@user-138663860: just saw this - ha - thanks so much!

Such a cool remix//digging the vocals and background harmonies//nice sound and lyric//Rocking smooth!!

Epic songwriting !! really astonishing work.  Its nice to be visiting again

Just gorgeous track Tim, and beautiful vocals!

Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 042 Part 1

Made for fun — Electro Pop at 115-120 bpm that hopefully makes you want to dance 💃🕺💃💃🕺🕺 A light-hearted fun song because Atlanta (A-Town) is fun, y’all — hot and humid 🥵 — but never dull. 

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human 

Available to download (.wav) if anyone feels inspired to collaborate for a remix, adding vocals or whatever. DM me if you prefer MP3.
……………
Home to sports legend Hank Aaron and Braves baseball, southern cooking, tons of historical landmarks — from Centennial Olympic Park to the King Memorial Center — and history-makers, MLK, John Lewis, Jimmy and Rosalyn Carter to name a few, A-Town has neighborhoods of talented minds from all over the world. 

As the American South’s “Ellis Island”, our melting pot of metro neighborhoods makes us ATL strong and welcoming. As home to dozens of colleges and universities, Atlanta acts as a hub for higher education.

Night clubs? And hip hop? Oh yeah, we got that! A-Town is also a huge urban center for LGBTQ folks, so if you’re straight but not narrow, come, dine, and party with us!
..……….…
115/120 bpm

Written in 2022, I ordinarily don’t compose above 100 bpm but A-Town needed a 2025 refresh — the beats fit ATL.

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 

E-INSTRUMENTS
Concert Grand 
SoCal Ballad Piano 
Classical Acoustic Guitar 
Flamenco Echoes 
Plucked Bass Arp
Deep Round Synth Bass 
Analog Phaser Pulse
Film Memories synth
Chordal Chimes
Classic Pad 
SoCal Ballad Piano
Ambient Lead
Indian Sitar
Chinese Guzheng Zither
Modern TR-727 Timbales High
Persian Santoor

E-PERCUSSION 
Atlanta Drum Kit 
Beat Machine 
Hip Hop Kit 
2-Step Remix
Pawn Shop 808 Maracas 
Castanets

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

2023 Copyright SUNNYBECK 
All rights reserved 2025
..……….…
.

Summertime in A-Town

Une chanson contre la violence conjugale...
A song against domestic violence...
Vocal/intro & Final text : DelhyA  https://soundcloud.com/user-945711181/tracks
Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr https://soundcloud.com/robspiritduo/tracks
Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Lyrics : Guillaume DULER

Lyrics:
J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...
La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans  mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui  ronge
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous 
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs la qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui
Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées
La tendresse des coups
Je ne peux les laisser atteindre ce rivage à nouveau où les vagues d'une mer intérieure continue se brisent en silence...

I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...
Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away
And he says he adores her...always a little harder... until death
lie to the sun when the moon sees all
nights are cruel crushed by taboos 
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly
And he says he loves her... always a little harder... until death
the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one
who said he adores her...always a little harder... until death
kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions
The tenderness of blows
I can't let them reach that shore again where the waves of a continuous inner sea break in silence...

© Philippe SEGUINARD/Guillaume DULER  Juillet 2025

La tendresse des coups ( DelhyA - Régis GAUBERT & JIM ) TRANSLATED

This is a hybrid track..  Featuring My Neighbor Eco Freq Or just "Benne"

Lithium

Spirits Are Dancing (2025) Remastered

'slipshod decisions' with Harmful if Followed
https://www.instagram.com/reel/DHEv8ZOu-xP/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

harmful: lyrics, vocals, photo
scotty: front porch pickin'

Today I thought that I had something to say 
But then it went away
Cos I’ve done nothing today 
I need to make more mistakes
I think that’s what it takes 
Christ it aches and it aches
Feels far too real to be fake
Still signs of deliberate lines
More than words for words sake

And I swear that I sometimes make slipshod decisions

To help with the sad rhymes
That I’ve made my prison
I'm living in sin of my own making
Trying to catch the sound of my heart breaking 
Is it life or art that I’ve been faking ?
Think I missed the start but I don’t know when 
Pulled myself apart and back in again
Rather overarched for a simple man
Far too grand a plan

slipshod decisions (with Harmful if Followed)

Foujita          ( translated after French Text )

Vidéo : https://youtu.be/wG4DmzweoTE

Texte :             Philippe J.  (@PhilippeJ.)
Chant :            Delphine     (@Ze Delph )
Musique : Alain Illos
e vous attends ici comme je vous sais là-bas
Et déjà de Paris si loin des embarras
Vous nous avez quittés mais vous n’avez pas fuit
Je vous sais étranger à tout ce qui ennuie
(Seulement) À tout ce qui ce qui ennuie
Foujita
Dans ce café maté ou s’entassent nos vies
Amère destiné qu’un passé déconfit
Je les vois défiler ces années, Ho chat oui !
Et si désemparée, je vous cherche, Dandy
Où sont passés Soutine et Modigliani ?
Que nous dit Picasso, loin de l’académie ?
Quand Zadkine est parti vivre aux États-Unis
Vous peignez loin d’ici mon portrait alangui
Mais moi je suis restée dans le vieux Montparnasse
Mon regard décalé s’embue et je me glace
Je voudrais présager votre retour en grâce
Léonard, Léonard, mon ami
Aussi je vous écrit Foujita aux traits fins
Aux blancs évaporés, aux gris évanescents
Et je m’évanouis lorsqu’en y repensant
Je fonds et me répands aux lits de vos glacis
Merci à vous Fuji, ô parure de mode
Homme déraciné, d’un monde qui désaccorde
Épris de liberté comme des anciens codes
Pour ce portrait léger, je vous le dis, merci

I wait for you here as I know you are there
And already so far from Paris and its troubles
You left us, but you did not flee
I know you are a stranger to everything that bores
(Only) to everything that bores
Foujita
In this dark café where our lives are crammed together
Bitter fate, a ruined past
I see those years go by, oh yes!
And so distraught, I search for you, Dandy
Where have Soutine and Modigliani gone?
What does Picasso tell us, far from the academy?
When Zadkine left to live in the United States
You paint my languid portrait far from here
But I stayed in old Montparnasse
My offbeat gaze clouds over and I freeze
I would like to predict your return to grace
Leonard, Leonard, my friend
So I write to you, Foujita, with fine lines
With evaporated whites and evanescent grays
And I faint when I think back
I melt and spread across the beds of your glazes
Thank you, Fuji, oh fashion adornment
Uprooted man, from a world out of tune
Enamored of freedom like the ancient codes
For this light portrait, I say to you, thank you

Foujita  avec Delphine

An original song by J.J. Terrell

Left Behind

It’s really about the nights we shared
Underneath all the stars

Now that we’re apart, it’s hard to breathe
Thinking of the love, the dreams we weave.

Oh babe I need you back, it’s true

Memories linger, they haunt my mind
Every lonely moment, I’m left behind
I see your face in the setting sun
Without you here, I’m all but done

Time keeps passing, but the ache won’t fade
Our song still plays, in every serenade
If you could hear me, would you find your way
Back to my arms, where your heart should stay?

Ohhh babe, I need you back

Memories linger, they haunt my mind
Every lovely moment, I’m with you
I see your face in the setting sun
Without you here, I’m all but done

Oh babe, I need you back
It’s true


Left Behind

This is a track that Jeff and Mahan Mahan had started and almost finished by the time I took a listen.   When I did , I loved it.    

Mahan 💀 Mahan  - beats, bass, synth, acoustic guitar
Stonerjazz - vocals/lyrics
TexMex Shaman - electric guitar and mix 
 

lyrics by Stonerjazz:

ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of being--
--stonerjazz

Nature Of Their Being - w/ Stonerjazz and Mahan 💀 Mahan

Schalter Off

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Baby's Coming Home Tonight, Gene Jumper, ( Original )                                                                                          Music By: Keitonie,

baby's coming home tonight

Baby's Coming Home Tonight, Gene Jumper, ( Original ) music By: Keitonie

Texte Français et Google traduction

MAIS QU’EST-CE QUE TU DEVIENS ?

Tu joues velours sous tes satins quand tu les froisses,
Tu vas au four, j’reste au moulin et je m’efface.
Tu dis qu’un pour, c’est plus qu’un moins dans tes audaces.

Tu dis toujours que tu reviens quand tu te casses,
Et que l’amour çà fait du bien là ou çà passe.
Qu’un petit tour, si c’est pas loin ne laisse pas de trace.

Mais qu’est-ce que tu deviens
Si je m’en vais, si je te quittes?

Tu fais tes tours et je n’suis rien pour tes passe-passes,
Aux jeux-concours, tu prends la main je bois la tasse
Et dans la courre vers les lapins, je garde ta chasse.

Sous tes faux-jours au p’tit matin tu r’fais surface,
Tous mes discours et mes refrains te laissent de glace.
Mes au secours et mes trop pleins, tout çà t’agace.

Mais qu’est-ce que tu deviens
Si je m’en vais, si je te quittes?

Tu dis qu’un jour il faudra bien que je me fasse,
A tes détours, dans les amours qui me remplacent
Et qu’en retour, si tu l’veux bien je gard’rai ma place.

Mais qu’est-ce que tu deviens
Si je m’en vais, si je te quittes?

BUT WHAT DO YOU BECOME?

You play velvet under your satins when you crumple them,
You go to the oven, I go to the mill and I erase myself.
You say one for, it's more than one less in your daring.

You always say that you come back when you break,
And that love is good here where it goes.
A little trick, if it's not far away, leave no trace.

But what do you become
If I leave, if I leave you?

You do your tricks and I'm nothing for your passes,
At the contests, you take the hand I drink the cup
And in the run for rabbits, I keep your hunt.

Under your false light in the morning you surfaced,
All my speeches and my refrains leave you with ice.
My help and my overflowing, all that annoys you.

But what do you become
If I leave, if I leave you?

You say that one day it will be necessary for me to do
In your detours, in the loves that replace me
And that in return, if you want it well I will keep my place.

But what do you become
If I leave, if I leave you?

MAIS QU'EST - CE QUE TU DEVIENS? (Le libertinage)

DOWN BY THE SEA - Re-Mastered Aug 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019 AB Music All righte reserved.
Mastered by Soundcloud Aug 2020

IF I WAS A BIRD
I COULD FLY THE WORLD
OR LIVE DOWN BY THE SEA
WHERE THE WIND IS FREE

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A TREE
LIVE UP THERE AND SEE
THE WORLD BELOW

IF I WAS A FISH
I COULD SWIM THE SEA
I WOULD DIVE SO DEEP
SO NO ONE CATCH'S ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A PLACE
AND LIVE OUR LIVE'S AWAY
FROM WHAT'S UP THERE
(break)
IF I WAS A CAT
I WOULD CLIMB THE TREE
OR CATCH YOU BY THE SEA
IT'S JUST A PART OF ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN,
I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN

2018 PRO TOOLS

Down by the Sea

DOWN BY THE SEA

Music: Lukowig
Lyrics and vocals: Stina Crow and Lukowig
Stina Crow's page: https://soundcloud.com/user-599928229/tracks

Le battement de tes paupières
nos têtes basculant en arrière
ta chevelure dans la lumière...
Comme si c'était hier...

Volutes de nos souffles dans l'air
et dans nos yeux mille éclairs
foudroyés l'un et l'autre à terre...
Je le revis comme si c'était hier...

Jag lever nu
som i går
Jag ser din blick i dina ögon
Jag vet inte vad du inte förstår, jag har ju inget
mer att säga

Varför då?
Varför nu?

Jag vet ju ingenting om dej
Jag ser dina ögon
minns din röst
Jag vill ju bara leva nu

Coup de tonnerre : ton cœur amer
notre amour s'engouffrant dans la mer...
Fatale issue meurtrière :
faut-il inhumer hier ?

Glöm allt nu 
det är försent
Jag vill ju inte gå tillbaks
Vi lever nu 
Låt oss drömma
Låt oss flyga våran väg

Comme si c'était hier [ feat. Stina Crow ]

Just you and me (A remix featuring Bruce Conover)
Three Photons, December 2018 - Remixed May 22, 2019

Thanks so much to Bruce Conover who offered to add some background vocals to this song. I love the additions!

Written, performed, and mixed by Tim Griffis at Princeton Studio

Hope you enjoy some part of it ;-)

Technical Details
Recorded at Princeton Studio
Guitars: Fender Strat; Les Paul Standard; Fender Squire Bass
Pedals: Fulltone OCD overdrive, Line6 delay, MXR analog chorus
 
Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG
Backing Vocals: Bruce Conover

Mixer: API 16 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor) 


Lyrics (Something about a girl in Vancouver, Canada) 

If I could see you
just one more time
I'd be good to you
all the time

It was just you and me
we were drifting through the night
it was just you and me
we were running through the night
we were drifting through the night
it was just you and me
we were running through the night

I think I saw you 
at Lions Bay
sipping coffee
at my favorite cafe

It was just you and me
we were drifting through the night
it was just you and me
we were running through the night
we were drifting through the night
it was just you and me
we were running through the night

If I could see you
just one more time
I'd be good to you
all of my life

But I can't find you
and I'm out of time
I'm out of time...

it was just you and me
we were drifting through the night
it was just you and me
we were stealing against time
it was just you and me
we racing against the time
it was just you and me
we were drifting through the night

we were drifting through the night
we were drifting through the night

Just you and me (A remix ft Bruce Conover)

Get There
Paploviante Bass&Music 2019 / Melody from Eminem „Stan“
Vocals and Lyrics Emily Coy
https://soundcloud.com/freevocals/emily-coy-get-there-free-acapella

LYRICS:
Whatever I give is enough but it will never be too much
Whatever the fates may allow the dream is close enough to touch
I wanna be patient
I'm trying to be patient

Sometimes perhaps its best to flee than it is to stay at bay
Sometimes by chance its best to let go pave your own way
Sometimes perhaps its best to flee than it is to stay at bay
Sometimes by chance its best to let go pave your own way

We are made to age so lets make sure that we get there
We get there

Whatever I feel I'll embrace but never for to long
Whatever the day has in store time is fading away all along
 wanna be patient
I'm trying to be patient
Sometimes perhaps its best to flee than it is to stay at bay
Sometimes by chance its best to let go pave your own way
Sometimes perhaps its best to flee than it is to stay at bay
Sometimes by chance its best to let go pave your own way
We are made to age so lets make sure that we get there
We get there

Get There feat Emily Coy

Three Photons is an analog-centric indie jazz-blues project that blends vintage warmth with cinematic introspection. Rooted in tape-based production and minimalist arrangements, the sound evokes dusky landscapes, quiet urgency, and the emotional clarity of improvisation.

Drawing from early jazz recordings, lo-fi textures, and ambient storytelling, Three Photons crafts sonic environments where each note feels intentional and alive. The name reflects a fascination with light, resonance, and the subtle interactions that shape perception—mirroring the project’s ethos: understated, immersive, and deeply human.

From reel-to-reel saturation to spacious reverb tails, every track invites deep listening and quiet reflection. This is music for late nights, long drives, and moments that linger.

🎙️ Analog soul. Magnetic tape. Timeless tone.

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Just you and me (A remix ft Bruce Conover)

Three Photons

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