Piano blended with electronic or ambient textures. 

Hammers, Circuits, And Textures

My All

In "The Floating Garden," I've ventured into a realm where generative synths and the spirit of ambient music converge to create a magical, calming oasis. This single is a reflection of my journey, infused with a tiny touch of neoclassical elegance amidst the vast expanse of classic ambient landscapes. I aimed to cultivate an environment that invites listeners to float away into a serene, ethereal garden of their own making. I hope it brings you the same solace and wonder it brought me during its creation.

The Floating Garden

Support

Elle

Dreamscapes

Under a Starlit Sky of Dreams

Lunar Eclipse

NØCT1LUCENT #05

Ambient Guitar 2025/2/26

Myhja

Lower Heavens

Participation mystique refers to the innate human connection to symbolic and imaginative experiences. This symbolic realm exists before or alongside our ability to think analytically or rationally. The idea is strongly linked to projection, as these symbolic or mythic elements naturally extend themselves into the world around us—into people, places, and things, just like how we unconsciously assign color to what we see.

Participation mystique is not just a psychological concept, but an aesthetic principle – a lens through which we perceive art as more than just something we observe; it becomes something inhabited.

In artistic terms, participation mystique can be thought of as a dissolving boundary between the self and the image. In this perspective, any manifestation of art can be perceived not just as an external object, but as an extension of the viewer’s unconscious. Colors, shapes, and atmosphere resonate with inner archetypes – mythical, primordial, emotional – before the mind can name them. This is why abstract compositions can seem hauntingly familiar, or why certain symbols – like a spiral, a doorway, or a shady forest – draw out something ancient, deep, and unconscious from us.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev
Cover picture and design by Dionis Afonichev

Participation Mystique

Participation Mystique (Philippe Deschamps Remix)

174 Hz - Grounding Healing Frequencies

Written during a journey, this track captures the essence of a place that radiates peace and stirs inner passions. It’s both a reflection of the moment and a soundscape that preserves the memory of an experience lived far from the everyday.

Released September 2, 2025

To license this song please contact:
matteo@odeonmusicgroup.com

Unveil to unknown

Buy on Bandcamp!

things start to unravel

Ocean of Pines is a cinematic ambient journey for deep inner work forest air and shoreline light in slow motion. Designed for plant-medicine ceremonies (truffles, ayahuasca) and quiet introspection, each piece moves in gentle breaths: handpan, felt piano, soft strings, e-bow guitar and warm analog pads, woven with subtle field recordings (leaves, wind, waves). No harsh transients, no sudden shift only spacious pulses and long decays to keep you grounded while being carried along.

Footsteps in Fern Mist

"May-mess" - Profusion of hedge-blossom in full spring (Gerard Manley Hopkins, poetic)

Music by Dalot
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Dalot - May-Mess

A small sampling of the film score for the movie Dustwun.

Under a Starlit Sky of Dreams

Thomas Lemmer

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