Hi. I'm having troubloe finding this album. Not on the Raster-N site. Not on I-tunes. Can't find your  website.  Any help is appreciated.

Black Zone Myth Chant - Mane Thecel Phares (GRVTS003)

A1 - Belshazzar
A2 - In The Arms Of The Parcae
A3 - Orbit Slut
A4 - Two Stars, No Cross
B1 - He Evil
B2 - First Contact
B3 - Pass Over Into Nothing
B4 - If God Is Not Here



Buy at Boomkat

Black Zone Myth Chant - He Evil

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

Buy on iTunes

DADRAS – Yuppie Scum

HELM — Olympic Mess (PAN 63) 2xLP/CD/DL
Release Date: 15th June 2015
http://p-a-n.org

HELM - Olympic Mess (PAN 63)

Synthetic Birdsong

from the "Transient" LP (NNF323)
Not Not Fun / 2016

REFLECTION:
halles.bandcamp.com/album/transient-2
midheaven.com/item/transient-by-les-halles

Les Halles "Thresholds"

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

One track preview from vinyl reissue of Monopoly Child Star Searchers' Make Mine, Macaw.

More info go to: www.discrepant.net

MONOPOLY CHILD STAR SEARCHES

Monopoly Child Star Searchers - Tangerine Taxi (From Make Mine, Macaw LP)

Produced by Opiate & Alva Noto as Opto for the "2nd" album.
Released by Hobby Industries in 2005.

Opiate+Alva Noto=Opto-11.33 a.m. (2005)

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

-

Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

Thomas Knak =  Est. the Hobby Industries label (1999-present)

Thomas  Knak = Opiate.

Thomas Knak + Bjørk = Bjørk : Cocoon and Undo (Vespertine album 2001)

Thomas Knak + Oh Land = Oh Land : Heavy Eyes and Still Here ( Fauna album 2008)

Thomas Knak + Carsten Nicolai = Opiate and Alva Noto = Opto (Opto Files, 2001 / 2nd, 2005)

Thomas Knak + Jakob Bro = Bro/Knak (S/T) 2012

Thomas Knak + Anders Remmer and Jesper Skaaning = Future 3 (We are .., 1995  / Stay With, 1998 / Like,  2001)

Thomas Knak + Anders Remmer and Jesper Skaaning = System (S/T, 2002 / Tempo EP, 2007 / B, 2010)

Thomas Knak + Anders Remmer, Jesper Skaaning, Sara Savery = People Press Play (S/T, 2007)

Thomas Knak + Morten Remmer = James Bong (C´est Tres Bong , 1995)




 






Opiate+Alva Noto=Opto-11.33 a.m. (2005)

Thomas Knak

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