Name: T.Wan Live @ Nowadays (September 9, 2022) by T.Wan in M I X I T U P
Duration: 3 h 2 min 6 s
Description: Recording of my opening set at Nowadays on 9.9.22 for DJ Voices residency w/ Lee Gamble. Big thanks to @latenitesbookclub for inviting me to play and to all the lovely @nowadaysnyc staff for being the best in the biz <3

M I X  I T  U P

For the 103rd entry in the Honcho Podcast Series, we welcome  Seattle-based DJ, @tiffwanee (she/they)! Tiffany has a few words about the incredible mix she's put together for us, 'When I was working on this mix, I thought about a trippy but also euphoric set I would play for my friends at a forest rave. In Seattle, summer is the most beautiful time of year. It’s also when everyone gets excited about throwing outdoor parties.

Lately I’ve been drawn to a lot of more bass-driven and polyrhythmic tracks, so I explored that part of my sound with this mix.'

Honcho Podcast Series 103:  T.Wan

Hyeonje @hyeonje-fka-hommegranate (they/them) is a nonbinary artist creating, loving, and living in diaspora. They use their DJing as a means of storytelling, play, ancestor worship, and somatoemotional connection with fellow human beings. Hyeonje's 6 minute piano piece in the midst of a 1.5 hour dance-centric set embodies the spirit of Missed Connections Radio; intention, spontaneity and exploration.

Tracklist on IG

019 - Missed Connections w/ Hyeonje

Recording of my opening set at Nowadays on 9.9.22 for DJ Voices residency w/ Lee Gamble. Big thanks to @latenitesbookclub for inviting me to play and to all the lovely @nowadaysnyc staff for being the best in the biz <3

T.Wan Live @ Nowadays (September 9, 2022)

@tiffwanee was a beautiful shock to the system at The Grove on Friday night.  She wasted no time guiding us into her zone of surgical, trippy techno and bassy polyrhymic jams.

Campout Mix Series:  T.Wan

@boxofbox

For extended Q&A & OG track game... please visit our website ------> pipipi.life <----------

Introduce yourself? Pronouns? Where do you currently reside? 

Hi, I’m john(athan)/box [they/he], an artist/scientist/engineer originally from Seattle, currently hailing from Durham, NC, USA.

What sound would you listen to… if it was the only thing you could listen to 24/7?

A binaural recording of a tiger purring, taken from inside their mouth while they were sleeping.

Describe in detail your favorite place to sit & listen to music.

It’s not a specific place, but I like a sturdy wooden bench in a park-like area, early afternoon, overcast, cool but not cold, shabby, lush grass, beautiful old trees, and lots of people bustling about.

When you are in the crowd… where do you like to stand and why?

Wherever the central most a/c vent downdrafts, to balance getting a nice solid stereo image & not overheating.

Last track you would want to hear before crying?

Spring - No Time (For Crying) 12” Mix
https://www.youtube.com/watch?v=8cN2Q2gPvWk

Sure, a bit on the nose, but it means my tears won’t be totally sorrowful.

Favorite BPM and why?

As a dancer, the 140<->70 BPM two-speeds-at-once zone because I like options for my energy expenditure.

As a DJ, 135 BPM feels pretty nice right now, not exactly sure why though.

What would you like to see in the future for the dance community?

I’m a broken record on this, but more universal connection/activation/support off the dance floor.

boxofbox - 273.1600 K at 611.657 Pa

Live broadcast from SFM Studios aired on 11/22/22 featuring NAP

NAP (11/22/22)

your *damn* flower dishes out smooth selections to *plurify* the soul for our monthly on @radio-relativa.

@myflower1 @myflower1 @myflower1

My Flower | Jan '23

Nothing in Moderation with DJ Voices @ The Lot Radio 02 - 01 - 2023

Live recording from a 3-hour set I played in Seattle for @researchsea. Big thanks to @ncarr0ll for capturing this night, to @samshin-1 and @sisgirlpgh for playing with me, and to @jasoncode for the lighting ambiance.

T.Wan Live @ Research (Seattle 1.20.23)

"When I imagined the interception of this mix by a sentient intergalactic being, I wondered - how do we decipher the language of music? Would the sound of a human voice be perceived as the voice of the dominant species. Or, perhaps, would the sounds of the drum machine be interpreted as the “voice?” What does voice and language mean when spoken through music? 

While there are major differences in the style and teachings of musical traditions around the world, the use of voice and rhythmic percussion is present across cultures and throughout history. In this context, is rhythm truly the universal language? 

I have always been interested in the use of voice in dance music - the way it brings an organic familiarity to a technical genre. For this mix, drew from various sources and genres - both voice-centric and rhythm-centric to weave a melodic, deep, and genre-twisted story. I recently discovered konnokal, the south Indian art of performing percussion syllables vocally, which really inspired the concept and helped me think about rhythm in a new way. The mix opens with a reverbed out recording of Sheila Chandra, an English pop star of Indian descent, performing konnokal. The mix is rhythmic, yet meant for listening and the experimental nature of this project encouraged me to use 3 CDJs and run a delay pedal through my mixer for the first time. I hope you enjoy it!"

@seleneseattle

Selene (fka Aos) is a DJ, producer, and event organizer from Seattle. They are affiliated with the collective, secondnature, and have worked on a breadth of projects ranging from underground parties, to community-centered events, and educational workshops. Musically, they are drawn to texture, melody, and voice and the ways in which these things are expressed through technology-driven genres with a focus in techno, breaks, and ambient/experimental. Their DJ and live sets are playful, genre-bending, and expressive.

https://secondnatureseattle.com/
https://secondnature.bandcamp.com/album/the-secret-garden-is-in-your-mind
https://soundcloud.com/seleneseattle

Distant Signals 012: Selene

Bristol's Ido Plumes, an affiliate of two homegrown institutions – beloved imprint Livity Sound and music venue The Love Inn – treats us to Crack Mix 492.

Here, across over 90 meticulously-mixed minutes, the DJ and producer behind last year's 'Balancing' and 'To / Fro' EPs moves through forward-facing dub iterations, buoyant techno and even some unreleased Peverelist material. Each track is allowed the space to breathe and unfurl slowly, making this one for the introspective late nights; a mood-setting soundtrack to solo clubbing experiences.

Check out the tracklist on crackaud.io: crackm.ag/3JKFErO 
Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Crack Mix 492: Ido Plumes

Sobolik is a Brooklyn-based artist whose work as a producer, DJ, promoter and label curator seeks to open dialogues across cultures and practices of modern club music. Co-heading the London label All Centre alongside Simkin and DJ Pitch, Sobolik has been turning heads with futuristic club cuts on labels such as 3024, CloudCore, Woozy, and early reflex. Sobolik's world is filled with colour and hyperkinetic energy - not fitting in one box, their output reacts to a broad palate of styles across North American and UK club music traditions. In February, they released their third EP, entitled Packet Loss, in a debut collaboration with Kindergarten Records, joining modern bass scene luminaries like Ayesha, Sha Ru, and Stolen Velour at Brooklyn’s preeminent home of chaotic, forward-thinking digital percussion tracks.

"This mix is a live recording of my set at the inaugural Ever Afters Campout held in Saratoga, CA—a 3-day queer rave started in the wake of the legendary Gays Hate Techno retreat. I got to play on a custom soundsystem built by my friend Faited and the Envelope crew, a transfemme collective who throw renegades in the Bay Area. At Ever Afters, I was reminded of the importance of DIY and queer autonomy. I experienced mutual care, intentionality, hard work, interdisciplinary collaboration, queer joy, and real rave energy. For my set, I wanted to continue my exploration of the outer zones in club music tempo, slowing down from 98bpm into half-time 180 territory. I was so honored to play for such an engaged crowd who were down to follow all of the peaks and valleys. The first 30 minutes of the set remain between me and the dancers, and the rest is archived here in its original form."

https://www.instagram.com/e_sobolik/
https://soundcloud.com/tomsobolikmusic

Tracklist @ instagram.com/femmedecks

FemmeDecks 085. x Sobolik [live @ Ever Afters Campout]

https://soundcloud.com/tiffwanee

A little about this mix: I recently played Wrecked in April and my set wasn’t recorded, so I decided to reconstruct some of my favorite moments from the night. Lately I’ve been trying to piece together my love of different genres when I play out: leftfield techno, polyrhythmic sounds, post-dubstep, more classic 4x4 techno and house rhythms, and my love of 80s synthy tracks. It’s not always easy for DJs to express all sides of our musical tastes, and it’s definitely still a work in progress for me. Wrecked felt like a perfect time to experiment more with weaving between many genres. I always try to record mixes in one take, so forgive any minor bumps and bruises along the way in this recording 💖. May is AAPI Heritage month, so this mix is also dedicated to all the other Asian DJs holding it down and doing amazing things around the world. 

 T.Wan is a Brooklyn-based DJ with deep origins in Seattle. Her perceptive ear for trippy techno and bassy, polyrhythmic tracks captivated listeners at Honcho Campout and has since earned her opportunities to play at notable NYC venues like Nowadays, Basement, and Good Room. She has a monthly show on Bristol-based Noods Radio, where she’s been a resident for the past 3 years.

Deep South Podcast - 118 - T. Wan

Live recording from my closing set at Nowadays on July 8, 2023. A 3-ish hour journey through complex rhythms, drum workouts, bass + breaks, post-dubstep, and some cheeky morning vibes. 

Big ups to @bake-all-caps and @no_sir for their killer sets that night. And a special thanks to @8circuitmusic for working some audio mastering magic.

Closing set @ Nowadays 7.8.23

@jon_k_mcr

Bill Laswell & Pete Namlook - Physical Transformation 
https://billlaswell.bandcamp.com/track/physical-transformation
XVARR - Momentary Reconnection Signal
https://xvarr.bandcamp.com/
K.S. Eden - Cross Track
Intant Music - Guten Tag Wunder
SW - Untitled 6
Weird Weather - Paint
https://whipandlashrecords.bandcamp.com/track/paint
Sympathy Nervous - Inverted Type
https://sympathynervous.bandcamp.com/track/inverted-type
Ani Roy - Tilt
Abu Ama - Suizid Labyrinth
https://hexx9records.bandcamp.com/track/the-suizid-labyrinth
Reggie Dokes - Spiritual Blue
https://reggiedokes.bandcamp.com/
Cabasa - Aquarius Monopole (Pitched on 33!)
https://cabasa.bandcamp.com/track/aquaris-monopole
Some More Crime - Love
https://subterraneanrecords.bandcamp.com/track/some-more-crime-love
Solpara - Soil
https://solpara.bandcamp.com/album/soil-short-mix
Patrik Fitzgerald - Tonight
Konstruktivits - Radio Free Europe
https://konstruktivists.bandcamp.com/track/radio-free-europe
General Ludd - Restraint
https://www.discogs.com/General-Ludd-Rad-Ludd2-/release/12211788
John T Gast - Claim Your Limbs
https://jtgplanetmu.bandcamp.com/track/claim-your-limbs
The Connection Machine - Chemistry Cosmos
https://jtgplanetmu.bandcamp.com/track/claim-your-limbs
Igor Wakhevitch - Spenta Aramati (Ritual Of The Zelator) / Hunahpuguch
Wetware - Easily Obsessive
https://primitivelanguages.bandcamp.com/track/easily-obsessive
Shawn O’Sullivan - Ox / layered with Konstuktivits - Old Europa Cafe
https://primitivelanguages.bandcamp.com/track/ox
Minny Pops - Fighting Man
Brian Eno - Force Marker
Ausschuss - Border Control 
https://canvas-index.bandcamp.com/track/frontier-control
Malverne Brume - Ebb
https://septictempl.bandcamp.com/track/ebb
Kerosene - Nurse City
Punctum - Dread Missive 
https://teslatapes.bandcamp.com/track/dread-missive
Hiro Kone - The Truth That Silence alone
https://hirokone.bandcamp.com/track/truth-that-silence-alone
Jun Miyake - Third Eye
Milan W. - Data
https://milanw.bandcamp.com/track/data
Sperm Bank - Tracer
Silicon Scally - Pace
https://siliconscally.bandcamp.com/track/pace
Unknown Artist - Massacre
Laksa - Dust
https://iliantape.bandcamp.com/album/itx012-laksa-delicates
Kruton - Night Biscuit
https://kruton.bandcamp.com/track/night-biscuit
Winter Light - Crash Comma Dub
Tomaga - The Vengeful Eye
https://alter.bandcamp.com/track/the-vengeful-eye
AAR - A-04 (Feat. Somec)
https://advancedaudioresearch.bandcamp.com/track/a-04-feat-somec
Ugandan Speed Trials - Untitled
Lighter Skanker
LSDXOXO - Gratata
https://lsdxoxo.bandcamp.com/track/g-r-a-t-a-t-a
Preditah - Rubicon
https://soundcloud.com/preditah
Hiro Kone - Poortgebouw
https://hirokone.bandcamp.com/track/poortgebouw
Nimam Spregleda - Walk through Woods edit
Baby Buddha - My Generation
GB - Brazilian Drums
https://giftedandblessed.bandcamp.com/
Unknown Artist - Untitled (Paratone)
Beatrice Dillon - Carrier & Mask
https://beatricedillon.bandcamp.com/
Fattis Burrel - Who Is Laughing Version
Stasis - Gun
Frankie B - Pressure Me Dub (Jon K Edit)

JON K TTT mixtape

Jon K – TTT mixtape

Bake - live on c- TV

@noodsradio Resident (Tuesdays monthly)
Antidote co-organizer
tiffanyowan@gmail.com 2 chat :^)

Upcoming:
9/21: w/ Kindergarten Records @ Lot Radio

Past:
9/2: b2b w/ Fabiola @ Earthly Delights grand opening (Ridgewood)
8/11: Antidote @ TBA
7/5: Opening for Liquid Earth @ Public Records
6/29: Chrysalis w/ Shai FM, Amylia b2b DJ Papaya @ Vox Populi Gallery (PHL)
5/26: Elixir w/ Umfang, Stefan Ringer, Agraybe, Appian, Lanny, Max + MCQ @ Nancy Whiskey (Detroit, Movement weekend)
4/14: Antidote (b2b Aaron J) w/ Tiny T-Bone, Lychee, Nutrition Facts and Sobolik @ Secret Location
4/5: Lot Radio
3/16: Wrecked 13-year Anniversary w/ Partok, Ron Like Hell and Ryan Smith @ Basement
3/9: Accessory Records w/ Miles Mercer @ Mansions

T.Wan Live @ Nowadays (September 9, 2022)

T.Wan

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