Name: Friday Marmite by Clark in ELECTRO PROGRESSIVE
Duration: 1 min 45 s
Description: Just found this very early mix of Voodoo Rainbow ha ha ha.

turn around girl, lalalalalaaaaaa..........

because the original is amazing and this one as well

ELECTRO PROGRESSIVE

So my friend tom Panton posted this mind boggling shuttle footage (http://www.youtube.com/watch?v=2aCOyOvOw5c) on his FB

I love the combination of stasis and momentum that the film suggests

nuts

I've been abit of a twerp and gone and made a beat for it with the shuttle/stasis/momentum underneath

and vincent at http://adoxo.co has just edited together this http://youtu.be/BqJP2G4V0aE for it...

Video Version

Shuttle Track

wow, blast from the past! Vinyl rip Taken from Jen + Stew's Roden crater wedding album picture disc LP, download the whole album for free from: http://jenandstew.com/item.php?item_id=83

Temptation (New Order cover from 2001)

Electronic Rhythm Number Twelve

PYE CORNER AUDIO/NOT WAVING Intercepts split LP

Release date: 28.07.14

'Protect The Revolution' taken from 'Intercepts', a split album between Pye Corner Audio and Not Waving. 

Taking inspiration from the world of espionage, most specifically spy rings, both artists provide four tracks each, creating a thrilling musical call and response between these kindred producers.

Some of the world’s greatest espionage stories involve Spy Rings. From the Rosenbergs to the Cambridge Five and the Duquesne case, these are stories that haunt the annals of the covert world and remain shrouded in mystery and fascination to this day.

Clandestine spirits permeate these eight tracks of dreamlike industrial techno, impressionist synth burbles, fragmented post-modern ambient and cosmic sci-fi adventure.

PCA tracks composed by Martin Jenkins. 
Recorded and produced  by The Head Technician at Black Mill with assistance from Martin Jenkins.

NW tracks written, produced and recorded by Alessio Natalizia in London 2013-2014. 

PYE CORNER AUDIO (20:50)
1 Perfect Secrecy Forever 05:30
2 Twisted Wire Pair 05:33
3 Shared Secret Key 04:19
4 One Time Pad 05:28

NOT WAVING (20:02)
1 Protect The Revolution 08:26 
2 Two-Way Mirror 02:58
3 Enemies Of The People 04:28 
4 Like Shooting A Fish In A Barrel 04:10 

BUY SPECIAL EDITION!

Not Waving - Protect The Revolution

Crewdson - Dwarf Star

This is an excerpt from 20min length song "LOOP for A.M. SHOW WINDOW3". People who buy A.M. works will get this full length CD during "A.M.SHOW WINDOW" exhibition at PULP Osaka, 4th June ~ 8th 2014 and at KATA Tokyo from 1st July ~ 5th 2014. edition 300.

"LOOP for A.M. SHOW WINDOW3"からの抜粋です。オリジナルは20分の作品です。2014.6月4日〜8日の期間にPULP Osaka, 2014.7月1日〜８日にKATA Tokyoで開催される "A.M.SHOW WINDOW"にてA.M.作品をご購入いただいた方にCDをプレゼント。限定300枚。是非遊びにいらしてください。

http://pulpspace.org/post/85200763364
http://www.kata-gallery.net/events/am3/

mastered by Yoshinori Sunahara

LOOP for A.M. SHOW WINDOW3 _ excerpt

I Miss The Future Already

Roland TR-808
Roland SH-101
Kawai SX-240
Roland JX-3P
Technics M63 -> Sony C120

madonna-tape2tape-slow

Datashat - Die Autos (2014)

from the album 'semblance' available on kranky 07/20

Semblance

forma 'three-two'

Just found this very early mix of Voodoo Rainbow ha ha ha.

Friday Marmite

N E V E R  4  G E T

Lapsus Records proudly presents the third release in its “Perennial” series, dedicated to reissuing contemporary electronica classics from established artists. 

The third release is from Christopher Scott Leary, who over the last two decades has produced a plethora of material under his pseudonym, Ochre. 2019 marks 15 years since the original release of “A Midsummer Nice Dream” in 2004; on British label Toytronic, which pushed Leary to the forefront of the experimental electronic music sphere. To celebrate the releases’ fifteenth anniversary, Lapsus Records will reissue a special collector’s edition of this IDM classic in the form of a double tri-colour vinyl release, re-mastered by John McCaig (panicStudios). It will also include a full-colour print of the new artwork, re-designed by Portland (Oregon) illustrator Nathaniel Reeves, who has worked alongside Ochre for almost a ten years. 

This special deluxe reissue entitled “A Midsummer Nice Dream (15th Anniversary Edition)“, features unreleased material from the same period and includes three bonus tracks on its vinyl version, six on its digital version, making it a truly unique release. It therefore offers a golden opportunity to rediscover an album that navigates through several genre domains such as ambient, IDM and experimental electronica in its purest form, stylistically reminiscent of the likes of Autechre, conveying a sound considerably ahead of its time. In its entirety “A Midsummer Nice Dream” is undoubtedly one of the most remarkable electronica glitch albums to be released in the 2000s, when the genre experienced its zenith, largely thanks to the advent of significant breakthroughs in digital production tools.

You can order your copy at www.lapsusrecords.cat

A Midsummer Nice Dream (15th Anniversary Edition)

Ochre - A Midsummer Nice Dream (15th Anniversary Edition) | Perennial Series #03

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

AOKI takamasa. rhythm variation 06 (excerpt). taken from AOKI takamasa. RV8

https://throttleclark.com

Management | greg@thefullspectrum.org
UK & Europe Bookings | debbie@lb-agency.net
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

Friday Marmite

Clark

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