Love melody, very emotional and dramatic. Like this style!

Really enjoyed this. Gave me a nautical feel for some reason.

muy bonito el track. sonidos frescos, progresiones bien usadas. cuidaria solo la mezcla. good job [via https://sc.repostexchange.com]

Under the bridge-feat (Artem zinkevuch piano&Nata zinkevuch drum)

Collab with Amplidude
https://soundcloud.com/amplidude


3 Cheers 4 Mutability

아르메니아 민족의 전통악기인 두둑(Duduk)악기 음색을 사용하였고, 한국의 구전민요인 새야새야 파랑새야의 주선율을 모티브로해서 곡을 완성하였다.
One of my favorite woodwind instruments is Armenian Duduk. It is a double reed instrument. Duduk and piano were used to produce this music piece. Additionally, I used the main theme of one traditional Korean folk song orally transmitted called, Saeya(bird), saeya(bird), parang(blue) saeya(bird). I just used the short main melody line and improvised while enjoying playing piano (the first recording) and duduk sound (the second recording over piano music done). Let me rephrase this. Armenian traditional instrument (duduk) met Korean traditional folk song’s main theme and new music emerged creatively and improvisationally. Enjoy!

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Photo by Joshua J. Cotten on Unsplash

Korean bluebird - Ambient & Emotional Chillout Music

His Vow

(c)2021  Guitar, bass, Composing, programing, recording, mixing and mastering by Robert Grigg
A fun little ditty!

Video Link!
https://youtu.be/P5MKya1bNpU

The Rooster Walk

Hecludium Hecludis

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - I. Sun Day

Sun Trio - Mvt. I. Sun Day

Thursday
for Soprano and Piano
Duration: 12’
Text by Kenny Berkowitz and Bridget Meeds
Performers: American Modern Ensemble; Nancy Allen Lundy, Soprano, Blair McMillen, piano
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=889
Online Perusal Score: https://issuu.com/robertpaterson/docs/thursday.fs.all.bound
For More Information: https://robertpaterson.com/thursday

PROGRAM NOTES
The text for Thursday was conceived and written by two close friends, Bridget Meeds and Kenny Berkowitz, both excellent writers who possess an acute and often exquisitely wry sense of humor. Each movement attempts to paint a literary picture of the central character by introducing various people who are related to her. The work has six short movements, each one representing a different character.

Winter Songs

Thursday - 2. 9:15 am

Hello everyone, for this week, I'm currently focusing on improving my techniques and skills on the piano. Please enjoy 🎹

Photo by Maria Orlova from Pexels

Beauty and the beast - Piano Cover

The Likes of This Have Never Been Seen Before ...yet Here We Are Again

Calypso (No Reason to Stay) Pt. 3

A more grandiose, cinematic take on the original 1992 song from my favourite band.

It's about grief and isolation, and describes well that lonely headspace that comes with losing someone close that you often leaned on... Not because i'm miserable per se, but i love drama and find this relatable.

Thanks to my brother for his soulful saxophone work!

Wait For Sleep (Dream Theater Cover)

experimental, cinematic, instrumental, post-rock band from russia.
for the benefit of almost all living beings. 
cheers.

Calypso (No Reason to Stay) Pt. 3

threshold of faith

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