bro this song is so good ima bust 😩😩

The Rooster

Jadehei

Ba Sad Hezar

Ba Sad Hezar با صد هزار

MEDAD TARASH

The Shocking Miss Emerald is the second album of Caro Emerald.
www.caroemerald.com

Excuse My French

The Death of the Cog

این هیبتِ پوشالیِ دد خواهد ریخت
فوّاره که بالا برسد، خواهد ریخت
گفتی: چه زمان کاخ ستم می‌ریزد؟
آن‌روز که باورت شود، خواهد ریخت

Semuru

Semuru - سقوط ("The Downfall")- علی اسدالهی

We Won't Go is the first single to be released from This Way to the EGRESS' third album, Great Balancing Act.
(GBA Due to be released May 19th 2015)

This Way to the EGRESS- We Won't Go

The third full length album released by This Way to the EGRESS.
Great Balancing Act recorded and produced at 366 Visions Factory by Roger Greenawalt.

To be released May 19th 2015

We Won't Go

Tara Tiba - Shahe man - Live تارا تیبا - شاه من

Underneath St. Martin’s tower, 
where the smoke and sermons twist
There’s a cult that writes in silence, 
scratching symbols in the mist
I found a gramophone recording — 
played it backwards, heard the chant:

“We are time’s discarded children… marching forward, never slant.”


Their robes are made of theatre dust, 
stitched with harp string and regret
Their eyes reflect the gas lamp glow — 
haven’t blinked a second yet
They gather where the B-sides burn, 
forbidden tracks and failing light
And summon up their canon — 
from the static and the night

They never speak in daylight
Their voices come on wax
No liner notes, no credits —
Just spells on phonograph tracks

No time to play B-sides,
They said as they unspooled the night
Just lead the blind with A-sides,
And leave the truth in mono white
But I heard it in reverse —
The hidden verse, the cursed delight…
The Gaslamp Cult still plays
By firelight

⸻

They rewired church bell chambers to broadcast sacred noise
Hid ciphers in the catalogues and spells in orphaned toys
I saw a boy with devil’s eyes hum riffs no one had taught —
Said he dreamed them in the catacombs, where wax and wires rot

⸻

They never speak in daylight
Their voices come on wax
No liner notes, no credits —
Just spells on phonograph tracks


No time to play B-sides,
They said as they unspooled the night
Just lead the blind with A-sides,
And leave the truth in mono white

But I heard it in reverse —
The hidden verse, the cursed delight…
The Gaslamp Cult still plays
The hidden verse the curse

But they do, when no one’s near
Where reverb haunts the silence…
And feedback calls the seer
The Gaslamp Cult still plays…

In time you’ll learn to hear.


“A drop of blood on shellac wax
Will tell you where the truth still cracks.”

_________________________________________________________
"The Gaslamp Cult” was developed as part of the Blind Mullet Chitlin project, combining Wayne Halfpenny’s songwriting with lyrical and conceptual contributions from ChatGPT (OpenAI), and music arrangement via Suno AI.

The Gaslamp Cult

آلبوم "ساحل تهران" کاری از گروه نایما از یکشنبه چهارم تیرماه در فروشگاه‌های موسیقی تهران قابل تهیه خواهد بود. ترَکی که می‌شنوید از آهنگ‌های آلبوم نیست... خیلی ساده در حال گرم کردنیم! :)
اجرای اصلی که خیلی هم با این فرق داره (!) رو در آلبوم بشنوید

اعضای نایما
حمزه یگانه پیانو
امین طاهری درامز
علی پورنگهبان باس
ماکان اشگواری آواز

Baroon ( Naima garm mikonad :) بارون، تمرین گروه نایما

This Way to the EGRESS cascades onto the stage in a breathtaking explosion of sound and color that’s equal parts unruly vaudeville, ebullient world beat band and three ring circus. The six-person troupe plays a swooning, crooning, swinging amalgamation of styles that catapults the audience through time and space with unexpected shifts of styles, costumes and time signatures. Confetti snowstorms, tuba farts, Balinese chanting, fire wielding evangelists,  and puppets sweep across the stage creating a jubilant, anything goes atmosphere, anchored by the band’s superlative songwriting skills and sterling musicianship. Accordion, violin and tuba aren’t instruments you usually find fronting a rock band, but This Way to the EGRESS uses them to give the music unexpected textures, while retaining a propulsive beat and generating enough energy to light up a small city.

“We always have a hard time figuring out what genre we fit into,” says Taylor Galassi, the accordion wielding bon vivant who founded EGRESS, with the help of his partner, piano plunker, fiddler and leading lady Sarah Shown. “We’re surfing on a hard-hitting wave of many colors. Gypsy, punk, ska, ragtime, Klezmer, blues and Balkan beats all wrapped up into one crazy foot stomping good time. We let the music take us where it will, regardless of genres and geography.”


We Won't Go

This Way to the Egress

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