on my way to Lihue when i found this wtfffff hahaha

Blogged here : https://www.facebook.com/pages/Around-The-World/1501461786774144 ;)

The title track from Jose James' new album out now on Brownswood Recordings.

Itunes: https://itunes.apple.com/fr/album/blackmagic/id547333074

Bandcamp: http://brownswoodrecordings.bandcamp.com/album/blackmagic

Amazonn: http://www.amazon.fr/Blackmagic/dp/B008OCN95E/ref=sr_shvl_album_1?ie=UTF8&qid=1370355304&sr=301-1

Jose James - BLACKMAGIC

Overdub instrument at Home Recording - 4/21/2024
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Those Changes  -  Vocal n Drums.wav

Pamoja - Oooh baby

Melbourne nine-piece exploratory soul collective @thirtyseventy create an an aural bloom of Fender Rhodes, soft horns, fluttering melodies and counter-counter-harmonies. Out now via their Bandcamp.

Read more & buy: http://www.stampthewax.com/2016/05/09/premiere-3070-collective-the-strut/
Listen on Youtube: http://bit.ly/3070collective-strut

Official Video

30/70 Collective - The Strut (STW Premiere)

Rye Lane Shuffle

Polymood

L'Eclair - Si O No

Nohelani Cypriano • Lihue

Taken from the 79.5 album "Predictions" out on Big Crown Records.

Purchase Digitally Here: 

http://radi.al/795Predictions

Purchase the Album in all formats here: 
BIG CROWN WEBSTORE: https://bigcrownrecords.com/store/predictions/

Buy the single in all formats here:

BIG CROWN WEBSTORE: 
https://bigcrownrecords.com/store/terrorize-my-heart-disco-dub/

79.5 
https://www.facebook.com/thisis79.5/
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https://open.spotify.com/artist/2czOrtIVegf3rq5pabX21O

Visit us at: https://bigcrownrecords.com 

Follow Big Crown Records: 
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Predictions

Buy at BCR

79.5 - Sisters Unarmed

RESAVOIR is a diverse collective of young Chicago artists & improvisers who perform songs written and directed by trumpeter Will Miller. Best-known for his work with the indie band Whitney — and for his brass cameos on tracks by Chance the Rapper, Lil Wayne, Mac Miller, Saba, Eryn Allen Kane, and more - Will is, at his core, a jazz cat who trained at the Oberlin Conservatory. All the while, the Chicago native has been slowly and privately developing the music he jokingly refers to as his “bedroom jazz” sound. RESAVOIR is the manifestation of this development, with Miller often harmonizing his trumpet through synths and samplers, giving his leads an expansive, orchestral sound which can recall Soulquarian Roy Hargrove or Jon Hassell. RESAVOIR's debut album is due in 2019, on International Anthem. Tonight, RESAVOIR will feature Miller (trumpet, MIDI keyboard), Akenya Seymour (keyboards, vocals), Irvin Pierce (tenor sax), Lane Beckstrom (bass), Peter Manheim (drums) and Jeremy Cunningham (drums).

RESAVOIR - "Escalator (Live at Co-Prosperity Sphere)"

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Bad Bad Not Good - Fall In Love

♥♫ heartBEATS ♫♥

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Nohelani Cypriano • Lihue

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