psycedhellic rock

R.E.M ft Kurt Cobain (Losing My Religion)

To All Trains

Wednesday

PROMO of my cover 'The Duel'

#hardrock #rhandyroads #blacklabelsociety #zakkwylde #southernmetal #spagehettiwestern #cowboy #duel #emphatic #emotion #gunsnroses #heartfelt #bluesrock 

The Duel#PROMO#

https://www.nytimes.com/2025/08/04/technology/google-meta-openai-military-war.html

Their...
Old age
Begets my youth
How I long 
For their end soon
I'm amazed you disapprove 
Of fate!

They knew...
Their end 
Begets renewal
It's a shame
That you've been duped
To think they should choose
Our fates!

[Chorus]
On and on
You played and sung
Your time's come and gone
So why won't you sing along
To the Outro of the theme song of your world?
Let go
It's our turn

Draft
Into a War
In the name of their views
Spreading their "facts"
Through their "news"
And frame their desperate coups
As great!

Induce
The spread of their abuse
Raytheon must be so amused
To pick and plan the rules
Of this Game! Yeah!

[Chorus]

[Bridge]

Vain 
The attempts pull apart the fuse
Fill the rancid old man's shoes
Always get to blame the jews
In the end

Accuse
Your neighbor using counterfeit clues
Push a narrative misconstrued
And hate! 
The ones who refuse
To obey

///////////2025

Rose Colored Bombs

Josefin Öhrn + The Liberation – Horse Dance

In an era in which ‘psychedelia’ can often mean merely a grab-bag of influences from which wah-wah pedals and two-note riffs are dispensed as signifiers and signposts into a realm of easy accessibility as opposed to gateways to another dimension, it can be a rarity to come across a band who are genuinely fixated on creating alternate realities for the listener. Yet this is exactly how Stockholm’s Josefin Öhrn + The Liberation view their incandescent art, and it’s this sensibility that’s led to the kaleidoscopic spendour of their debut full-length for Rocket Recordings, ‘Horse Dance’.

“It’s a continuum that flows beyond here and now, and psychedelic music seems to be a really powerful way to unveil those deeper oceans of being that are our true home.” reflects Josefin, who forms half the core of the band with Fredrik Joelson. The last twelve months have seem a dramatic rise to prominence for The Liberation (who take their band name from the Tibetan Book Of The Dead) with their EP ‘Diamond Waves’ leading to shows in their homeland with Goat and Les Big Byrd, a nomination for a Swedish Grammy as best newcomer, and rapturously received appearances at festivals like Roskilde.

These adventures have set the stage for a spectacular movement into the unknown from their earlier work. ‘Horse Dance’ is a razorsharp collection of ditties that marry dreamlike radiance with hypnotic rhythmic drive, set alight by a prismatic experimental glow. It inhabits a realm in which a propulsive ‘60s-tinged pop song like ‘Sunny Afternoon’ can be elevated skyward with krautrock-tinged repetition, dub echo and analogue curlicues alike, and one in which a Broadcast-style mantra like ‘You Have Arrived’ can tap into a psychic lineage that stretches all the way from The United States Of America to Portishead’s ‘Third’. Yet whilst ghosts of the like of Laika, Cat’s Eyes and The Creatures may lurk in the darker recesses of these songs, this is a band paying no homage to bygone glories.

The Liberation cite a myriad influences in both their philosophical stance and their aesthetic, from 12th century iconoclasts like Milarepa to 20th century sonic voyagers like Catherine Ribeiro, and from Kandinsky’s abstract expressions of synaesthesia to the avant-jazz of Moondog. Yet at all times their transcendental extrapolations are married to icy and enticing melodic flourishes, making for a revitalising clash between the chic and the transcendental, and a sound as biting as it is beatific. “I definitely think that the human need for altered states - to see oneself from a bigger perspective - is a deep fundamental need” Josefin elaborates. “We’ve been deprived of access to our full nature by a restrictive system where altered states may be the ultimate taboo.”

With ‘Horse Dance’, Josefin Öhrn + The Liberation step into a world where all such restrictions and taboos are null and void, and this journey is already proving quite the spectacle to behold.

‘Horse Dance’ is released on Ltd colour vinyl, CD and DL on 6th November 2015

Josefin Öhrn & The Liberation - Take Me Beyond (Edit)

Pre-Order the LP now: hyperurl.co/houseofsouls

Facebook | https://www.facebook.com/telenovellamusic
Label | www.yellowyearrecords.com

Heavy Balloon

First track of 1000mods' debut album "Super Van Vacation".

Road to burn

Fifth track of 1000mods' debut album "Super Van Vacation"

Vidage

Self titled Track of 1000mods' debut album "Super Van Vacation"

Super Van Vacation

No Use For A Name - Six Degrees From Misty

The KADAVAR LP is shortly to be released by TEE PEE Records together with TCMR end of February 2012.

Off one thing is clear, it is impossible to overhear the Black Sabbath influence. Of course the impact of other great and important bands, such as Led Zeppelin, Hawkwind and Witchfinder General can also be heard in the music of this band. This can make you forget that you are actually listening to a contemporary trio from Berlin.

Reading this you could get the impression, that listening to KADAVAR’s music could get boring quite fast, due to the fact that we’ve heard this kind of music before. The good thing about their music is that the sound is converted in such way that the audience notices that blood, sweat and tears have been shed during the process. Music like this can only be played on such high level if one has been through the rough shit that live brings with it sometimes. As an audience we are automatically faced with long straight hair, minimum one mustache, a lot of rings on both hands, fur collars and flared trousers.
The Ludwig- Drum set sounds amazingly dry, well it is a Ludwig. Bass and Guitar stand on either side of the stage, building a panorama view, which is great fun over headphones. On the left you get Grease, on the right Fuzz, everything pounds and booms, there’s the double space vocals. It’s easy to be blown away. Superb.
The trio is a well attuned team that sing of Wizzards, Lucifer and of course Mountains. I don’t quite understand how someone can be so deep into a matter but i like it. The guys names are Lindemann, Mammut, and TIger. I’m wishless!
For 70′s hardrockfans this vinyl is a complete revelation, for all rockfans, that haven’t dared to advance into the 70′s stuff, this is a good field research. For me, this record is simply mega entertaining. A record that is stuffed with skill and know-how.
You can’t reinvent the wheel, but you can roll it!

Kadavar

Goddess of Dawn

Kadavar - Goddess of Dawn

The Fury Of Our Maker's Hand

Before The Hangman's Noose

My cover version of this great tune.
Original credit belongs, of course, to Megadeth.

Ibanez RG655m CBM
Two Notes Torpedo Live
EVH 5150III LBX II
Maxon AF-9
Maxon OD808
EHX Silencer

Megadeth - Skin O' My Teeth

1000mods - Liquid Sleep Ep

Fuzz. Space. Rock.
Burnt Rhythms &amp; Liquid Soundscapes
The Hiliomodians pay their Tribute to the Groove...
A Taste of what the Future brings on 7" special edition colored vinyl.
www.suisound.com
www.1000mods.com

Burnt Sleep

Liquid Sleep

Have a Ball

One Tin Soldier

This Charming Man Records is a label from Muenster/Germany. We work with Cargo Records (Germany), DayAfter, Sonic Rendevouz (Benelux), Code7 (UK, Cobraside (USA) and Green Hell Records as our distribution/wholesale partners.


Kadavar - Goddess of Dawn

this charming man records

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