19.06.2022 - DOMINGO - CAP. V - BEM AVENTURADOS OS AFLITOS

This lecture was given on June 14, 2022 at the Dominican House of Studies in Washington, D.C. as part of The Civitas Dei Summer Fellowship: "The City of God in Modernity: Culture and Ecclesiology."

The slides for this lecture can be found here: https://tinyurl.com/mpfttpnh

For more information on upcoming events, please visit our website at www.thomisticinstitute.org.

About the speaker:
Carlos Eire, who received his PhD from Yale in 1979, specializes in the social, intellectual, religious, and cultural history of late medieval and early modern Europe, with a focus on both the Protestant and Catholic Reformations; the history of popular piety; and the history of the supernatural, and the history of death. Before joining the Yale faculty in 1996, he taught at St. John’s University in Minnesota and the University of Virginia, and was a member of the Institute for Advanced Study in Princeton for two years. He is the author of War Against the Idols: The Reformation of Worship From Erasmus to Calvin (1986); From Madrid to Purgatory: The Art and Craft of Dying in Sixteenth Century Spain (1995); A Very Brief History of Eternity (2010); Reformations: The Early Modern World (2016); and The Life of Saint Teresa of Avila: A Biography (2019). And he is co-author of Jews, Christians, Muslims: An Introduction to Monotheistic Religions (1997). He has also ventured into the twentieth century and the Cuban Revolution in the memoir Waiting for Snow in Havana (2003), which won the National Book Award in Nonfiction in the United States and has been translated into more than a dozen languages. His second memoir, Learning to Die in Miami (2010), explores the exile experience. A past president of the Society for Reformation Research, he is currently researching attitudes toward miracles in the sixteenth and seventeenth centuries. His recent book Reformations won the R.R.Hawkins Prize for Best Book of the Year from the American Publishers Association, as well as the award for Best Book in the Humanities. It was also awarded the Jaroslav Pelikan Prize by Yale University Press. All of his books are banned in Cuba, where he has been proclaimed an enemy of the state – a distinction he regards as the highest of all honors.

Returning to Constantine: Protestant Theocracies | Prof. Carlos Eire

Powolutku

Disquiet Junto Project 0590: Concrète Roots
The Assignment: Make music combining field recordings and feedback

This project is the first of three that are being done in collaboration with the 2023 Musikfestival Bern (musikfestivalbern.ch 2), which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.

We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fifth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects may be played and displayed throughout the festival.

Step 1: Consider two different techniques: field recordings and feedback.

Step 2: Combine field recordings and feedback in the development of an original track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0590” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0590” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, April 24, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, April 20, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 2

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Back to nature (Part One) - disquiet0590

This talk was given at the University of Oregon on March 15, 2023. 

For more information please visit thomisticinstitute.org.

About the speaker:
Ross McCullough joined George Fox University as an assistant professor of theology and faculty fellow in the George Fox University Honors Program in 2018. He studied patristic theology at the University of Notre Dame before doing a doctorate at Yale University at the intersection of systematic theology and analytic philosophy of religion. Dr. McCullough's first book, Freedom and Sin: Evil in a World Created by God (Eerdmans, 2022) reconciles traditional Christian commitments to, on the one hand, God causing all that is and, on the other, God in no way being responsible for sin. He also has academic publications on the doctrine of hell, the Eucharist, the hermeneutics of Scripture, and liberation theology. His popular articles have appeared in First Things, Commonweal, and America Magazine, among other venues. Dr. McCullough lives with his wife and four children across the street from St. Peter parish in Newberg, where he is on the pastoral council and leads RCIA.

Making Sense of the Atonement | Prof. Ross McCullough

BERG - THE GOOD, BAD N UGLY - TPC303

It is a pleasure and an honor to be here for the 500th anniversary of this event. Great music, great community, great musicians.
A huge thank you to Naviar Records who made this possible.

Created  with Reaktor ensembles.

RKT M5 (naviarhaiku500)

Assignment: Select two or more tracks from the provided ones https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609?si=7c2b7977f36f4e7c8598f9015f1472c2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

I reworked and mashed together the following three tracks with additional instrumentation:

@ray_cobley https://soundcloud.com/ray_cobley/simply-sixty-disquiet0609?si=964f09599ede490c944c5b477b315984&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

@winterer https://soundcloud.com/winterer/catnip-in-60bpm-disquiet0609?si=a28240ff67dc40d79c9e3170502e9859&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

@atw https://soundcloud.com/atw/transient-melter-60bpm-disquiet-0609?si=eeb41b4e69524f06b852644eee40c388&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Making Sense of the Atonement | Prof. Ross McCullough

The Thomistic Institute

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