Decline Vol. 7

Decline - XIX

Remix version of Charlatan's "Night Circus" album. 

http://digitalisrecordings.bandcamp.com/album/night-circus-remixes

Charlatan - Glasshouse Patterns (Thug Entrancer Remix)

improvised synthesis // exploring evolving textures // chasing the spirit within the machine 

recorded and mixed in the summer of 2022 (Lakewood, CO)

summer fog

Decline Vol. 8

Decline - XX

Resolve is featured on the upcoming compilation House of Mutes Vol. 1 [OF007] by Austin based label Obsolete Future. 

http://obsoletefuture.bandcamp.com/album/house-of-mutes-vol-1-of007

Resolve

Decline Vol. 9

Decline - XXI

Chaparone - POND LP
Release date: January 2015

Great Circles (PA)
https://soundcloud.com/chaperonetechno
https://soundcloud.com/great-circles

All Your Emergencies (Thug Entrancer Remix)

https://ceremonyrecordings.bandcamp.com/album/landfall-ep-remixes
http://prismhouse.bandcamp.com
http://www.ceremonyrecordings.com

Prism House - Drift (Thug Entrancer Remix)

Synthesized improvisations collaged into rhythmic patterns. Recorded in the Winter of 2024 (Shred Shed, Denver CO).

Released by Multidim Records (Denver, CO) MDIM035

Age of eternal

Decline XXVI

Decline XVIII

Decline XXVII

Recorded live @ Rhinoceropolis April, 12th 2015
Killd By - https://soundcloud.com/killdby

Wage Mage / Entropy 7" thugentrancer.bandcamp.com/album/wage-mage-entropy

2 x lathe cut rectangle & flexi records 33 1/3RPM Edition of 25

Rectangle - Wage Mage I & Wage Mage II
Flexi - Entropy I w/ Killd By & Entropy II

Artwork by Stephan Herrera
Meep Records 2015

Meep is a handmade lathe record label via Denver, CO meeprecords.com/



Entropy I w/ Killd By

All proceeds from "Neural Shade" go directly to fund the Malindza Refugee Camp Library in Swaziland, Africa in which Heligator Records exists to support. It isn't too often that supporting experimental music also means supporting literacy and education for refugees from all over Africa. - http://heligatorrecords.bandcamp.com

Neural Shade

Double LP on 140 gram black vinyl cut at 33 RPM. Artwork printed on uncoated gatefold jacket. Artwork by Gretchen Marie Schaefer. Design and layout by Bobby Houlihan.

http://thugentrancer.bandcamp.com/album/death-after-life

Death After Life

Death After Life II

https://fromdenvertooakland.bandcamp.com/album/from-denver-to-oakland

Chromed

No Borders via Obsolete Future

https://obsoletefuture.bandcamp.com/album/no-borders-of014

Produced & Mixed by Ryan McRyhew: Denver, CO
Mastered by David Chaim Cohen: Xexify Studios - xexify.com
Artwork by Ryan McRyhew

OF014 :: Obsolete Future 2017 - www.obsoletefuture.com

No Borders

No Borders - IV

No Borders via Obsolete Future

obsoletefuture.bandcamp.com/album/no-borders-of014

Produced & Mixed by Ryan McRyhew: Denver, CO
Mastered by David Chaim Cohen: Xexify Studios - xexify.com
Artwork by Ryan McRyhew

OF014 :: Obsolete Future 2017 - www.obsoletefuture.com

No Borders - VIII

No Borders - VII

https://killdby.bandcamp.com | https://alphabets.bandcamp.com

DONATE --> https://www.crfw.art

--- 

Absorbing Colin’s musical output intensely over the past few days. I’m so grateful that he was so prolific and opened so much of himself up to all of us. These songs particularly help me right now, they remind me of conversations we would have about music, mostly his excitement for the latest piece he had finished. I would often tell him that I hadn’t even got to the last two releases he just put out. I always listened to him, deeply. This was a hard mix for me. It’s taken several days and painful nights, but I think it’s really essential right now, especially for people who want him close but either can’t emotionally handle the process of digging through his archives or just don’t know where to begin. I cried the entire time. I’m still sobbing. The hardest part about making the mix was ending it. I didn’t want it to end, I just want it to go on forever. I know it will, I know there’s still so much to be discovered. Thankfully he meant so much to so many people, I look forward to every mix that comes out. The best part is I doubt any two would be the same, this barely scrapes the surface. He is that beautiful and inspiring. That powerful.

This music spans from 2007-2016.

Dedication - For Colin

Alphabets - Untitled
Alphabets - Lego Museum
Alphabets - Gel Pens
Alphabets - Smile Attack Gleam Force
Alphabets - DIAMONDII
Alphabets - claw
Alphabets - oh my stars
Alphabets - magi lash
Alphabets - FINE CHINA
Alphabets - wink practice
Alphabets - Dreamdance special
Alphabets/Phonebooks - brain waves dance hall
Phonebooks - crescent fresh
Alphabets - RAPTOR JAZZ
Alphabets/Phonebooks - cheree (SUICIDE cover)
killd by - on fly
Alphabets - spooky sports mixtape
Alphabets - in it through it
Lil Pompeii - CAPS LOCKD 2046
Alphabets/Phonebooks - cat tats
Alphabets - wink practice
Alphabets - Rory Dog Monster Sleeps Forever
killd by - generation-zebra
Alphabets - alice invents a litte game and alice always wins- - 06 IIi-Ii
killd by - afterlife on loop / colin ferguson ward - stand up demo reel (4 reel)
killd by - kiss over glass
killd by / DJ pooLsiDe - 13 x 13x
killd by - out of your head
killd by & entrancer - untitled
Alphabets - R’s synth gift to use
killd by - cant stand still
Alphabets - [HIDEOUSMEN} TALONS
Alphabets - They Live (Dawn Mall Remix)
Alphabets - Magic Knives at the Equator
Alphabets - Untitled
killd by - apt11ii
Alphabets/Phonebooks - let go of stress

DOWNLOAD HERE -->

http://entrancer.net/download/dedication-for-colin-ward.zip 

https://killdby.bandcamp.com
https://alphabets.bandcamp.com

Dedication - For Colin Ward

DOWNLOAD --> entrancer.bandcamp.com/album/process-2016-2018

Process is a collection of fractured concepts, single takes and live recording's spanning 2016-2018 (winter). Originally aimless and destined for my archive, I decided to form them together as an attempt toward releasing my stress and grief, to find strength through creation. Catharsis synthesized through various modular systems + Roland x0x machines, kludged together into mixtape form. Inspired by Colin Ward’s endless energy (http://crfw.art).

Process ~ 2016-2018

battl_v1sion

“Decline Vol. 1” is the first in a series of ambient focused releases by Entrancer. This series is primarily concerned with evolving textures and the emotional fragments found within them. Buried between these textures are meditations on the systems of oppression steering our world into chaos and decline. Ambient protest music. 

Recorded and composed in the Summer of 2018 using a Serge Modular Synthesizer, Elektron Digitone, Zoom H4n and Cocoquantus.

Decline Vol. 1

Decline - IV

Decline - I

Entrancer - Downgrade (Digital + Physical) | Released November 15, 2019 

Purchase here -> https://entrancer.bandcamp.com/album/downgrade

Artwork by Ryan Riss 
tinyurl.com/y5k9d3s7 

Words by Issac Linder 
http://awoa.co 

Composed, mixed and recorded by Ryan McRyhew 
Denver, CO ~ 2018-2019 

Mastered by Tommy Metz 
http://wavemod.com 

MDIM008 - Multidim Records 
http://multidim.bandcamp.com 

---

Braiding a rope over the course of a decade is an exceptionally skill-testing activity. Especially when the braid is wound of something as diaphanous as sunlight running through a circuit. This braid assembled itself in front of my speakers as I listened to Downgrade; made itself known, like a slithering sea creature, as Aliquot Rave. It spoke of pulsional embrace, a maturity (or refinement) of tone, of vocabulary, and approach, that I came to understand as Downgrade’s retrospective quality, plumbing (as it were) aspects of your own discography. 
  
The threads of the braid were as much multiple voices as material. Heteroglossia of a true, profound, and bright sense of celebration along with something else that I often hear in your work; its elegiac undertone (undertow). Testamentary echo of life’s unbridled periods of grief. 'This is a work having left its chrysalis', I thought to myself. I understood that the edge I heard as “perspectival crest/ing” in each track was a metamorphic cusp listening allowed me to relinquish myself to. 
  
Relinquishment as downgrading, or down-sizing. Downgrade backing, through backward compatibility, into "down-grade": each track growing into a layer of down. Feather-down being the highest quality of down. Downgrade to respite. Downgrade devotional. Downgrade to openness.   

This is the sound of modularity evoking its own self-assembly and, as AR reiterated, it is music one can fall into. Modularity “itself” making good on its neurological disposition to bind. Receptor music admits one into reception. Ineluctable fall predicted by ineluctable landing, in the soft particulate scatter that I now realized I was laying comfortably back in. Hazed, awake, head-nodding. 
  
Comfortable, considering everything that had just occurred, it dawned on me that the instrument in question was a sonar detection device. It’s as if the roundness of the record in relationship to my body wanted to remind me that Downgrade is not only evocative of, but that it is in fact constituent of (it is the material, the metal and plastic and electronics) sonar, given as a gift to space, only to return in echo and replay to the listeners that we are to become in the future, having been transformed by listening across the expanse of our experiences, in which we, in turn, become recoded as the device itself that is transmitting the sonar out into space. 

- Isaac Linder

Downgrade

Burn - In

“Decline Vol. 3” is the third installment in a series of ambient focused releases by Entrancer. This series is primarily concerned with evolving textures and the emotional fragments found within them. Buried between these textures are meditations on the systems of oppression steering our world into chaos and decline. Ambient protest music. 

Recorded and composed in the Fall/Winter of 2019 using a Ciat-Lonbarde Sidrax + Cocoquantus, Roland SH-101, Kalimba, Bugbrand Modular System, and Teenage Engineering OP-Z.

Entrancer

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