I used a demo version of D16 Group Phoscyon 2 and sounds created by Jacek + Sebastian and Sebastian Bachliński. I used Bandlab and Suno.

Acid_Schranz x Acid_Schranz (Mashup) (9)

Dark Side Phase 3

In the "Rush Dose" EP, Nita combines hypnotic sound designs with the power of simplicity. Stripped of unnecessary details, the minimal yet unwavering rhythms draw the listener into a deep and immersive loop. This stripped-back approach at the core of each track reveals musical energy in its purest and most striking form. "Rush Dose" presents a focused and uncompromising atmosphere, proving just how powerful less can truly be. 

Out now on all digital platforms 🖤

Support Here: https://www.beatport.com/release/rush-dose/5714337

Buy on Beatport

Nita - Rush Dose [Harabe Black]

BUY IT NOW: beatport.com/release/h-is-for-hercules-ep/2394122
STREAM (Spotify): open.spotify.com/album/50Kvafeb9Qs20DzHV2PEDP
Follow the #CosmicTechno playlist here: https://open.spotify.com/user/pleasurekraft1/playlist/6qZEKSK5d25iZqL4QvgRhM?si=bM_N1O5ORBG0ui5Gxjs_Gw
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LA based Brennen Grey makes his Kraftek debut on this aptly named "H is for Hercules" EP. 3 original prime cuts of Cosmic Techno along with a more ethereal collaborative effort with label head Pleasurekraft. Sure to please the peak-time techno masses, we're thrilled to present yet another rising star in the techno scene. With early support already from Carl Cox / Adam Beyer & more.

H is for Hercules

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Brennen Grey & Pleasurekraft - Love at 1G

Buy On Beatport

[SCOM038] I AM BAM - Captain, My Captain (Original Mix) Snippet

Bells

Bells (Matt Sassari Remix)

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Spektre - What Once was Lost

Thomas Simpson

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