YANN GOURDON
TFR062 - LP and digital
Co-released with La Novia

https://wearethreefour.bandcamp.com/album/yann-gourdon

Face A

SARAH TERRAL - LE MENISQUE ORIGINAL
LP, digital
27 août 2021

https://wearethreefour.bandcamp.com/album/le-m-nisque-original

Un pique-nique de fou

La guimauve

Silencio
The Politics of Lonely
Now available on CD, LP and digital
Buy CD: http://threefour.bigcartel.com/product/silencio-the-politics-of-lonely-cd
Buy LP: http://threefour.bigcartel.com/product/silencio-the-politics-of-lonely
Buy digital: http://silencio.bandcamp.com/album/the-politics-of-lonely


The Politics of Lonely has an obvious connection with When I'm Gone, Silencio’s previous record released in 2012. Both albums had a long gestation period - from 2006 to 2011 - are centered around Julien Demoulin and mainly Bernold Delgoda, have a similar narration (an intro, five A side pieces, three on the B-side, the first of which lasting over 10 minutes in duration) and a refined visual identity. However, The Politics of Lonely cannot be reduced to being a simple replication of When I’m Gone.
When Julien Demoulin sent us the first mixes from the album, he presented The Politics of Lonely as Silencio’s rock album. Although fans of the Rolling Stones may raise an eyebrow when hearing the record, this is undeniably a rock album, albeit in Silencio’s universe -think Talk Talk’s Laughing Stock or Pan American. It means more rhythm - drums appear almost on the entire record - more melodies and dynamic structures, without denying the contemplative essence, brightness and melancholy that the group has been working on for six albums.
Masterfully produced, The Politics of Lonely offers a new aspect of Julien Demoulin and his henchmen's talent.

The City

TFR009
absent without leave - 'neath the tumbling stars EP
limited edition of 454 hand-numbered 12" vinyl.
release date : may 31, 2011

'neath the tumbling stars EP is made of three instrumental pieces based on guitar. At a junction between post-rock and ambient, absent without leave builds each track one step at a time. Crystal clear melodies are repeating themselves, intertwining in either quiet or stormy atmospheres ('neath the tumbling stars). A more meditative piece, as the leaves fall from trees is equal to its title. The tearing smoothness and fascination for the slow movement of the leave coming off the tree, flying in the air, before delicately landing on the soft ground are transcribed within those four minutes of introspective guitars. Finally, calm of the sea lights up the end of the record. Ghostly and colourful, those crystal clear guitar parts shine like dusk. While reminding some of the highest pieces from Labradford, Yellow6 or Stars of The Lid, 'neath the tumbling stars EP will surely become a classic. 

absent without leave - as the leaves fall from trees

First extract of Norberto Lobo's new album 'Fornalha'.
Out on november 4th on three:four records.

PRE ORDER LP: http://threefour.bigcartel.com/product/norberto-lobo-fornalha-lp
PRE ORDER CD: http://threefour.bigcartel.com/product/norberto-lobo-fornalha-cd
more info: http://www.three-four.net/releases/TFR026

Eric Chenaux wrote:
“Talking to yourself is more about listening than speaking.”
Alice In The Cities – Wim Wenders

Fornalha sounds more like the work of an open format radio program or some Root-strata summer mix tape than a document of a guitar recital. The image of a musician as DJ is one that allows us to think about the musician as a listener, rather than a performer; listening rather than reciting.

Norberto Lobo is a mind-bending musician, strangely and effortlessly modulating psychedelic ideas to the guitar. But what is wonderful about Fornalha is how he puts all of this to work to wonder about how we hear one thing following another (montage) and how these horizontal shifts can alter our perceptions. The record moves through the listening spaces like a New Orleans processional gathering and dropping sounds, as it winds through different chambers. Bowed guitars that sound more like bright cellos, a prepared guitar that sounds like a dry plastic lute and some sweet vocal oohing reminiscent of Brian Eno’s fried-orchestral singing in Gavin Bryars’ ensemble “1,2, 1-2-3-4” make up some of this processional band.

It is how these materials are tweaked, by time and space, that makes this record so strange; how one sound or one acoustic space alters and relieves the way we listen and our memory of what we have heard. At the end of the record, following a series of lush filter swept chambers, a dry guitar comes in, playing a chromatically bent lyrical ballad - transforming what we are hearing, the space where we hear it and what we have heard; the lightest ghosts.

Norberto Lobo - Fran

Second extract of Norberto Lobo's new album 'Fornalha'.
Out on november 4th on three:four records.

PRE ORDER LP: threefour.bigcartel.com/product/norbe…o-fornalha-lp
PRE ORDER CD: threefour.bigcartel.com/product/norbe…o-fornalha-cd
more info: www.three-four.net/releases/TFR026

Eric Chenaux wrote:
“Talking to yourself is more about listening than speaking.”
Alice In The Cities – Wim Wenders

Fornalha sounds more like the work of an open format radio program or some Root-strata summer mix tape than a document of a guitar recital. The image of a musician as DJ is one that allows us to think about the musician as a listener, rather than a performer; listening rather than reciting.

Norberto Lobo is a mind-bending musician, strangely and effortlessly modulating psychedelic ideas to the guitar. But what is wonderful about Fornalha is how he puts all of this to work to wonder about how we hear one thing following another (montage) and how these horizontal shifts can alter our perceptions. The record moves through the listening spaces like a New Orleans processional gathering and dropping sounds, as it winds through different chambers. Bowed guitars that sound more like bright cellos, a prepared guitar that sounds like a dry plastic lute and some sweet vocal oohing reminiscent of Brian Eno’s fried-orchestral singing in Gavin Bryars’ ensemble “1,2, 1-2-3-4” make up some of this processional band.

It is how these materials are tweaked, by time and space, that makes this record so strange; how one sound or one acoustic space alters and relieves the way we listen and our memory of what we have heard. At the end of the record, following a series of lush filter swept chambers, a dry guitar comes in, playing a chromatically bent lyrical ballad - transforming what we are hearing, the space where we hear it and what we have heard; the lightest ghosts.


Buy LP

Norberto Lobo - Fornalha

NORBERTO LOBO - FORNALHA
http://www.three-four.net/releases/TFR026

Text by Eric Chenaux

“Talking to yourself is more about listening than speaking.”
Alice In The Cities – Wim Wenders

Fornalha sounds more like the work of an open format radio program or some Root-strata summer mix tape than a document of a guitar recital. The image of a musician as DJ is one that allows us to think about the musician as a listener, rather than a performer; listening rather than reciting.

Norberto Lobo is a mind-bending musician, strangely and effortlessly modulating psychedelic ideas to the guitar. But what is wonderful about Fornalha is how he puts all of this to work to wonder about how we hear one thing following another (montage) and how these horizontal shifts can alter our perceptions. The record moves through the listening spaces like a New Orleans processional gathering and dropping sounds, as it winds through different chambers. Bowed guitars that sound more like bright cellos, a prepared guitar that sounds like a dry plastic lute and some sweet vocal oohing reminiscent of Brian Eno’s fried-orchestral singing in Gavin Bryars’ ensemble “1,2, 1-2-3-4” make up some of this processional band.

It is how these materials are tweaked, by time and space, that makes this record so strange; how one sound or one acoustic space alters and relieves the way we listen and our memory of what we have heard. At the end of the record, following a series of lush filter swept chambers, a dry guitar comes in, playing a chromatically bent lyrical ballad - transforming what we are hearing, the space where we hear it and what we have heard; the lightest ghosts.

Available in LP, CD and digital

Norberto Lobo - Eu Amo

First extract of La Tène's first LP. Now available on three:four records.
http://www.three-four.net/releases/TFR033
http://threefour.bigcartel.com/product/la-tene-vouerca-fahy-lp


Traditional experimental hypnotic endless medieval r'n'b. 

La Tène collect, listen and probe folk melodies and motifs of large territories, from the Jura to the mountains of Auvergne, weaving them to repetition and continuous sounds, electronics and frenzy until exhaustion. Their music, drones played with traditional and acoustic instruments is an invitation to the dance frantically, leading to euphoria or trance.

Cyril Bondi and d'incise are well-known swiss experimental musicians. They have a huge panel of collaborative and solo records. Cyril Bondi is also known for his playing in the jazz improv trio Plaistow. They play together in Diatribes.

Alexis Degrenier is a french composer, specialist in tranditionnal and slanted music. He plays in Ensemble Minisym that perform Moondog music.

La Tène - Danse De Vouerca

Traditional experimental hypnotic endless medieval r'n'b.
Now available on three:four records.
www.three-four.net/releases/TFR033

La Tène collect, listen and probe folk melodies and motifs of large territories, from the Jura to the mountains of Auvergne, weaving them to repetition and continuous sounds, electronics and frenzy until exhaustion. Their music, drones played with traditional and acoustic instruments is an invitation to the dance frantically, leading to euphoria or trance.

Cyril Bondi and d'incise are well-known swiss experimental musicians. They have a huge panel of collaborative and solo records. Cyril Bondi is also known for his playing in the jazz improv trio Plaistow. They play together in Diatribes.

Alexis Degrenier is a french composer, specialist in tranditionnal and slanted music. He plays in Ensemble Minisym that perform Moondog music.


La Tène - Marche De Fahy

JOAO LOBO - NOWRUZ
CD, LP & digital: https://wearethreefour.bandcamp.com/album/nowruz

Nowruz refers to the Iranian New Year that happens every year on march 21st. It is a Persian compound word that we can literaly translate "new day". For João Lobo, Nowruz could mean new start. It is his very first solo record after more than 40 albums as sideman or co-leader. The idea of doing a solo record has been growing up in his mind for over 10 years, before he started to play solo shows.

João Lobo solo project explores many of the countless sound possibilities of a drumset. The departure point is simple ideas developed in improvisations in the form of songs, using only unamplified acoustic elements without any edits or overdubs. The name of the songs are very personal and some of them pay homages to people he admires. For example ‘Babkou’ is the Gnawa name that Maalem Hassan Zoghari gave him. ‘Tom’ and ‘Zé’ are an obvious tribute to Tom Zé that influenced him for the song format and ‘Oren’ refers to Oren Ambarchi for his genius in the sound processing.

Nowruz

João Lobo - Bakbou

JOAO LOBO - NOWRUZ
https://wearethreefour.bandcamp.com/album/nowruz
http://www.three-four.net/releases/TFR038
http://threefour.bigcartel.com/product/joao-lobo-nowruz-lp
http://threefour.bigcartel.com/product/joao-lobo-nowruz-cd

Nowruz refers to the Iranian New Year that happens every year on march 21st. It is a Persian compound word that we can literaly translate "new day". For João Lobo, Nowruz could mean new start. It is his very first solo record after more than 40 albums as sideman or co-leader. The idea of doing a solo record has been growing up in his mind for over 10 years, before he started to play solo shows.

João Lobo solo project explores many of the countless sound possibilities of a drumset. The departure point is simple ideas developed in improvisations in the form of songs, using only unamplified acoustic elements without any edits or overdubs. The name of the songs are very personal and some of them pay homages to people he admires. For example ‘Babkou’ is the Gnawa name that Maalem Hassan Zoghari gave him. ‘Tom’ and ‘Zé’ are an obvious tribute to Tom Zé that influenced him for the song format and ‘Oren’ refers to Oren Ambarchi for his genius in the sound processing.

João Lobo - Baííía

OBA LOBA - SIR ROBERT WILLIAMS
Available on LP and digital
https://wearethreefour.bandcamp.com/album/sir-robert-williams
http://www.three-four.net/releases/TFR041

Originally Oba Loba is a project of Norberto Lobo and João Lobo in order to satisfy their desire to compose music for a band. Their debut album, Oba Loba, released in 2015 and critically acclaimed, has been described as ‘hybrid instrumentals that cannibalise popular song’ (Clive Bell in The Wire, july 2015). Comparisons with Tom Zé or Jim O'Rourke were made to try to qualify a music hard to categorize.
Recorded in May 2015, Sir Robert Williams is the second album of the sextet. While most of the songs are composed by Norberto and João Lobo, the influence of the other members, especially pianist Giovanni Di Domenico, is more perceptible. Mixing composed and improvised parts, the increased complicity allows the band to develop clearer atmospheres, oscillating between minimalism and dense orchestrations, gaining in dynamics without losing fluidity and nuances. More accomplished but less immediate than his predecessor, Sir Robert Williams remains faithful to what this project represents for the original duo: an area of freedom where the pleasure of playing and the desire to share are claimed.
credits
releases March 24, 2017

tracks A1, A2 and B4 composed by Norberto Lobo
track A4 composed by João Lobo and João Nicolau
track B2 composed by João Lobo
track A3 composed by Giovanni Di Domenico
track B3 composed by Jordi Grognard
track B1 composed by Norberto Lobo, Ananta Roosens and Giovanni Di Domenico

- Norberto Lobo: guitars, bass
- João Lobo: drums, samples
- Lynn Cassiers: voice
- Ananta Roosens: violin, trumpet, vocals (on Honiara only)
- Jordi Grognard: clarinets, flutes
- Giovanni Di Domenico: piano, fender rhodes, organ
- Niels Van Heertum: euphonium (on 'O Funâmbulo Sonâmbulo' only)

recorded in Studio Grez, Brussels, in may 2015
produced, engineered and mixed by Giovanni Di Domenico
master and vinyl cut by Frederic Altstadt at Angstrom Mastering, Brussels
drawing by Fátima Moreno (Fatimorri) fatimamoreno.com
Artwork by Darryl Norsen

SW013/TFR041

Sir Robert Williams

Oba Loba - Honiara

Oba Loba - Legionella

Eloïse Decazes & Eric Chenaux - La bride
TFR043
http://www.three-four.net/releases/TFR043
Out april 14th, 2017. Available on LP, CD and digital.
Order: https://wearethreefour.bandcamp.com/album/la-bride

La bride [The Bridle], which is here released by the Lausanne-based three:four label (Norberto Lobo, Danny Oxenberg & Bear Galvin, Mike Wexler, etc.), is their second album and it is perhaps even more surprising.
What do we find here? Ten new songs from old times, reimagined from top to bottom, arranged with equal parts madness and precision. One dies always and often in the rolling waves and riptides of these songs without refrain. You can only love furiously and you lose yourself almost everywhere. One hears vicious tales sung in a language characterized by insane turns of phrase. Animals have the word and the forest frightens to death, children make love, and if fathers die by the swords of their sons, it is well deserved. But Eloïse Decazes, more dancer than actress, more visual artist than storyteller, more musician than anything else, does not embellish the literal, never dramatizes her narratives, preferring to blow her melodies like glass or scrub and distill them to limestone and chalk, seeking air in the wooly outlines of verses. Her voice like dawn and her curious formations accompanied by the multiple sonic stances of Chenaux are like myriad flares that inscribe a ballet of shadows and lights in the dark material of the themes, very slow and very beautiful. One hears these firmly unstable arpeggios played on nylon strings that interwoven patterns of electric guitar come to disturb or even liquefy like waves. It is comprised of surprises and conflicting emotions. Furthermore, we are stunned by the way this curious album sometimes induces vertigo, with its vocal majesty and fake crawling violins, its harmonic suicides and misleading solos; how handily it subverts its forms, but without fuss, with kindness and in the utmost calm.
Let us be clear: La bride is not folk music, nor even so-called traditional music. It is an album of new music dreamt and conceived from very old melodies, an observation testified to by its production - all in shifting stereo - its soft psychedelia, a dialogue with a certain intrepid modernity (Monk, Cage, Derek Bailey and the "Obscure" records of Brian Eno are all visible from here), the love of inquiry and peregrinations for a present that is ceaselessly renewed.

La Bride

Eloïse Decazes & Eric Chenaux - Quand je menais mes chevaux boire

Eloïse Decazes & Eric Chenaux - Le deuil d'amour

RAZEN - THE XVOTO REELS
First extract.
Out on sept. 15th, 2017
PREORDER: https://wearethreefour.bandcamp.com/album/the-xvoto-reels

The Xvoto Reels provides additional proof (if necessary) that Razen is an audacious group. If the Belgian band led by the duo Brecht Ameel and Kim Delcour has explored different musical worlds with changing formations, the involuntary irruption of a sixth “member” has upset the content of this new album. Through these brutal and unpredictable interventions, it made an ambitious album - recording live improvisations in a church with an organ and a tabla - unique.

“When we listened to the tape reels months after the recording sessions at the St Martin’s Church, we were forced into noticing that a presence had placed itself on all of the recordings. A presence playing tricks with the dynamics and the church acoustics, leaving inexplainable sound prints and cuts on the reels, turning our music into stray phantoms, as if what was left on the tapes was only a vague recollection of the sessions, reducing the slowed down ragas we had had in mind into a version so different and frayed yet at the same time so layered and eternal, that at first we had a hard time recognizing our original ideas, 
let alone deciding whether this was not too personal, intimate and obscure at all to let it out into the world, because what we had in our hands now, was the sound of a deeply private dream, a message from the subconscious, rather than a collection of tracks by five improvising musicians.

It did not take us long before we observed that what was lost in terms of our original expectations of these recordings (the precision of our tunings and interplay, proper endings and beginnings, clearer definition of sound) we had suddenly gained on other and far more worthier levels; the levels of randomness, unexpectedness and irrationality, precisely the sort of qualities our improvised music had always embraced, which were now put to the fore in a manner we had not yet encountered.

So here it is. More than the sum of tabla + hurdy gurdy + recorders + double bass + church organ. More than the sum of 5 musicians + tape engineer + church acoustics. 
The Xvoto Reels – a prayer in the halflight, a comforting sermon out of St Martin’s Church - is a version of Razen where the music played itself, and chance dictated what essence of this was allowed to be captured. We look back on those days in August as a moment in time where in fact, we ourselves and all those involved had become the instruments, in a way such as described by Inayat Khan: “I played the vina until my heart had changed into the same instrument. Ever since I have become His instrument, and whenever He wishes, He plays me with His music”.

Brecht Ameel & Kim Delcour / Razen

The xvoto reels

Reversal Dub

Home

LA TENE - TARDIVE/ISSIME
New album, out on sept 22nd, 2017 on three:four records and Les Disques Bongo Joe
Distribution: The Business (USA), Metamkine (FR), a-musik (Europe)

TRACKLIST
A. La tardive (15’46)
B. Pa di issime (15’52)

La Tène's previous album 'Vouerca/Fahy', released at the end of April 2016 on the promising  three:four label, was rapidly out-of-print after a long series of concerts throughout France and neighboring countries. Thanks to this immediate success, they were invited to play the prestigious Montreux Jazz Festival after appearances at the Sonic Protest Festival in Paris, Ring Ring in Serbia and at the Kilbi Festival in Düdingen.

Their second album, 'Tardive/Issime', was recorded in January 2017. It is to be released on September 22nd, 2017, as the first collaborative release between Les Disques Bongo Joe and three:four.

If this second opus relies on the same method of composition, it employs a decidedly richer timbral palette, combining long heavy descending harmonium sweeps, relentless percussion, and the ever more precise patterns and drones of the hurdy-gurdy.

'Tardive/Issime', something of a mirror to its predecessor, nevertheless reveals a few phantoms in the course of listening, prefiguring a music still to come.

La Tène - Pa Di Issime

La Tène - La Tardive

AMULETO - MISZTERIUMOK
TFR047
Available on LP on April, 6th 2018

Misztériumok is the third full-length record - their first on three:four - of Italian duo Amuleto, composed of Francesco Dillon and his cousin and three:four’s artist Riccardo Wanke. Following the route of previous releases this new album emerges as the fusion of composed and improvised forms and moves between contemporary and electronic music mixing acoustic, electronic and real world sounds. The music takes shapes from a progressive disclosure of sonic material that gradually manifests its nature: at times aggressive and distorted, other times ephemeral and intimate. Cello, electronics, field recordings and a large variety acoustic timbre merge into a unique sound. More intensively than before, Amuleto in these five pieces condenses their aesthetic within intense evolutions, concrete attacks and tight musical constructions. 
This work takes inspiration from a series of old photos (as negative silver bromide glass plates) found in the 'Feira da Ladra' flea market in Lisbon. They depict scenes of middle-European family life at the start of the 20th century mixing what seems an ephemeral serenity with an imminent sense of crisis and loss.

Amuleto is Francisco Dillon and Riccardo Wanke.
Cello, electronics, guitar, harmonium and piano; field recordings from France and Bolivia.
All music by Amuleto, except for Urlicht's theme by Gustav Mahler.
Recorded in Lisbon and Florence between September 2015 and April 2017. Mastered by Giuseppe Ielasi.
Amuleto thanks Elena Abbado, Antje Disterheft, Maxime Guitton and Gaëtan Seguin.

Misztériumok

Amuleto - Der Turm

Filipe Felizardo & The Things Previous - Volume VI: The Sun Rises in your Tummy & other Christmas Illuminations

Available on LP and digital: https://wearethreefour.bandcamp.com/album/volume-vi-the-suns-rises-in-your-tummy-other-christmas-illuminations

Containing a heavy-haze version of Bonnie Beecher's "Come Wander"; "木瓜 " - a 3000yr old chinese poem; "I am the Res Erection" & the electric guitar monolith "Your Tits".

cover photo by António Júlio Duarte
produced by Cristiano Nunes

Volume VI - The Sun Rises in your Tummy and other Christmas Illuminations

Filipe Felizardo & The Things Previous - 木瓜

MANUEL TROLLER - VANISHING POINTS
TFR052

Avalaible on LP and CD on three:four records: https://wearethreefour.bandcamp.com/album/vanishing-points

Vanishing Points

Manuel Troller - Hologram

LA TÈNE / & JACQUES PUECH & LOUIS JACQUES / & GUILHEM LACROUX & JÉRÉMIE SAUVAGE

ABANDONNÉE/MALÉJA

BONGO JOE (BJR038)/THREE:FOUR (TFR051)
OUT DECEMBER 2018
__

ALEXIS DEGRENIER : AMPLIFIED HURDY-GURDY - VIELLE À ROUE AMPLIFIÉE
CYRIL BONDI : PERCUSSIONS - PERCUSSIONS
D’INCISE : INDIAN HARMONIUM, ELECTRONIC, PERCUSSIONS (C) - HARMONIUM INDIEN, ÉLECTRONIQUE, PERCUSSIONS (C)

WITH / AVEC

A & B
JACQUES PUECH : CABRETTE -  CABRETTE
LOUIS JACQUES : CABRETTE, 23'' BAGPIPE - CABRETTE, CORNEMUSE 23''

C & D
GUILHEM LACROUX: 12 STRINGS GUITARE - GUITARE 12 CORDES
JÉRÉMIE SAUVAGE: ELECTRIC BASS - BASSE ÉLECTRIQUE

A: L'ABANDONNÉE
B: PARADE DU SOLIAT

C: LA MALÉJA
D: DANSE DE L'ORTHA

Enregistré / Recorded
A & B 21-24.10.2017
C & D 19-22-03.2018
INSUB.studio, Genève, CH
par / by d'incise
Mix par / by d'incise
Artwork par / by Lionel Catelan
Photo par / by Cyril Vandenbeusch

Abandonnée/Maléja

La Tène & Jacques Puech & Louis Jacques - L'abandonnée

Catalog number: TFR015
Format: 10"+mp3
Edition: Limited edition of 300 hand-numbered copies
More info: http://www.three-four.net/releases/TFR015
Buy: https://wearethreefour.bandcamp.com/album/split-series-volume-5
Illustration: http://rachelbloch.ch/

Jeremy Lemos - Out With the Old

Catalog number: TFR019
Format: CD, gatefold sleeve, hand-stamped, co-released with Eglantine records
Release date: october 2012
More info: http://www.three-four.net/releases/TFR019
Buy: http://threefour.bigcartel.com/product/silencio-gone-ep-cd

01 Gone

OUT ON FEBRUARY 2013

Catalog number: TFR017
Format: 2xLP, gatefold sleeve
Release date: february 2013
More info: http://www.three-four.net/releases/TFR017

Named after an 1988 unreleased, to this date, Supreme Dicks song, 'Your Victorian Breasts' is a collection of 20 otherwise unreleased tracks by the likes of Alastair Galbraith, Black To Comm, A R P, Pigeons, Ignatz, William Tyler, Filipe Felizardo, Hamilton Yarns. It also hosts 3 new collective projects: Mendrugo, which features Josephine Foster joining forces with husband Victor Herrero, José Luis Herrero, José Luis Rico and Takuhiko Nochimoto; Raajmahal, the reunion of Pat Murano (No-Neck Blues Band, Decimus), Carla Baker (Baba Yaga, Flower Orgy) and Santa Wolanczyk (Flower Orgy); and Syracuse Ear, a first-class improv gathering featuring David Maranha, Manuel Mota, Margarida Garcia and Chris Corsano.

The comp's range stretches from demos (Date Palms, Arlt) to soundtracks (Roger Tellier-Craig), archival material shelved for years (Supreme Dicks), cover songs (Bridget St John as revisited by Alvarius B, Daniel Johnston by Circuit des Yeux, and an anonymous Serbian ballad by Eric Chenaux), live takes (Mendrugo, Syracuse Ear) and new studio works (Robert Hampson, Corridors, ...).

'Your Victorian Breasts' was compiled by Maxime Guitton, as the sequel to 'Err on The Good Side', a 10 unreleased track comp released on vinyl in 2009 by three:four records.

'Your Victorian Breasts' was mastered using Direct Metal Mastering (DMM) for the best quality sound reproduction available. It is released on double LP, gatefold sleeve. Artwork by Darryl Norsen. One-time pressing of 650 hand-numbered copies. Includes a download code for a free download of the album. 

B3 - Date Palms: Dust Bowl Theme (demo)

OUT ON FEBRUARY 2013 - PRE ORDER NOW

Catalog number: TFR017
Format: 2xLP, gatefold sleeve
Release date: february 2013
More info: http://www.three-four.net/releases/TFR017
Buy: http://threefour.bigcartel.com/product/v-a-your-victorian-breasts-2-x-lp

Named after an 1988 unreleased, to this date, Supreme Dicks song, 'Your Victorian Breasts' is a collection of 20 otherwise unreleased tracks by the likes of Alastair Galbraith, Black To Comm, A R P, Pigeons, Ignatz, William Tyler, Filipe Felizardo, Hamilton Yarns. It also hosts 3 new collective projects: Mendrugo, which features Josephine Foster joining forces with husband Victor Herrero, José Luis Herrero, José Luis Rico and Takuhiko Nochimoto; Raajmahal, the reunion of Pat Murano (No-Neck Blues Band, Decimus), Carla Baker (Baba Yaga, Flower Orgy) and Santa Wolanczyk (Flower Orgy); and Syracuse Ear, a first-class improv gathering featuring David Maranha, Manuel Mota, Margarida Garcia and Chris Corsano.

The comp's range stretches from demos (Date Palms, Arlt) to soundtracks (Roger Tellier-Craig), archival material shelved for years (Supreme Dicks), cover songs (Bridget St John as revisited by Alvarius B, Daniel Johnston by Circuit des Yeux, and an anonymous Serbian ballad by Eric Chenaux), live takes (Mendrugo, Syracuse Ear) and new studio works (Robert Hampson, Corridors, ...).

'Your Victorian Breasts' was compiled by Maxime Guitton, as the sequel to 'Err on The Good Side', a 10 unreleased track comp released on vinyl in 2009 by three:four records.

'Your Victorian Breasts' was mastered using Direct Metal Mastering (DMM) for the best quality sound reproduction available. It is released on double LP, gatefold sleeve. Artwork by Darryl Norsen. One-time pressing of 650 hand-numbered copies. Includes a download code for a free download of the album. 

B4 - Roger Tellier-Craig: Transit

B5 - Black To Comm: Nord

MIKE WEXLER WITH SYNTHETIC LOVE DREAM
Out on oct 16th on three:four records

Available on LP, CD and digital

https://wearethreefour.bandcamp.com/album/mike-wexler-with-synthetic-love-dream

Autonomy

MIKE WEXLER WITH SYNTHETIC LOVE DREAM
Out on oct 16th on three:four records

Available on LP, CD and digital
https://wearethreefour.bandcamp.com/album/mike-wexler-with-synthetic-love-dream

Last Shadows Fall

Rafael Toral and João Pais Filipe 
Jupiter and Beyond

LP/CD/digital
three:four records, Nov 6, 2020
https://wearethreefour.bandcamp.com/album/jupiter-and-beyond

Jupiter

Three:Four Records was co-founded in 2008 by Gaëtan Seguin and Arnaud Guillet. Three:Four Records has been working since 2017 as a "mental stereo pair" made up of Seguin and Maxime Guitton, spreading their musical activities between Lausanne, Paris, Rome and Marseille. It is distributed by The Business (2).

Originally focusing on avant-folk, ambient and noise projects, the label has championed the debut albums of a number of artists and fostered a handful of collaborative efforts between established musicians, whilst promoting a wide array of musical styles and aesthetics (improvisation, songwriting, modern composition, experimental music, avant-rock, electronic and folk music, soundtracks, etc.). Through its patient mapping of a large family of artists across countries (Switzerland, Portugal, Canada, France, United States, Great Britain, Italy, Belgium, etc.), three:four has been lately expanding its catalogue through a series of coproductions with partners in crime (Standard In-fi, A1000P, Bongo Joe, Feeding Tube, Meakusma, Carton)

Popular tracks by three:four records