Wicked Dmob Remix. Which mix is it? I need this in my life??

Grooves

Live mix from Shoom Summer Of Love 25th Anniversary at West Exit in Hastings 23.08.13

Accompanying blog piece at http://www.gregwilson.co.uk/2013/09/shoom-summer-of-love/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

SHOOM SUMMER OF LOVE @ WEST EXIT HASTINGS 23.08.13 (greg wilson live mix)

DJ and producer, Terry Farley heads back to the 'second summer of love' and celebrates some of the biggest Acid House tracks, 25 years on.

Along with Andrew Weatherall, the duo started the now notorious Boy's Own fanzine in 1986, which commented on the slang, the parties, the tunes and the humour of the acid house days, and which also lead to the creation of the label Junior Boys Own. This imprint specialised in dance music and put out records by Orbital and Dig Your Own Hole by The Chemical Brothers, which celebrates 15 years this year.

Terry began making productions with Andy Weatherall, Hugo Nicholson and Pete Heller under the name Bocca Juniors. He later teamed up with Pete Heller and has gone on to re-mix many of the world's leading artists and singers: everyone from U2 to New Order; to the Happy Mondays and Primal Scream at the height of Balearica. He has also produced Kylie Minogue, The Farm and M People.



Terry Farley 25 years of acid house - 6 music BBC

An ecletic early days mix with a heavy dose of inspiration from Pete and Kelvin' sets at Freetown, Stoke.

1. Let's Get Busy (Original East End Goes North Mix) - Clubland
2. To Yourself (Be Free) feat. Sima (The Musto Dub Mix) - M.C.J.
3. Change The Track (Brooklyn Bomb Dub) - Brooklyn Funk Essentials
4. Al-Naafiysh (Rock Rock Fiysh) - Hashim	
5. Take Me (Remake) - D.O.P.	
6. Emotions (C&C Dub-Dub Mix) - Mariah Carey	
7. Can U Dance - Fast Eddie	
8. Espionage - The Automation	
9. It's my Life	- Da Posse	
10. Space Face (Techno Todd Dub) - Sub Sub	
11. We Got The Funk (Hurley Deep House Mix) - 2 Raw	
12. Feel the Groove (Underground Remix)	- Cartouche	
13. Acid Over (Piano Mix) - Tyree
14.  Bluejean's Regime - Untrue Affection
15. Are You Gonna Be There (Hurley House Mix) - Shay Jones	
16. I Don’t Know Anybody Else (Hurley’s Revamp)	- Black Box	
17. Shafted Off - Frankie Bones	- Bonesbreaks Vol 2	
18. Just As Long As I Got You (Club Mix) - Frankie Bones	
19. What Would We Do (Eight Minutes Of Madness mix) - DSK with Shawn Christopher - Don't Lose the Magic
20. Temptation (After Dark Love Mix) - Corina	
21. Yo Te Quiero Feat. Bocachica (Detroit Version) - DJ La Roy	
22. At My House - Frankie Bones - Bonesbreaks Vol 2	
23. Dreams Of Santa Anna - Orange Lemon		
24. Members of the House -  These are my People (Rainbow mix)

EarlyDoors

A year before it's closing we celebrated FRONT's 13th Birthday in march 1996. Enjoy this recording of legendary club FRONT in hamburg.

Front 13.Geburtstag 1996

This year 2020 Vision are celebrating 20 years in operation so to mark the occasion we've upped an excerpt of 2020 main man Ralph Lawson's fabric 33 release. 

2020 Vision presents Content with Ralph Lawson, Paul Woolford, Debukas LIVE, Simon Baker, Ejeca, Burnski & Tristan Da Cunha in RMs 2+3 is on Saturday 1st February

Link to buy the release: http://bit.ly/fabric33 
Link to tickets:  http://bit.ly/fabric0102 


20:20 of fabric 33: Ralph Lawson

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

The Sound of Glitterbox - Greg Wilson is the second instalment in a series of mixes from our Glitterbox Resident DJs and Guests.   

Defected presents Glitterbox Ibiza 2015, available to pre-order now: http://defct.de/GBa

Defected Presents Glitterbox: a weekly playground for an international party crowd of all persuasions, where the DJs have free reign to educate and entertain - there’s no slavish following of ‘trends’, charts or genres – just the chance to hear true masters of their craft on one of the world’s best soundsystems.

Buy on iTunes

The Sound of Glitterbox - Greg Wilson

Italian duo Gianni Bini & Fulvio Perniola started recording and producing together as Fathers Of Sound in 1991. During the early to mid 1990's they gained a reputation for releasing records that sat between pure house, deep house and even progressive house. This made them very popular with a wide range of DJ's including Graeme Park, Sasha & Digweed, Danny Rampling and Junior Vasquez amongst hundreds of others. Another feature to their music was the inclusion of different types of guitars - electric, sitar and flamenco were all used to add elements of live musicianship in a world of computer samples.

During the mid 1990's their remix skills were highly sought after, and the pair managed to release over 100 remixes as well as several of their own EP's and records. F.O.S. were also asked to mix the famous Renaissance Mix Collection CD volume 3, following up from John Digweed's volume 2.

Every track on this mix was either produced, released or remixed by Fathers Of Sound between 1993 and 1997. 

Tracklisting:

1. Further Out - Another Love (F.O.S. Paradise Dub) [Flying Records]
2. Anthony White - I Can't Forget You (Fathers Of Sound Pleasure Mix) [UMM Recordings]
3. Justine - Want Me, Love Me (F.O.S. Love Guitar Mix) [UMM Recordings]
4. Sharon S - Gimme Your Love (F.O.S. Guitar Dub) [UMD Records]
5. Sharon S - Gimme Your Love (F.O.S. Ecstasy Vocal Mix) [UMD Records]
6. Pacha - One Kiss (F.O.S. Vocal Mix 2) [Flying Records]
7. Ivan Matias - I've Had Enough (Fathers Of Sound Untouchable Dub) [Arista]
8. Shame - I Do (F.O.S. Projen Dub) [Instinctive Records]
9. Sarah Washington - Heaven (Fathers Of Sound XS Dub) [AM:PM]
10. Shiva - Work It Out (Fathers of Sound Untouchable Vocal) [FFRR]
11. Anthony White - Love Me Tonight (F.O.S. Extended Club Mix) (UMM Recordings]
12. House Of Glass - Take Me Over (F.O.S. Renaissance Dub) [Ocean Trax]
13. Cookie - Choose Me (F.O.S. Mix 1) [Z Records]
14. Justine - Be Sexy (F.O.S. Morph Dub) [UMM Recordings]
15. Armante - Love Me Or Leave Me (F.O.S. Underground Dub) [UMM Recordings]

As always this mix was recorded live using two Technics 1210's and an Allen & Heath Xone 22 mixer. No Italians were harmed during the process of recording this mix.

I hope you enjoy the memories.

12 IL xxx

Stubbzie's House Classics Mix Vol 11 - Fathers Of Sound Special

Danny Rampling's Acid Past Acid Future Guest Mix

I WANNA DANCE - LILHO

DJ Nejtrino & Anza - Right In The Night

The Clockwork family arrived at 338 and put on yet another spectacular party..... relive it in sound right here.

005 - Mr C - Upstairs At ClockWork Orange Studio 338 March 2016

Delivering Traxsource LIVE! with a mix that is best served cold this week is The Revenge, with the Scottish maestro dropping a sublime selection of sounds from the likes of Jay Shepheard, Ron &amp; Neil, Simian Mobile Disco, Lancelot plus many more.

Our very own John ‘Julius' Knight also joins the party with the hottest house music on the planet, featuring exclusive cuts from Kings of Tomorrow &amp; Random Soul, Art Of Tones, Sonny Fodera and Golf Clap, plus the Essential 10-Year Anniversary Mix of Claude VonStroke’s legendary ‘Who's Afraid of Detroit?’ available now on Dirtybird.

• Get the music from This Weeks Show: http://www.traxsource.com/title/634508
• Weekend Weapons (May 27th): http://www.traxsource.com/title/633014
ft. Claude Vonstroke, Kings Of Tomorrow &amp; Random Soul, Pillowtalk, The Layabouts, Material, Sebastian Davidson &amp; more.

• Traxsource: http://traxsource.com
• Traxsource News: http://news.traxsource.com
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HOUR 1 - RESIDENT -  JOHN JULIUS KNIGHT TRACKLISTING: MAY 27TH, 2016

01. Escort - Actor Out Of Work (JKriv Remix) Escort Records (EXCL Out Now)
02. Art Of Tones - I Just Can’t (Get over It) Local Talk (EXCL Jun 10th)
03. Tapesh - Control (Original Mix) W&amp;O Street Tracks (Jun 3rd)
04. Sonny Fodera featuring Shannon Saunders - Over This (Club Mix) Defected (Unknown)
05. Kings Of Tomorrow &amp; Random Soul - Please (Sandy Rivera &amp; Random Soul’s Classic Mix) deepvisionz (EXCL Out Now)
06. MESA - After Party (Original) KONNEQT (EXCL Jun 17th)
07. Black Loops - Cassette 2 (COEO Remix) Toy Tonics (EXCL Jun 6th)

<< ESSENTIAL TRACK OF THE WEEK >>
08. Claude VonStroke - Who's Afraid of Detroit? (10 Year Anniversary Mix) Dirtybird (Out Now)

09. Man Without A Clue, Alias Rhythm - What We Had To Do (Extended Mix) Armada Deep (May 31st)
10. Sean McCabe &amp; Groove Assassin - Heat (Sean's Baby Dub) Things May Change! (EXCL Out Now)
11. Lee Walker - Freak Like Me (Armand Van Helden Remix) Defected (Out Now)
12. Nico Mendez, Enzo Siffredi, Little By Little  - Baro Rhythm (Little Enzo Remix) Wired (EXCL Out Now)
13. Small Black - Boys Life (Soul Clap Remix) (Unknown) 
14. Zoo Brazil - Underwears (Sante Sansone Remix) Lapsus Music (Out Now)
15. Todd Terry, Stuart Ojelay - Leaving Me Again (Sebb Junior Remix) Inhouse (Jun 3rd)
16. Demuir - Buttery Curves - Guesthouse (EXCL Out Now)
17. Golf Clap, Mike Millrain - Forget The Past (Original Mix) Country Club Disco (EXCL Jun 3rd)
18. Seven Grand Housing Authority, Eric Kupper, Kenny Summit - I Wanna Go Higher (Proper Remix) Good For You Records (EXCL Jun 3rd)

HOUR 2 - GUEST - THE REVENGE TRACKLISTING: MAY 27TH, 2016

01. Jay Shepheard - Rhubarb Wire [Retrofit]
02. Dr Dunks - Zoo-Ma-City [Endless Flight]
03. Ron &amp; Neil - Tears [Futureboogie]
04. The Revenge - Conkers [Dirt Crew Recordings]
05. Simian Mobile Disco &amp; Roman Flugel - Ikizukuri [Delicacies]
06. Sterling Void &amp; Paris Brightledge - It’s All Right (Acapella) [D.J. International Records]
07. Mark Henning - Soul Catcher [Swing Recordings]
08. Anton Pieete - Jupiter Blue [Rejected]
09. Lancelot - 7AM In The Afternoon [Toytonics]
10. Emilie Nana - Music (Manoo’s Nanadub) [Compost]
11. Quarion - Takin No Shorts [Toolroom]
12. Kids In The Streets feat. Chez Damier  - Keep On Turning (Motorcitysoul Vocal Dub) [Stir15]

FORTHCOMING GUESTS ON TRAXSOURCE LIVE!
Golf Clap (Jun 3rd) / Art Of Tones (Jun 10th) 


Buy at Traxsource

Traxsource LIVE! #68 with The Revenge

Two hours of pumping disco-house (with a sprinkle of Detroit classics) from the revered New York duo.

RA / Movement Archive: Masters At Work (2013)

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Scream Live At Ibiza

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616 - Scream Live At Ibiza mixed by Freddy (2002)

The electronic music & culture channel from VICE.

Danny Rampling's Acid Past Acid Future Guest Mix

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