Random Tabs Remake

A haunting electro-pop reflection from the cloned side of the pasture. “Sheep Machine” tells the story of wool reborn in a lab — a flock built from light, memory, and code.
Synths pulse like heartbeats, vocals drift between confusion and awe, and the question lingers:
If you can copy life, do you copy the soul too?

Tags: The Wool-Lites, Sheep Machine, Electro Pop, Synthwave, Cinematic, Futuristic, Clone Song, Sci-Fi Pop, Experimental, Dreamy, Identity, Electronic Soul

Sheep Machine

Burn Fast

Oceans Away

Love You Like That

Freaking Out // Summer Days Out Now: https://lnk.to/SummerDaysFreakingOutSo

Freaking Out

Sun In Our Eyes

Sleepless Nights

Forever Neverland

Beautiful Wreck

Vacation

Won't Let You Go (feat. Bastille)

TRACK #17 FROM "THE TWO OF US ARE DYING".

ARTWORK BY KYLE J THOMPSON.

COMPOSED, ARRANGED, WRITTEN, PERFORMED, RECORDED, PRODUCED, ENGINEERED, MIXED, MASTERED & RELEASED BY KILLSTATION.

ATTRACTION (PROD. KILLSTATION)

TRACK #12 FROM "THE TWO OF US ARE DYING".

ARTWORK BY KYLE J THOMPSON.

COMPOSED, ARRANGED, WRITTEN, PERFORMED, RECORDED, PRODUCED, ENGINEERED, MIXED, MASTERED & RELEASED BY KILLSTATION.

FALLEN ANGEL (PROD. KILLSTATION)

TRACK #8 FROM "THE TWO OF US ARE DYING".

ARTWORK BY KYLE J THOMPSON.

COMPOSED, ARRANGED, WRITTEN, PERFORMED, RECORDED, PRODUCED, ENGINEERED, MIXED, MASTERED & RELEASED BY KILLSTATION.

ORBICULARIS (PROD. KILLSTATION)

TRACK #3 FROM "THE TWO OF US ARE DYING".

ARTWORK BY KYLE J THOMPSON.

COMPOSED, ARRANGED, WRITTEN, PERFORMED, RECORDED, PRODUCED, ENGINEERED, MIXED, MASTERED & RELEASED BY KILLSTATION.

PERPLEXION (PROD. KILLSTATION)

TRACK #1 FROM "THE TWO OF US ARE DYING".

ARTWORK BY KYLE J THOMPSON.

COMPOSED, ARRANGED, WRITTEN, PERFORMED, RECORDED, PRODUCED, ENGINEERED, MIXED, MASTERED & RELEASED BY KILLSTATION.

SARCOMA (PROD. KILLSTATION)

Nostalgic available now - https://lnk.to/NostalgicSC

FOLLOW US
instagram | @thisisarizonamusic
twitter | @arizona
thisisarizonamusic.com

Nostalgic

ASYLUM available now: https://lnk.to/ASYLUMSo

FOLLOW US
instagram | @thisisarizonamusic
twitter | @arizona
thisisarizonamusic.com

ASYLUM 

Problems

Download/Stream ASYLUM, out now https://lnk.to/ASYLUM

For all the climates and cities that bring people together, the boys in A R I Z O N A came together as a trio in an apartment in Boston, their makeshift studio the counterweight to the lofty halls of East Coast music scholarship. In a string of infinite sessions during their time at both Berklee College of Music and Emerson College, Nate (guitar) hopped on a session with David (keys) and Zach (vocals), and all the moving pieces came together in a way that would reincarnate itself in many different fashions before eventually becoming the group now known as “A R I Z O N A”.

 The three songwriter/producers from Jersey shared an obsession with the far left, sometimes even obscure side of music, but were even more romanced by the brutal honesty of pop topline and lyrics. Their music - including “I Was Wrong,” “Where I Wanna Be,” “Let Me Touch Your Fire,” and “People Crying Every Night” - creates new shapes and boundaries to span genres, time periods and styles, all focusing on the naked human tropes contained in the traditional pop narrative: love, loss, the need for raw unhinged expression.  

The years and cities came and went, and it took until just last year for these old friends to point their focus finally inward. Thus, the band was formed, and they were no longer just the writers or producers; they were the performers. Over the past few months, the trio’s music has incited an exponentially upward curve of massive fan engagement and early success with tens of millions of streams across Soundcloud, Spotify, YouTube and more. A R I Z O N A joined the social savvy co-conspirators at Atlantic Records and Artist Publishing Group at the close of 2015 and are currently working on their debut album.
They're currently working on their debut EP to be released in 2016.

MGMT (All Inquiries): Jake Posner - mgmt.arizonatheband@gmail.com

Oceans Away

A R I Z O N A

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