In each life we are guaranteed two things. Death and heartache. This was my first experience with heartache which at the time felt like death.

Wait for May

Wait For May by Dave Hanrahan Music

This about all those DNA services to find out your family tree.

0010 Pirate The Secession

It took me a few weeks to get this project done as I had some emotions to process but it came through. I hope the expansive sound design and the complexity is appreciated by you. Enjoy.

Childish Flinch

This tune was released by Shania Twain in 1997 and is performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #557 by Shania Twain

"Memory Card: Silent Hill 2 (Sleepless Specter Remix)" is a collection of remixes from the PS2 game, Silent Hill 2.

Forest (Remix)

[ SPANZOU.UNI1 ] DYB

Sample from mponthebeat - Malicious Loop Kit 
146 bpm 
D# Minor

[Free] Hard Drill Type Beat „Akimbo“

Farewell

With gentle hands

Metronome ( X Riesewo )

Just a Latin American cisgender man on a journey that disolves cultural and intellectual borders. Inspired by Critical Theory and guied by Musical Theory, I strive to transform social experiences and reflections into compositions that go beneath the surface, instigating creative and individual metaphorical abstraction. My music is fueled by a desire to understand the complexities of the power networkies, identity, and cultural context—themes that always resonate in my lyrics and melodies. Rooted in Latin America with a view towards the world, each song invites listeners to explore stories, question certainties, and find, in art, a form of dialogue with our time.
My affinity for linguistics manifested itself from an early age through poetry, but it was only in my late teens that it merged with the principles of musical theory, bringing musicality to my writings. This process gave rise to my first melodies, which were shaped through multi-instrumental experimentation and the first virtual technologies, incipient at this time. For 20 years, composing has been a recurring element in my life, often left aside by academic and professional commitments. Now, I have decided to make this creative practice an integral part of my daily routine.

With gentle hands

Tiago Oliveira

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Harvey Twyman

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