I thought I'd miss the voice too much to get lost in it. I needn't have worried - definitely in need of a map / compass / sat nav after only 15 seconds.

Love the piano sound.  The hammer and the string.  Always quality. 

Today, I’d like to introduce you to Gaspar Claus, a French cellist out of Paris, who has a number of collaborations, performing appearances, and soundtrack work under his belt (some names include Bryce Dessner, Sufjan Stevens, Jim O’Rourke, and Ryuichi Sakamoto), with the upcoming Tancade being his first solo album. I have covered plenty of music featuring the cello as the main instrument, and I can’t seem to get enough of its low, raspy textures, deep melancholy sighs, and soft fluttering sails. I do love the violin, but the cello still holds a very special place among the favourite timbres of my mind. And so the music from Tancade hits the spot, with the cello being the only instrument on the entire album, layered, processed, and orchestrated to sound as if numerous Claus clones are spinning a complex braid of sound all at once. On the first single of the record, which I am happily premiering for you today, the instrument is “rubbed with a bow, plucked, brushed, bumped, caressed, jostled, and transfigured,” for all its “rich harmonic, rhythmic, and melodic potential,” but even if you don’t zoom in on the technicalities, it is a piece of music that sounds grand. “Une Foule,” which means “a crowd,” refers to the “wild and marvellous parties that take place at ‘Tancade’, a small and difficult to access cove.” 

More here: https://hcdi.gs/UneFoule

Tancade

Une Foule

TRACK PREMIERE : Gaspar Claus - Une Foule

Reflections

Moments

from 'Skeylja' [CD|LP|DIGITAL]
Denovali Records · den184
available on all formats at [http://denovali.com/thealvaretensemble]

--- "Skeylja" An invented word combining the Frisian word for Terschelling, "Skylge", and the Icelandic word for island, "Eyjan" ---

Skeylja is an international multimedia project, based around the ideas of improvisational music and the coming together of musicians from different countries and musical backgrounds to create a spontaneous sonic landscape. The project started when The Alvaret Ensemble (Greg Haines, Jan & Romke Kleefstra, and Sytze Pruiksma), who you may know from their eponymous debut on Denovali in 2012, travelled to Iceland to try to find a shared music language with the Icelandic musicians Ingi Garðar Erlendsson, Kira Kira, Borgar Magnason and Eiríkur Orri Ólafsson . They were joined by the 33 1/3 Collective, a group of visual artists from the Netherlands, who began to collect footage that would later be used as source material for the visual side of the performance.

Some months later, after a successful week of traveling to beautiful locations and playing music together, the group met again, this time during the Oerol festival on the island of Terschelling in the Netherlands, for a series of nine sold-out shows in an old church, all of which were being recorded. Each artist "curated" a rough plan for one evening, which could be anything from hand-drawn images to be interpreted musically to more precise plans of structures and combinations of musicians to be explored. Never were the notes, or the content of the music itself, discussed - this was instead left up to chance and developed through listening intently to each-other, trying to create an atmosphere where each player was vital, but where everyone always worked towards the whole.

After ten intense days on the island, all that was left were the memories of the audience and, luckily, a hard-drive with over ten hours of recorded music. After everyone had had a chance to listen back to rough mixes of each night and make comments, the material was taken to Greg Haines' Electricity Works studio in Berlin, where the long process of selecting, editing and mixing began. Finally, almost two years after that first initial meeting in Reykjavik, the album is complete and ready to be released into the world. We hope you enjoy it.

Participating musicians (in alphabetical order):

Ingi Garðar Erlendsson (Tuba, Trombone, Thranophone)
Greg Haines (Piano)
Kira Kira (Voice, Electronics)
Jan Kleefstra (Voice, Poems)
Romke Kleefstra (Guitar)
Borgar Magnason (Contrabass)
Eiríkur Orri Ólafsson (Trumpet, Electronics)
Sytze Pruiksma (Percussion)





Skeylja

Preorder / Buy

The Alvaret Ensemble, Kira Kira, E. O. Ólafsson, I. G. Erlendsson, B. Magnason - Borgarvatn

Birch Forest

Birch Forest (Reinvented)

We are all is one.

Downoad in High Quality: https://ashotdanielyan.bandcamp.com/track/lonely-god

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Thanks to everyone for support and love to my music!

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Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Lonely God

Download in HQ

Ashot Danielyan - Lonely God

Cover #24 from the series "Songs I Love" by Piers Faccini

The Estonian composer Arvo Pärt’s musical arrangement of the poem ”My Heart's in the Highlands" by Scottish poet Robert Burns for countertenor, organ and bagpipes is without doubt, one of the most haunting songs I’ve ever heard. I was utterly spellbound the first time I heard the version recorded by the organist Stephen Layton and countertenor David James in 2003. Even without the music, the poem with its vivid picture of the Scottish highlands is majestic enough but with Pärt’s masterful composition, it becomes the song of a universal longing to return home and seems to speak to all of us, whether we come from the mountain, the desert or the sea. I’ve recently been collaborating with guitarist and oud player Gregory Dargent and chatting one day about what we could play together, we realised we were both unconditional Arvo Pärt fans. Being mostly for choir or orchestra, there’s not much of Pärt’s music that could work with just a voice and guitar but ”My Heart's in the Highlands" seemed a perfect piece to try and paint as if it were a timeless, traditional folk song. 

Farewell to the Highlands, farewell to the North,
The birth-place of Valour, the country of Worth;
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.

My heart's in the Highlands, my heart is not here,
My heart's in the Highlands, a-chasing the deer;
Chasing the wild-deer, and following the roe,
My heart's in the Highlands, wherever I go.
2: 
Farewell to the mountains, high-cover'd with snow,
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods,
Farewell to the torrents and loud-pouring floods.
__________
'Songs I Love vol.1' still available on:
iTunes: http://smarturl.it/songsilove1
Spotify: http://spoti.fi/1jbGOfl
Deezer: http://www.deezer.com/album/8050372
Google Play: http://bit.ly/songsiloveplay
__________
Piers Faccini : https://www.facebook.com/PiersFacciniMusic
Beating Drum : http://www.beatingdrumrecords.com

SONGS I LOVE #24

Piers Faccini - My Heart Is In The Highlands ft. Gregory Dargent (Songs I Love #24)

#pianoday2020

This album is a collection, raw and spontaneous, and the fruit of 15 days of artistic residency in the beautiful setting of La Becque, La Tour de Peilz (CH), in partnership with Françoise Siegfried Meier Foundation and the Montreux Jazz Artist Foundation.

A setting in which I was able to express myself, on grand piano and essentially on prepared piano, with introspection and escape.


This logbook is intended to be raw, spontaneous and representative of the immersive moments I have experienced.
Some improvisations are therefore presented, such as the themes "Memories", "Serenity 1 and 2", "La Becque", or experiments ("overdrive", "rework")
The theme "Mrs. Siegfried Meier" is a tribute.

Memories is also composed for PianoDay 2019.

Thomas Feiner - Guide For The Perplexed, Instrumental Piano Version

Thomas Feiner

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