Experimental Electronic Music Playlist. | Genres include post-dubstep, idm, future garage, glitch, lo-fi, chillhop, triphop, downtempo, braindance, bass, grime, wonky, vapor, breakcore, breakbeat, drill n bass etc. - Updated regularly.

Future Beats_part4

The Others - Vertigo 909
Written, Produced &amp; Engineered by A. Crawford


Vertigo 909

Folding Time

Not Gonna Make It

Best known for albums like Radio Amor, Ravedeath 1972, Harmony in Ultraviolet, and his most recent project, No Highs, @TimHecker has always been interested in going beyond the superficialities of ambient — preferring to craft music that challenges, confuses, enthralls, and excites. 

His creative process reflects this, often including bleeding channels, feedbacking pieces, pitch shifting, noise, and distortion. His live shows, meanwhile, can be flooded with darkness or cloaked in fog. 

In this conversation, Tim and I discuss his musical philosophy and love of creative and artistic dissonance, and the inherent challenges in making music that isn’t always easy. 


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Music:

"Monotony" - Tim Hecker (2023)
"In The Fog" - Tim Hecker (2011)
"Chimeras" - Tim Hecker (2006)


Follow AIR
Instagram: https://www.instagram.com/_airpodcast/
Patreon: https://www.patreon.com/airpodcast
Substack: https://airpodcast.substack.com/

AIR 063 / Tim Hecker

Not much to say on this one, Mattias Östling aka @rolando-simmons is back in AF. You should know what you're in for: undeniably beautiful acid stuff, somewhere between propulsive and melancholy, lush but fidgety 4/4 beats…’Terrestrial Ultra-Doula EP’ is a 4-track adventure that deftly dabbles in rave, IDM, techno and beyond in classic RS style.
In his own words "Every completed project is the failure of an original idea and the triumph of a successful adaptation. These tracks were inspired by a dream and my subsequent reflections on it. Playing music for others is an act of alchemy that can alter thought patterns and life paths to varying degrees. It is a formidable power to wield." 
Östling is one of those artists who works in a specific continuum but adds his own touch here and there—and when it comes to reverb-drenched, acid-lashed, wound-up IDM pitter-patter, not many can do it as well, or as elegantly, as this.
Word, you're gonna need this one ;).
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PREORDER 12" SILVER VINYL + DIGITAL: https://t.ly/gwD9B
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A1   INCANDESCENT SHAKESPEARES (DOULA MIX)     08:06  
A2   MULTIHARMONY (SATYR MIX)                  04:49

B1   DROOPY (TUD MIX)                          06:56
B2   STONE-SEEDER HIEROPHANT                   05:32
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C+P Analogical Force 2024. All rights reserved. 
Written and produced by Mattias Östling somewhere in Europe.                      
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón.
Design by Geometric Love, UK
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www.clone.nl
www.analogicalforce.com

Buy Now

[AF058] ROLANDO SIMMONS 'TERRESTRIAL ULTRA-DOULA EP' [2024]

Hüma Utku returns to Editions Mego with her new album. 'Dracones’. The title Dracones makes reference to the mediaeval latin term "Hic sunt dracones" (Here be dragons), marking the unexplored, dangerous places on world maps, expressing the fear of chaos, the unexpected and the unknown.

This new work by the Istanbul sound artist is a sonic journal of an expedition into uncharted territory, one which occupies self and domesticity. Inspired by Utku’s experience of matrescence, Dracones explores the themes of familial demonology, metamorphosis and homecoming as well as human relationship to the experience of love woven layers of euphoria, alienation and consumption.

Musically, Dracones traverses a wide array of sonic tools whereby industrial sounds are imbedded with certain psychological angles, this is an album where, all matter meshes into a sly snapshot of the human experience with a tension and release exposure occurring frequently with dark corners opening up to bright layers of electronic experimentation.

The haunting opening track ‘A World Between Worlds’ tackles pregnancy, of which Utku was experiencing when making this record. The emotional, physical, spiritual and mental experience of this journey is all documented here.. This track features the ‘Lyraei’, an electromagnetic string instrument and modern interpretation of the ancient lyre, that was built and played by Mihalis Shammas. ‘Comfort of The Shadows’ moves from within to without, what was once hidden is now exposed. Utku’s ability to conjure the visual in the sonic is at the forefront as howling electronics give a distinct impression of movement. ‘A Familial Curse’ presents a desire to break the cycle of generational trauma with a creeping sense of dread that rolls into an industrial rhythm prior to landing in a beautiful place represented with shimmering guitar tones. ‘Here be Dragons’ is a rich and dark evocation, a spooked surrender to the themes of the record whereby Utku’s wildly distorted voice beckons all manner of phantasmagoria over cello and recordings of her ultrasound. ‘Care in Consume’ engages in further sonic exploration as a means of conjuring ‘matriphagy’, with its unique psychic energy coursing through electronic veins. ‘A House within a House’ could also be read as a body within a body as the pulse of ultrasound audio rattle amongst a cage of thudding rhythms and swirling electronics, one also ending in optimism as an exquisite melody is born from the prior fire. The striking journey ends with the more soothing ‘Ayaz’a’, a track embracing love and all the hardships that a period of fundamental metamorphosis brings, this is a heartfelt dedication to her son and concludes an album draped in life, experience, joy and pain.

Dracones is a deeply visual journey through inner and outer worlds, a space where symbolic evocation is supreme and passive listening is not an option.

All tracks composed,performed and recorded by Hüma Utku  
Buchla 100, vocals, cello, electric guitar performed by Hüma Utku  
‘’A World Between Worlds’’ features the ‘Lyraei’ built, played and recorded by Mihalis Shammas  
Buchla 100 recorded in EMS Stockholm 2022-2023

Mixed by Enyang Urbiks  
Mastered by Heba Kadry, NYC  
Cover Artwork by Marco Ciceri  
Design by Tina Frank

Dracones

Hüma Utku 'Comfort Of The Shadows' (EMEGO318)

145 bpm
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barcode | noun
Pronunciation: /ˈbɑːkəʊd/
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spotify | https://tinyurl.com/bdh47yae

• soundcloud.com/barcode-a
• facebook.com/barcodea/
• twitter.com/barcodenoun
• instagram.com/barcode_noun/

Center Parc Reef

The intro track off the forthcoming album, 'Me, With You' by @jonnnah – a gentle collaboration with Pavel Milyakov (@buttechno)

Still Here, Playing Gtr (feat. Pavel Milyakov)

sixthCarnal

Golden Town Love

Air & Lack Thereof

Hex / Fatalist

Clarence Park

The Chase

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

AlunaGeorge - We Are Chosen

https://gabigabi.bandcamp.com/track/things-vibrations

things + vibrations

https://throttleclark.com

Management | greg@thefullspectrum.org
UK & Europe Bookings | debbie@lb-agency.net
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

The Chase

Clark

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