Nickajack Cave

In Your Hands

Amoeba and Stone

Singer/songwriter Abi Moore returns with a brand new self- penned winter song (It's Not The Night To Be Alone) from her first ever Christmas EP. Staying true to her roots, this is Abi in her most pared-back, unpretentious guise, played solo on piano. She needs no airs and graces; the simple sound of her voice and the heartbreakingly engaging lyrics will lift you out of your world and into hers within her first few words. 
Achingly poignant, beautifully crafted and with a wisdom beyond her years, this song was tweeted by Bob Harris recently as being "sad, but beautiful."

It's Not The Night To Be Alone

Beautiful boy- from Abi's debut album The Aftermath of '96, played live (circa 2008)at The Old Bakery with Adam Schofield on guitar.

Beautiful Boy (Live At The Old Bakery)

This track is from the album The Aftermath of '96 and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/abimoore

Remember Me

This track is from the album Things We Should've Said and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/abimoore2

World Leaders and Power Seekers

Who Dares?

The Way It Is

Abi Moore is an Americana / Roots Rock artist from Nottingham.

It’s almost a decade since the release of Abi's last album – nine years in which Abi Moore experienced breakups, losing her home, lots of moving, touring, burnout and, eventually, a fresh comeback. 

After the success of Amoeba & Stone in 2014, Abi Moore promised herself she wouldn’t return to original solo music until she produced something unexpected, sonically exciting and not written via her usual habit of sitting down with an acoustic guitar. Says Abi: 
“Most of the music that excites me is somewhere on the rock spectrum, 
whether it’s bluesy, rootsy, folky, grungy, or country/ Americana- 
influenced. Even the Laurel Canyon artists I love sit at the rock end of 
the 70s folk/rock genre. I thought a lot about what excites me as a 
listener and had to question why I wasn’t making that sound myself. 
Once I stopped caring about other people’s expectations of me, I bought a Telecaster, stompbox, some pedals and I found a sound that lit me up.” 

Steering purposely away from the demure, acoustic singer/songwriter box she was often mistakenly assigned to, (“I’d rather not fit any box than be stuck in the same one forever,”) she challenged herself to write from the gut instead of the head. Avoiding any overthinking, over-editing or careful crafting to achieve a less considered, more gutsy feel, Abi instead “let out some impulsive, raw emotion in the moment. It’s the sound of my rebel self not filtering its thoughts before it speaks.” 

The result is her new, fourth studio album, No More Chasing. It’s a sonic experiment– every song comes from a unique writing stimulus: one written in silence in her head, another over the drone of her cooker hood, some only with strings, to the beat of her car’s window wipers, from ideas she had in dreams, or to a rhythm stamped passionately into her kitchen floor with her flamenco shoes on. 

No More Chasing sounds like the vocal harmonies of indie-folk band The Staves met the primal guitar riffage of Jack White, via the folk-rock stylings of Fleetwood Mac, the bluesy vibrancy of British duo Ferris & Sylvester, the attitude of When Rivers Meet and the southern gothic edge of Suzanne Santo. 

It’s a unique space that Abi takes up. With influences from 50s rockabilly, 70s blues-rock, 90s singer/songwriter pop-rock and early 00s garage-rock, the end result is an Americana / Roots-Rock sound all of her own. It’s edgy, unafraid and unpredictable. Sometimes we only know it’s Abi because of her one constant signature instrument: her urgent yet soulful vocals, delivered with utter conviction and punctuated by impressive harmonised backing vocals. They are still the main focus, but this record is undeniably her rock moment, and the music is more visceral and looser than her previous work.

thisisAbiMoore

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