the kind of shit I hate find out on my timeline

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Featured on The Egg Advisory Council on Wired Radio - Ep. 7 - https://goo.gl/OME2tz

The sound design on everything this guy does is astounding.

TRACKLIST:
01. Coby Sey - Dew Notes
02. Dasychira - Care's Room
03. Yikii - Cobalt Blue 鈷藍
04. GRASPS - 100000000 YEARS
05. Diego Navarro - Bara No Seidou
06. nunu - Rift
07. Alex Compton - Still Alive
08. Golin - forever x
09. svengali & a.b. thompson - salvo
10. GEWZER - MIRACLES
11. FAKETHIAS - Teeth
12. CECILIA - Neige
13. SCRAAATCH - blue light
14. ssaliva - Limp
15. Spirit Liberation Front - ILLUSION BREAK
16. Hyph11E - Spark
17. Cnámha - Rebirth To Fire
18. PTWIGGS x FALSE PRPHT - Wicked City
19. kittens in the bin - yellow snake

Cover by @lei.1.6 & @hilsth__
Mastering by Lorenzo Targhetta
Special thx to Vecteur Dissident & Underscope.

Alex Compton - Still Alive

Elysian Heights

Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12” releases between 2008 and 2010. It’s been four years since we last heard from them but they now return with “Drop The Vowels”, their debut album. Produced fast and loose through late 2013 / early 2014, it’s an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila’s incredible debut ‘Like Weather’, eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It’s an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response.

Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed ‘Stay Ugly’ breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. “Temper Tantrum” and “Spectral Source” follow, versions of tracks originally released on the second and third Daphne EP’s respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake’s mighty ‘Madmen’. ‘Corrosive’ flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while ‘Drop The Vowels’ further explores and strips bare bass & drums before the slow but jacking warehouse killer “Back Down” provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.

Stay Ugly

Ex Wiish is a fleeting dream. The new musical project of Ben Shirken, a sound artist and composer based in New York City.

Shirken is the founder of record label & performance series 29 Speedway which features improvisational electronic music, 4-point guerrilla sound installations, live multimedia performances and has hosted Robert Aiki Aubrey Lowe, Poncili Creación, Debit, Pent, James K and various other New York-based artists. Shirken also produces for and plays modular synths in acclaimed free jazz group ‘Nu Jazz’ with Dan Orlowski of electronic hardcore staple Deli Girls.

Their debut record, “Shards of Axel'', is out on Incienso June 23, 2023. Born from a story-based video game composition; the listener finds themselves as the disoriented main player respawned into a harrowing, metallic landscape, wandering through cable ridden labyrinths, caught in progress traps as digital noises grind past submerged cityscapes.

'Today, My Friend' is taken from Ex Wiish's 'Shards of Axel' LP
PRE-ORDER: Vinyl 2x12"/Digital:
inciensorecs.bandcamp.com/album/shards-of-axel
Music Video by Laser Days: 
https://youtu.be/U9TMVKshRLU

All songs written and produced by Ben Shirken 
Mastered by Rashad Becker @ Clunk 
Artwork by Grace Requejo 
Additional layout/design by Josh Abramovici 
Distributed by WordandSound

Out June 23rd, 2023
INC-025

Ex Wiish
@beshkenmusic
www.instagram.com/beshkenxo

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

Ex Wiish - Today, My Friend (feat. Gabrielle Ledet & Dorothy Carlos) [INC-025]

Tzusing - 绿帽 Green Hat
Label: PAN
Cat.No.: PAN 123
Release Date: 31 March 2023
Purchase: PAN.lnk.to/GreenHat

Mastered by Enyang Urbiks
Mixed by Jondu
Cover photography by Xiaopeng
Artwork by Virgile Flores

绿帽 Green Hat

Tzusing - Clout Tunnel Feat. Suda (PAN 123)

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Scorpions, Bats & Spiders (PAN 139)

Metallur

Tris

Boots of Blinding Speed

Chains

Borez

Point of Some Return

Shapednoise - "Intruder"

Honor Muslimgauze with this remix.
More info: http://subbacultcha.be/2016/06/17/muslimgauze/

Muslimgauze - Mullah Said ( Moa Pillar Remix )

The electronic music & culture channel from VICE.

Shapednoise - "Intruder"

THUMP

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