Demtee davidoff

Grateful Dead~67 - Good Morning Little Schoolgirl - 1967-11-10 - Shrine Auditorium

13 | Billy Breathes (Outtakes) - Weekly Time

Phish - 2003.02.26 - Moma Dance

The Beatles - Something (Take 37 - Extended version)

Recorded at Slowdeath Studios Ltd.

Soloist: Felipe Hernández.

The 24 Caprices for Solo Violin, Op. 1, were written by Niccolò Paganini between 1802 and 1817 and published in 1819.[1] They are also designated as M.S. 25 in Maria Rosa Moretti and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini, which was published in 1982. The caprices are in the form of études, with each number studying individual skills (double stopped trills, extremely fast switching of positions and strings, etc.)

Edition Peters first published them in 1819; Ricordi later published another edition in 1821. When Paganini released his caprices, he dedicated them "to the Artists" rather than to a specific person.

Unlike many earlier and later sets of 24 pieces, there was no intention to write these caprices in 24 different keys.

Caprice No. 1 in E major - Andante: Nicknamed "L'Arpeggio", this composition matches chordal playing with ricochet across all 4 strings. The piece opens in E Major and then quickly transitions into an E minor development section, where descending scales in thirds are introduced.

Caprice No. 2 in B minor - Moderato: The second caprice in B minor focuses on detache with many string crossings across non-adjacent strings.

Caprice No. 3 in E minor - Sostenuto - Presto - Sostenuto: Caprice No. 3 is a slurred legato exercise with octave trills in the introduction and conclusion.

Caprice No. 4 in C minor - Maestoso; Caprice No. 4 is an exercise featuring passages with many multiple stops.

Caprice No. 5 in A minor - Agitato: This caprice focuses on fast ricochet bowings. It begins and ends with a section of ascending arpeggios followed by descending scales.

Caprice No. 6 in G minor - Lento: Nicknamed "The Trill", the sixth caprice exploits the use of left-hand tremolo on the violin by quickly alternating between different notes in the chord in one of the voices. A melody is played in one line with a tremolo occurring on another.

Caprice No. 7 in A minor - Posato: This caprice focuses on slurred staccato passages, featuring many long slurred scales and arpeggios.

Caprice No. 8 in E-flat major - Maestoso: Caprice No. 8 focuses on sustaining a lower note while playing a higher melody at the same time, meanwhile incorporating many trills and double stops.

Caprice No. 9 in E major - Allegretto: Nicknamed "La Chasse" or "The Hunt", the violin's A and E strings imitate the flutes ("Sulla tastiera imitando il Flauto"), while the G & D strings imitate the horns ("imitando il Corno sulla D e G corda"). Primarily a study in double stops, with ricochet occurring in the middle section.

Caprice No. 10 in G minor - Vivace: This caprice is primarily a study in up-bow staccato, with staccato notes punctuated by chords, trills and distant string crossings.

Caprice No. 11 in C major - Andante – Presto – Andante: The eleventh caprice starts and ends with sections that require multiple voices, containing a passage that consists of many dotted notes rapidly jumping up and down the scale.

Caprice No. 12 in A-flat major - Allegro: This caprice consists of a slurred pattern of a melody on an upper string alternating with a drone note on a bottom string, forcing the violinist to stretch great distances while keeping a finger on the drone string.

Caprice No. 13 in B-flat major - Allegro: Nicknamed "The Devil's Laughter", this solo violin piece starts out with scale like double-stopped passages at a moderate speed. The second part consists of high speed runs that exercise left hand flexibility and position shifting, and right hand high speed string changing and detache bowing. The piece then repeats back to the beginning and ends right before reaching the second part for the second time.

Caprice No. 14 in E-flat major - Moderato: The 14th caprice displays the violin's ability to voice chords. It contains many triple and quadruple stops. Stylistically, the piece imitates brass fanfares.

Caprice No. 15 in E minor - Posato: Caprice 15 starts with a short passage of high parallel octaves, continuing on to ascending arpeggios, descending scales, and broken thirds.

Caprice No. 16 in G minor - Presto: The first part shows the theme, requiring a player's ability of right-hand and left-hand bow control as it consists of arpeggios using either alternate adjacent strings or string jumping. The former requires the player the mastery of upper register, as it is difficult to control especially with the distance. The latter on the other hand requires the performer to master string skipping, where a player jumps from one string to another, rapidly over adjacent positions. The over-all required technique is detache.

The second part is continuous —the earlier part is a consequent passage. The next area differentiates itself by the continued use of a quieter feel, with chromatic passages executed in slur phrases. By analysis, the second part is smorzando legato. It returns with a series of up and down arpeggios and scales increasing in intensity until the caprice's conclusion. The caprice appears to be brief since its entire length is executed in presto.

Caprice No. 17 in E-flat major - Sostenuto – Andante: The "A" section contains numerous thirty-second note runs on the A and E strings that converse back and forth with double stops on the lower two strings. The middle section is famous for the incredibly difficult octave passage.

Caprice No. 18 in C major - Corrente – Allegro: The introduction to caprice 18 demonstrates playing on the G string in very high positions. This is followed by a rapid display of scales in thirds.

Caprice No. 19 in E-flat major - Lento – Allegro Assai: Here are a lot of octaves at the beginning; then there are string crossings between G and A strings; this is followed by quick changes of position on the G string.

Caprice No. 20 in D major - Allegretto: Caprice 20 is famous for the use of the D string as a drone, backdropping a lyrical melody on the A and E strings, imitating a bagpipe. This is followed by a rapid sixteenth note passage with trills and flying staccato.

Caprice No. 21 in A major - Amoroso – Presto: Caprice 21 begins with a very expressive, aria-like melody played in double-stopped sixths. This is followed by a section of rapid up-bow staccato.

Caprice No. 22 in F major - Marcato: Caprice 22 explores many types of double and triple stops with louré bowing, then implementing various elements of slurred staccato, slurred tremolos and strings crossings.

Caprice No. 23 in E-flat major - Posato: Caprice No. 23 begins with a melody in octaves in E-flat. The middle, contrasting section is a formidable exercise in string crossings: it requires the violinist to play patterns of 3 sixteenth notes on the G string and then cross quickly to play one on the E string, and then back to the G string, all at a quick tempo.

Caprice No. 24 in A minor - Tema con Variazioni (Quasi Presto): Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The work, in the key of A minor, consists of a theme, 11 variations, and a finale.

It is widely considered one of the most difficult pieces ever written for the solo violin. It requires many highly advanced techniques such as parallel octaves and rapid shifting covering many intervals, extremely fast scales and arpeggios including minor scales in thirds and tenths, left hand pizzicato, high positions, and quick string crossing.

All rights reserved.

Niccolò Paganini - 24 Caprices for solo Violin, Op. 1.

Peter Tosh, Best Of Peter Tosh  And Interviews, Justice Sound.

Waiting for Columbus

Spanish Moon (Live at Lisner Auditorium, Washington, DC, 8/8/1977)

Mike Gordon 2014 - 03 - 04 Mtx

Mike Gordon with The Benevento Russo Duo 2005-12-27
pre neummann taping days

The Duo - Gordon12 - 27 - 2005 Part2

Bernie Needs Our Help:
https://www.youcaring.com/bernie-worell-501298
----- 
After years of fans asking -- "is there an instrumental version -- just the music", Bernie finally decided to "give the people what they want" and THIS is the result!! 

Flashlight (Instrumental)

Phish's  Wolfman's Brother > Walk Away (The James Gang cover) from Bethel, NY on May 27, 2011.

Wolfman's Brother>Walk Away (5/27/11, Bethel, NY)

Debut album is out now. Features members of The Dap-Kings, Lee Fields & the Expressions, and Menahan Street Band. Order now: shop.daptonerecords.com

The Olympians - Neptune

http://www.livephish.com/browse/music/0,1158/Phish-mp3-flac-download-Live-Bait-Vol-13

Live Bait Vol. 13

LiveBait 13.03 | 1997-12-29 - Tube

WBBL @ FRACTAL FOREST - SHAMBHALA MUSIC FESTIVAL 2017
[Scroll down for Tracklist]

[EDIT] FREE DONWLOADS OF TUNES FROM THIS SET: https://soundcloud.com/wbbl/sets/free-downloads

 It was an absolute pleasure to be invited to play at the 20th Anniversary of Shambhala Music Festival in the amazing Fractal Forest this year. Big thanks to Rich Rich and the rest of the Fractal team for putting on the best show on earth and welcoming me into the family with open arms. The set I played was by far the best time I’ve ever had on stage and feel incredibly lucky to have shared that moment with all the amazing people at Shambhala.

I’ve been getting an overwhelming response from all you shambhalovelies since then and a lot of people have asking me to upload my set…so I've put the entire 90 minutes up here for you to get wobbly to. Enjoy!

Big Love
WBBL
x
TRACKLIST:

WBBL - Come Down
WBBL - Too Hot
Nelly - Hot In Herre (Acapella)
The Commodores - Brick House
Diskord - Leave It All Behind (WBBL Brick House Edit)
Royal Blood & Maik Ibane - Muffled
Slynk Feat. Cheshire - Best In The World 
Dree - Fuck The VIP (Acapella)
WBBL - Can't Stomp (VIP)
Sayruss - Your Feelings (Royal Blood Remix)
Ali B & Jungle Brothers - Gimme That (A Skillz Remix) (Acapella)
Dubra x Arteo - Here We Come (WBBL Remix)
Torn - Groove (WBBL Wondergroove) 
Steve Wonder - Superstition (Acapella)
Grizmatik - As We Proceed
WBBL - Slippin' Jimmy [Coming Soon on Ghetto Funk]
Second Hand Audio Feat. Nattyspeaks - No Pressure (WBBL Remix) (Acapella)
WBBL- Glide [Coming Soon on Ghetto Funk]
Mr Stabalina - Do You Like It [Coming Soon on Scour Records]
WBBL - Get Back 
WBBL - Thinking
WBBL - Check Menina (VIP)
Chemical Brothers - Go (Acapella)
Mr Stabalina - The Hump [Coming Soon on Scour Records]
A Skillz & Krafty Kuts - Happiness
A Skillz & Krafty Kuts - Happiness (Acapella)
WBBL - Hold The Phone 
WBBL - Losing Me
Slynk & WBBL - Get Busy
Michael Jackson - Don't Stop Til You Get Enough (Acapella)
WBBL - Don't Know Me 
Featurecast - Keep On Jumping
Michael White & Brig - Freeze
WBBL - Street Playa
WBBL - Funksation
Ill Phil - Show Me Love (2016 Refix)
Robyn S vs Laidback Luke - Show Me Love (High Contrast Remix)
Robyn S - Show Me Love (Acapella)
Netsky - Rio (Instrumental)
Tantrum Desire - Gravitate
Pacso - The Trick (Turno Remix)
Mr Green / Malik B - Live From The Streets (Acapella)
WBBL - Mind Blown
Eve & Gwen Stefani - Let Me Blow Your Mind (We Are Nuts! Remix) 
Zamali - Little Budha (Slynk Remix)
Wildchild - Renegade Master (Acapella)
WBBL - Goods Night
Zed Bias - Neighbourhood (Acapella)
Martin Solveig - Intoxicated (WBBL Transition)
Martin Solveig - Intoxicated (DJ Fresh Remix)
Fabolous - Can't Deny It (Acapella)
Beenie Man - Who Am I (Filip Motovunski Bootleg)
Dossa & Locuzzed - Shag
TC - Tap Ho
Shock One - Polygon (VIP) (WBBL Edit)
DJ Fresh - Louder (Acapella)
Dirt Monkey - Jungle Juice 
Ivy Lab - Sunday Crunk (Mefjus Remix)
Jade Cicada - Wubbalubbadubdub
Krafty Kuts - Danger
Childish Gambino - Redbone (WBBL Remix)

Massive thanks to the Shambhala and Fractal crews for having me down to play, to all the people who came and got super wobbly with us, all the DJs and Artists, everyone who gave me some exclusive upfront tunes to play, Dave, Natty, Adam & Mark for providing me with some vox bits, The Ghetto Funk and Scour Crew and my agent Adam for being stupidly supportive and an all round good egg.

BIG LOVE 
WBBL
x

BOOKINGS: adam@gfmanagement.co.uk

Fractal Forest Mix - Shambhala 2017

FREE DOWNLOAD!

Phish Spanish Moon ( Little Feat ) 10.31.10

It's true, we played a live set at Giorgio Moroder's birthday party April 26th, 2018 at the Globe Theatre in Downtown Los Angeles. Photos here: https://www.facebook.com/yacht/posts/10155907107322479

MINI MIX TRACKLIST:

Fad Gadget — Lady Shave
Maurice & Charles — Moroder in Milan
M — Pop Muzik (Todd Terje Remix)
DJ Nori — Happy Sunday (Maurice Fulton Remix)
Pharaohs — Island Time
Killing Joke — Almost Red
Clara Mondshine — Die Drachentrommler (Pilooski Edit)
Major Swellings — Mann Grot
The Gist — The Long Run
Roni Griffith — Spies

We Played Giorgio Moroder's Birthday Party (a mini mix by YACHT)

Phish 2011-09-14 Soundcheck - HoodBag

Phish - Gumbo - Desert Sky Pavillion '97

Phish: From the Archives 2018-08-16 Curveball (FTA #18)

source:
  SiriusXM untouched rip (2018-08-18 10AM rebroadcast)
  -------------------------------------------------------------------------------
  SiriusXM hls stream @ 256kbps AAC ("jamon_256k_large_v3.m3u8") >
  fenn_rip_sirius.zsh: losslessly download/decrypt ~10s chunks >
      download: curl >
      decrypt: openssl >
      "jamon_256k_1_xxxxxxxxxxxx_$segment_v3.aac", etc
  ffmpeg:concat demuxer: merge/join to single m4a file (lossless/never-decoded) >
  m4acut: split to separate tracks (lossless/never-decoded)
  
  Originally aired from 8pm-12am, Thursday, 2018-08-16 on livephish radio and SiriusXM


01  00:00:16  Kevin
02  00:05:48  Have Mercy (7/28/17 MSG)
03  00:00:53  Kevin
04  00:05:28  Buffalo Bill (Hoist Outtake)
05  00:00:20  Kevin
06  00:06:08  My Friend, My Friend (7/25/99 Deer Creek) >
07  00:08:46  My Left Toe (7/25/99 Deer Creek) >
08  00:09:34  Whipping Post (7/25/99 Deer Creek)
09  00:02:49  Kevin
10  00:06:46  Fast Enough For You (7/2/94 Holmdel, NJ)
11  00:16:07  Bathtub Gin (11/9/95 Atlanta) >
12  00:03:53  The Man Who Stepped Into Yesterday (11/9/95 Atlanta) >
13  00:03:08  Avenu Malkenu (11/9/95 Atlanta) >
14  00:01:33  The Man Who Stepped Into Yesterday (11/9/95 Atlanta)
15  00:02:15  Kevin
16  00:12:47  David Bowie (7/1/89 Montreal)
17  00:03:04  Kevin
18  00:16:32  Timber (Jerry) (11/16/97 Denver) >
19  00:09:00  Simple (11/16/97 Denver)
20  00:00:54  Kevin
21  00:14:34  Stash (3/30/93 Eugene, OR)
22  00:02:17  Kevin
23  00:26:07  Down With Disease (7/15/00 Columbus) >
24  00:09:18  While My Guitar Gently Weeps (7/15/00 Columbus)
25  00:01:50  Kevin
26  00:13:21  Wolfmans Brother (11/13/98 Cleveland)
27  00:01:46  Kevin
28  00:29:24  Ghost (9/12/99 Portland, OR)
29  00:01:16  Kevin
30  00:05:45  Axilla (11/16/96 Omaha) >
31  00:15:54  Harry Hood (11/16/96 Omaha) >
32  00:07:08  Suzy Greenberg (11/16/96 Omaha)
33  00:00:46  Kevin

Demtee davidoff

Thomas Sullivan 34