Berceuse De La Lune

35mm

Singularity

The Loneliness of Death Herself

The Promise

A bit of a departure from my usual orchestral style, and a lot of fun.  Nice experimenting out of my comfort zone once in a while.

Hope

Glass and Time

Liturgy for the End is a gently haunting piece for small ensemble, blending eerie calm with a sense of fading ritual. Inspired by the subtle unease of abandoned chapels, whispered beliefs, and the ghosts of lost convictions. Not overtly religious, but shadowed by the echoes of something once sacred.

Liturgy for the End

This piece unfolds with a piano.  The orchestration paints textures that invite a holding space for reflection.

A Discovery

Ollec

Thomas is a UK-based composer and orchestrator with an MA in orchestration for Film, Games, and Television.  He has available a portfolio of movie-inspired demo tracks inspired by favourite films.  While growing up, he was captured by the sounds of composers such as John Williams and Alan Silvestri, to name but a few, and while he has never sought to mimic their unique styles, has certainly been influenced by the neo-classical scoring and orchestration that has been continued by more recent composers such as Thomas Newman and James Newton Howard.  Thomas lived in London for 15 years where he toured some of the least savoury venues as a keyboard player in a band. He currently spends most of his time trying to find people to talk to who are as obsessed with film and TV music as he is, and twiddling all the knobs on Cubase to see what they do.

Thomas James Owen

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