour supporting his critically-acclaimed album Rocket (Pitchfork Best New Music) and not long after a notable feature on Frank Ocean's album Blonde, this standalone LP is his first live set to be captured and made widely available for his very loyal fanbase to enjoy. 

Featuring work from self-released tapes, Orchid Tapes and Domino Recordings, this daydreamy and intricate retrospective opens a private window into (Sandy) Alex G's lovely lyrical wordplay and cozy stage persona. Not one to be missed, for real.

Live at Third Man Records

(Sandy) Alex G — "Bobby" Live at Third Man Records

Previously available only in limited edition capacity, The White Stripes "Hand Springs" b/w  "Red Death at 6:14" is now available on black vinyl in our online shop and on iTunes!


Hand Springs

The White Stripes ‎– Hand Springs

THE WHITE STRIPES - "Hand Springs" Clip

Purchase now at https://thirdmanstore.com/tmr-live/bill-callahan-live-at-third-man-records

Bill Callahan, fka Smog, is simultaneously a staple of strange American country, lofi, folk, and independent music. His lyricism comes across as challenging and deeply autobiographical, equal parts “poetry leaning on true-to-life darkness” and “three chords and the truth.”

So, it is fitting that Callahan’s live set would command the same sense of friendliness-with-
difficulty that the recorded songs do. With brief, candid, and charming interludes between older and newer material, an outsider can hear that this performance was obviously a full-bodied (and multi-era) engagement, no space left for distraction. “Jim Cain” is a phenomenal song in any iteration, no doubt about it, but this live recording is unabashedly disrobed, tender, and saved for a sympathetic ear. The full album is an experience; make it one you look after.

Live at Third Man Records Jim Cain - Bill Callahan

Introducing Vault Package #39 - SLEEP LIVE AT THIRD MAN RECORDS 
Sign up now at thirdmanrecords.com/vault

Sleep "Marijuanaut's Theme" Live at Third Man Records Clip

Wallows: Live at Third Man Records

"Pulling Leaves Off Tress" Live at Third Man Records

Ann Arbor Blues Festival 1969

Death Letter Blues - Son House

Mojo Hand - Lightnin' Hopkins

Ball And Chain - Big Mama Thornton And The Hound Doggers

Call It Stormy Monday (But Tuesday Is Just As Bad)- T-Bone Walker

Cranes In The Sky

A clip from The White Stripes' double Live LP NINE MILES FROM THE WHITE CITY, recorded live on July 2nd, 2003 at the Aragon Ballroom in Chicago, and pressed on white and red vinyl. Available only in the Vault Package #16.

Sign up as a Platinum Vault Member here: http://thirdmanrecords.com/vault/

Popular tracks by Third Man Records