Sentinel

Datassette - Compound Eyes

Fwd: Re: late (Ref.: karoshi)

Taken from the album 'Infinite Window', released 29 July 2022 on Brainfeeder: https://kuedo.lnk.to/infinite-windowSo

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Sliding Through Our Fingers

'Music For Steamed Rocks' appears on 'Commissions I' by @oneohtrix-point-never, exclusive to Record Store Day 2014, learn more at http://bit.ly/commissions-i

Lopatin interpreted Witold Lutoslawski's Preludes in 'Music For Steamed Rocks', a piece composed for Polish Icons at Sacrum Profanum, a Warp staple that's previously hosted Clark & Aphex Twin.

Learn more about the release at <a href="http://bit.ly/commissions-i" target="_blank">warp.net</a>, set for release on 12" vinyl in a black foil print jacket with die-cut view of inner sleeve.

OPN's debut release for Warp 'R Plus Seven' is out now, learn more at http://bit.ly/1aE9CEM

<a href="http://smarturl.it/eb8fi6 " target="_blank">iTunes</a> / <a href="http://smarturl.it/hge9h2" target="_blank">Bleep</a> / <a href="http://smarturl.it/c23n1u" target="_blank">Amazon</a> / <a href="http://smarturl.it/t1zi9e" target="_blank">Google Play</a>

http://www.pointnever.com/
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https://twitter.com/0PN

Commisions I

Learn more at warp.net

Oneohtrix Point Never - Music For Steamed Rocks

The Return

Released On the µ20 compilation 04/09/2015

MU20

µ20

Slow Knife

Kettel - Cardinal Baby. Taken from Wingtip, Clone Dub 013

We warmly welcome back Kettel who makes his return to Clone/DUB records since his debut Cenny Crush 15 years ago (which was followed by the brilliant Whisper Me Wishes in 2007). After a hiatus of 3 years since his last release Kettel is releasing his new album on Clone Records. The talented musician has been busy with producing music for computer games and commercials, but is now offering a fine selection of pieces he has made in the last couple years with this full length in mind. The result is a playful, inspiring, eclectic, delicate, melodic, well-balanced and brilliantly produced album fuzzing elements of electronica, classical music, jazz and techno stirred into flawless, memorable compositions. As a 90's kid Kettel has always been inspired by the early electronica pioneers (whose names don't even need to be mentioned... everyone knows who we're talking about right?), and on this album too you can hear some of the aesthetics of those late 90's productions, but adopted into Kettel's unique world of confident rhythms and melodies filled with expression. The music on this record has a lyrical quality to it and is so expertly written that it does not strictly depend on it's electronical environment: these compositions would still stand firm performed on whatever combination of instruments. Another lovely and magical release by Kettel thats spreading good vibes from the first to the last second!

2x LP / CD out on 07-03-2016
LP: clone.nl/item38808.html
CD: clone.nl/item38821.html

Kettel - Cardinal Baby

Harpischord E.C.S.T.

Taken from the double A side 12" 'E.C.S.T. T.R.A.X.'. Out now on Throttle Records, Clark's newly established record label.

Limited edition 12" and all Clark & T-Shirts albums available from the Clark store https://throttleclark.bleepstores.com and Bandcamp https://clark.bandcamp.com

E.C.S.T. T.R.A.X.

Buy E.C.S.T. T.R.A.X.

Harpsichord E.C.S.T.

I've always been a massive fan of Boards of Canada, if its not obvious already!  10-11 years ago I stumbled upon a bootleg recording of one of their extremely rare live performances at the Warp 10 Birthday party in 1999.  The closing tune at this show has always remained a mystery to me.  As far as I know it has no title and has never been released.  It's quite possibly one of my favorite things they have done and really is a shame it never came out.  You can hear the original bootleg recording (quite bad quality) here : http://www.youtube.com/watch?v=PYEZueAelKc

Fast forward to Summer 2012...  Since I am a huge nerd I decided to take this bootleg recording and re-produce it for fun.  Using the recording I laid new drums over the existing drum patterns (almost 100% accurate to original), replayed some synth parts and the bassline.  The only thing I didn't try to re-create was the original vocoder parts and some random samples so I used the bootleg recording for that.  I was tempted to make a shorter 4-5 minute version but I figured I should preserve the piece in its intended length (although the length was most likely due to it being a live jam).

Downloads limited to 100 (sorry I still haven't upgraded my account).  I do not claim rights to the original nor do I intend to ever sell this.  Not sure if I'm violating anything or not with Soundcloud so grab it quick!

Update : Ha! Somehow the 100 download limit thing got bypassed, so download freely!
Updated Update : This should work! http://soundcloud.com/selftitledmag/boards-of-canada-untitled/download

BoC - Untitled (Machinedrum Edit)

Boards of Canada - "Untitled (Machinedrum Edit)"

From the album Ital Tek - Outland (out 1st May 2020 on Planet Mu)
smarturl.it/ItalTekOutland

Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘.

The album was written during a time of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this period of seclusion Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album.

Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan’s sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.

The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’.

The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters.

These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

Outland

Ital Tek - Open Heart

http://throttleclark.com

Management | greg@thefullspectrum.org
Bookings | ralf@vdhaardt.com
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

Harpsichord E.C.S.T.

Clark

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