Polymath

The second single from the retrograde LP. Stream or download now, with the full coming out in April

stream / dl

Everything in its right place (Snippet) | out now

The 3rd single from the Retrograde LP. Available 23rd April with the full album out in June 

Released via Polymath

Metamorphosis One

Retrograde LP is out now:
https://lnk.to/_PLP02

Stream / DL

Truman Sleeps

Giorgio By Moroder

Avril 14th

Killing In The Name (DTSKY Remix)

Buy/Stream: https://divedeephouse.fanlink.tv/nvdm-feelsgood

NvdM’s Feels Good EP delivers three house bangers made for the dancefloor. From groovy basslines to crisp percussion and catchy vocal chops, each track brings its own flavor while keeping the energy high. Whether youre warming up the night or deep in the set, Feels Good hits just right — bold, bouncy, and built to move.

NvdM - Feels good (Radio Edit)

100% of Disin you (St. David Club Re-Diss)

Muting The Noise

Lamm

SIAMESE005 Ed Davenport - Festnetz 2x12" will be out on October 27th. 

Digital: http://bit.ly/2yt09mh
Vinyl: https://eddavenport.lnk.to/Festnetz

More info: 
https://www.facebook.com/siameserecords
https://www.facebook.com/eddavenport.uk

We are playing Ed’s music for quite a long time now. 'Silver Walks' on Maeve might have been our favorite record of 2016. We never met in person though, until we played together at the Block in Tel Aviv this spring. We had a brief but nice conversation and stayed in contact after that. So the idea came up to do something together. The result is this wonderful mini album… four club tracks and three interludes, each creating different moments and vibes for the dancefloor. 

'Festnetz' is Ed’s vision of modern Acid House; trippy, electronic, Acid without a 303. 'Severance' is the late night tip for us. What depth this track has. It demonstrates the contrast between darkness and light perfectly!

'Rain' has been tried and tested several times at Panorama Bar and the Block Tel Aviv - definitely a secret weapon for Ed and for us. 'Inner Senser' is the perfect sunset record, or also for the early morning. Beautiful, long and continuous… from heartache to euphoria!

SIAMESE005 - Ed Davenport - C1 Festnetz (Tool)

Fort Romeau - Dada Pt 1 (Terr Remix)

Beatport

Fort Romeau - DADA Pt1

20 Days LP is out now 

https://smarturl.it/20daysLP

Stream / Download

Mindcloud

It’s taken @yotamavni a little while to get to his debut album; almost a decade, really, since his debut 12”, “That’s What The World Needs”, on California’s Seasons Limited imprint. During that time, the Tel-Aviv based producer has refined his productions, tightening the groove and paring everything back to bare essentials; the power in an Avni cut is its combination of piston-pulse propulsion and a deep, but gently applied, musicality. This combination gives his techno productions added heft on the dance floor, but also a lyrical sensibility that places him squarely in a tradition of techno legends who somehow manage to make the four-to-the-floor a space of poetic intensity, of rigorous joy.

Avni’s been on Kompakt’s radar for a while, first appearing on the label last year, with his Speicher contribution, “Mañana Mañana”. (“Track For Agoria”, from that EP, also appeared on Total 19.) The connection immediately made sense – dance music that managed to feel both lush and streamlined across the same great gasp of late-night energy. But with Yotam Avni Was Here, he’s taken a huge leap. After a brief intro, Avni sets his stall with “Beyond The Dance”, which features slow-moving vocal melisma over sculptural, melting tonalities, a tintinnabulating, harpsichord-like two-note phrase pacing out the track. Then “It Was What It Was” comes into view, its strip-light textures suddenly placed into sharp relief by a muted trumpet figure that hangs in the air, melancholy and pensive.

It’s no surprise, at this point, to discover that Avni’s inspirations for Was Here took in the histories of both techno and jazz. “I wanted to try something more around Detroit Techno meets ECM,” he reflects, when explaining the motivating forces behind the album. “Carl Craig’s Just Another Day EP and Kenny Larkin’s Keys, Strings, Tambourines came out during my high school years and had huge impact on me.” Avni’s also appeared on Transmat compilations, and remixed artists like the Midwest’s Titonton Duvanté, and Orlando Voorn – the latter particularly important for the way he connected the Detroit and Amsterdam techno scenes – his career path is marked by ongoing connections, direct and indirect, to Detroit’s storied history.

“I always wanted to go back to those hi-tek soul roots on a full album,” he continues, and he’s definitely exploring that terrain here, with the sky-strafing brass on “Free Darius Now”, morse-code keys on “Vortex” and glitchy, microhouse tickles of “Know Hope” all contributing to an oblique narrative that seems to arc across Was Here – one fleshed out by guest musicians, who include dop and Gerog Levin on vocals, and trumpets by Greg Paulus (of Beirut and No Regular Play). The cover art makes the jazz connection explicit, riffing on the text-based, minimal design of The Modern Jazz Quartet’s 1955 album for Prestige, Concorde. But the way Avni has gathered around him both inspiring musicians and intriguing reference points makes me think of his broader career as well, the collectivism behind his AVADON nights in Tel-Aviv, his many and wide-ranging releases on labels like Innervisions, Hotflush and Stroboscopic Artefacts, and the openness of his productions, which seem to be all about the multiple, the possibilities of cross-pollination, of fusing this with that, of adding and subtracting, all under the pulsating thumbprint of techno.

Good things, after all, are worth waiting for.

Buy/stream

Yotam Avni - Beyond The Dance

7 - Phil Kieran - Scream

Bookings:
Martje Kremers: 
Martje@decked-out.co.uk

Americas: 
Connor Nackley:
Connor@surefireagency.com

MGMT & Press: 
Lawrence Jones: lawrence@theweirdandthewonderful.com
Paul Allen: 
paul@theweirdandthewonderful.com

Mindcloud

Third Son

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