Glass and Time

Liturgy for the End is a gently haunting piece for small ensemble, blending eerie calm with a sense of fading ritual. Inspired by the subtle unease of abandoned chapels, whispered beliefs, and the ghosts of lost convictions. Not overtly religious, but shadowed by the echoes of something once sacred.

Liturgy for the End

This piece unfolds with a piano.  The orchestration paints textures that invite a holding space for reflection.

A Discovery

Ollec

Just After

Final Transmission

The Inverse

Even As Their Hearts

Drift

Thomas is a UK-based composer and orchestrator.
 
He is fascinated by neo-romanticism / neo-classical scoring from film, television, and game composers.  While heavily inspired by this style, he has sought to convey a unique voice of unhurried, thoughtful music to evoke deep emotional responses. This is often through the use of the traditional orchestral palette, but also borrows from elsewhere when needed.
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Thomas lived in London for 15 years where he toured some of the least savoury venues as a keyboard player in a band. He currently spends most of his time trying to find people to talk to who are as obsessed with composing as he is.  Outside of this he can be found twiddling all the knobs on Cubase to see what they do.

Thomas James Owen

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