Name: Scenes Of Iceland V by Thordurm in Copy of Classicalm
Duration: 2 min 30 s
Description: Works for solo piano, midi rendition played on Synchron Bösendorfer Concert Grand 290 Imperial

Copy of Classicalm

Works for solo piano, midi rendition played on Synchron Bösendorfer Concert Grand 290 Imperial

Scenes Of Iceland V

In the end, The Young Man made it through to the center of the giant Heart of the World, corrupted by darkness. 

He was all alone here, because The Wounded Healer died during their last battle. He saw the core right in front of him. The pure light. So warm. So white... like the sunlight, he was never felt before.

He didn't want this world to die. He wanted to save it. But it was the fate that brought him here, to the end of the story.

The Young Man felt something like a friendly warmth in his own heart. That was The Wounded Healer's soul, accompanying him to the very end.

They both wanted to save this world from dying. They promised to protect it at any cost. But now, the boy must destroy it himself, to recreate once again. In the end, boy understood that life never gives us what we want as we see it, but as it is given to us. And although, he himself become the End he was trying to avoid, he will have a chance to create the very new world, being a God. Being the new hope of the world he will make by himself.

The Young Man took the core of pure light in his hands, put it in his chest, and wished to cleanse this world.

Everything disappeared in a second...
There was a light everywhere. The white light.
And so, The Young Man decided to create the new world.

The world he can call his new home.

Wind of Farewell

home

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Belonging to the younger gen­eration of Icelandic com­posers,	Thordur Magnus­son bears the fresh and audacious qualities of his generation, whilst unafraid to maintain ties with tradition, with his Icelandic as well as international musical heritage. Magnusson feels that the word tradi­tional is in itself too negatively connoted in the world of modern music and that many composers shy away from any as­sociation with it and with the past, in their search for something absolutely new. He however welcomes making use of tradition and believes in good crafts­manship and that conventional writing for instruments can be a springboard for truly new sounds and challenging musi­cal experience.

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Scenes Of Iceland V

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