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Erykah Badu - I'LL CALL YOU BACK (Jo Crimaldi Edit) // FREE DL

Social Criticism in Lauryn Hill's 'Doo Wop (That Thing)'
Lauryn Hill's song 'Doo Wop (That Thing)' is an empowerment anthem and a sharp social critique, released in 1998 as part of her acclaimed album 'The Miseducation of Lauryn Hill'. The song addresses themes of self-respect, sexuality and the dangers of being carried away by appearances and materialism.
In the first verse, Hill speaks directly to women, warning them about the dangers of allowing themselves to be used by men who are only interested in 'that thing'. She criticizes the idea that women must conform to standards of beauty and behavior in order to be accepted or loved, mentioning 'hair weaves like Europeans' and 'fake nails done by Koreans' as examples of how women are pressured to conform to external standards. The artist also references religious and historical figures, such as Jezebel, to illustrate the consequences of straying from one's own principles and values.
The second verse is directed at men, criticizing those who prioritize material possessions and status over their responsibilities and relationships. Hill calls out toxic behaviors such as domestic violence and irresponsible fatherhood, and questions how these men can hope to succeed in life if they are not right on the inside. The song ends with a dialogue that reflects on the difference between love and being in love, suggesting that true love goes beyond the surface and accepts a person as they are. 'Doo Wop (That Thing)' is a powerful reminder that self-respect and integrity are key, and that we should be aware of the pitfalls of materialism and objectification in interpersonal relationships.
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FNX Omar - Doo Wop

MORELLO - RaggaMuffin [FREE DOWNLOAD]

STILCK - PAPASCIENCE

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Eurythmics - Sweet Dreams (Hardlight Remix) FILTER VERSION

EDU RIBEIRO - ME NAMORA (DJ TAUÍ REMIX)

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Bituca e DJGUSS com um clássico, uma poesia e uma batidão de rap pra colocar peso!!!
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Milton Nascimento - Para Lennon e McCartney (Guss Edit)

Remix da primeira gravação de 1953 de Jb de Carvalho 

DEIXA A GIRA GIRAR (1 WEEK FREE)

“Oggun” is a rhythmic and spiritual dive that connects the dancefloor to ancestry. In this track, Afterclapp evokes the archetypal force of Ogum, the orixá of Afro-Brazilian culture associated with iron, technology, righteous war, and the opening of paths — but he does so in a non-literal way, transcending the obvious and creating a unique sonic language.

Combining elements of organic electronic music, ritualistic percussion, and processed timbres, the track builds a sound universe that is at once ancestral and contemporary. Its 6 minutes and 36 seconds unfold like a layered journey: hypnotic grooves, living textures, and whispered voices invoke the symbolic presence not only of Ogum but also of other orixás, manifesting the strength of Afro-Brazilian spirituality through sound.

“Oggun” is not just a dancefloor track — it is a rhythmic invocation, a vibrational experience that beats like a modern terreiro drum, opening paths with courage, intention, and frequency.

Oggun

Dubplate Junior Dread (GUIDE US RIDDIM)

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All the info about the Original song here > https://tinyurl.com/y2huovaz

Dubplate Junior Dread (GUIDE US RIDDIM)

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