Label: CPU Records | Central Processing Unit - 2

Million Eyes

Guest appearance on Three D radio show 'Raw Like Sushi' with Sam Walker. Live mix on air - 100% Australian artists. Showcasing the amazing talent from down under, both old and new.

Sam Walker's Album

Raw Like Sushi - Code618 live - Australian Electronic music special 13-09-23

recordings made circa 1995-1998 at 350 bowery in nyc featuring daniel raffel, adrien capozzi and doron gura

03 Track 03

Coming soon on Detroit Underground!
Second part of Sega System!
The specifity of this Lp is that 90 % of used samples are from Sega mega drive 16 bit console...
With remixes of great artists :
-Leksha - @leksha
-Sk'p    - https://soundcloud.com/skiponline
-Tim Koch  - https://soundcloud.com/tiimko
-Shamanic technology - https://soundcloud.com/shamanic-technology
-Abjective - https://soundcloud.com/abjective

Here you can listen "Sega System" part 1 :
https://soundcloud.com/potentiald/potentialdifferense-sega-system-preview-soon-on-detroit-underground

https://soundcloud.com/potentiald/potential-differense-sega-system-remixes-preview-detroit-underground

Potential DifferenSe - Sega System Part 2 - Preview (soon on Detroit Underground)

"Only Once Away My Son" by Brian Eno with Kevin Shields

Listen to this track and many others at adultswim.com/singles

Adult Swim Singles 2017

Brian Eno with Kevin Shields - Only Once Away My Son

Artist: Tim Koch
Title: Spinifex
Label: Central Processing Unit
CAT#: 00111010
Format: MiniDisc / Digital

Track list:

Bloom (feat. Beth Keough)
Gens Amplexi
Monday Off
Shirley Temple
Don’t Mention
Hapax
Parallarap
Rolecall
Wrong Holiday
Fopera
Sawasatellite
Wonkytonque
Hinterlude
Fragmemory
Miller Lowlife
Underneath
Bloated Toaster

Mastered by Antony Ryan at RedRedPaw
Design by Human

Tim Koch - Spinifex

Chris Hyson is proud to present “Chaps”, the first single from his forthcoming EP ‘Cuddle Kitchen Vol.1’ due to be released on 6th of Dec 2019 on Pixel Music. 

New addition to Chris' growing collection of self-produced solo instrumental music, “Cuddle Kitchen Vol.1” is settled into the world of groovy instinctive rhythms, an evolution from his emotional and reflective landscapes trademark. The EP takes a trip to an imaginary land full of colours and shapes. Unpredictable and full of surprises, the music keeps the listener fully present and engaged. 

This is Chris’ half conscious decision to show a different side to his musical personality, after successfully establishing himself as a musician, writer and producer with a superb melancholic and emotive palette, be it 
with his band Snowpoet, his own solo productions, the work he’s recently been doing in the world of film composition or his involvement in writing, playing and producing the next Jordan Rakei (Ninja Tune) album. 

First single “Chaps” elevates Chris’ work far beyond mere aesthetic exercise, cementing jazz, ambient sound design, and groove into an absorbing listening experience. 


Drums - LLOYD HAINES 
Guitar - ALEX HAINES 
Everything Else - CHRIS HYSON 

mixed and mastered by - ALEX KILLPARTRICK 

produced by - CHRIS HYSON

Chaps

Eighteen months on from his last solo release, Vancouver-based singer/composer Ian William Craig returns with a brilliant and powerfully emotive new album. His first for a long while to be centred around the piano - and also one of his most pared back - the record was made through an intense period of personal loss and environmental catastrophe. 
Recorded over two cataclysmic weeks in August 2018 in Kelowna, British Columbia, whilst the city was encircled by forest fires, it was captured from start to finish in the living room of a small house owned by his grandfather who was residing in a care facility across the street, having been afflicted with dementia for the past decade. Midway through Ian’s recording, his Grampa passed away, his lungs filled with fluid as a result of the smoke.

Performed using his voice, his grandfather's piano and shortwave radio set, several modified tape decks and a bunch of tape loops, Ian notes how events helped force the shape of the record and a tendency toward a less layered, more spartan expression. “Everything felt raw, I didn’t want there to be anywhere to hide in this record. My parents and I were cramped together in a small house while my grandfather slowly died across the street in a world filled with smoke, after all. So, in this record, more than most, there exist a great many things straight to tape without any effects because there really was no space.”

Red Sun Through Smoke

Pre-order

Ian William Craig - Weight

Dreamy set

Live Portland Arms Cambridge 12/02/2020

Supporting Vanishing Twin and Red Red Eyes

Goattracker, mostly 2 SIDs
Delay 
Monotribe

Live Portland Arms Cambridge 12/02/2020

Crux Alley

Tower 13

Neutral Current

People are Giving and Receiving Thanks at Incredible Speeds

PAGARTAIS I

PAGARTAIS III

PAGARTAIS II

Tourbillon

Hankert

Estranger

Australian producer Tim Koch started early, experimenting with a Tascam reel-to-reel four track, an endless supply of his siblings’ guitars, and a few 8-bit computer systems. An early fascination with 1978-1981-era Public Image Ltd. – especially Metal Box’s stark production and behemoth basslines – led Koch to play bass guitar and drums in a number of shoegaze-influenced rock bands. He soon developed a taste for more instrumental, sequencer-based music, drawn to its potential for experimentation and unorthodox sound sources. While studying at Adelaide University, Koch took advantage of the University’s EMU music-technology unit, surrounding himself with archaic analogue synthesizers and listening deeply to innovative composers like Varese, Stockhausen, and Ligeti.

Over five full-length albums, Tim Koch has explored countless moods and textures but never tied himself to one style. He initially found the attention of the electronic-music world

under the moniker Thug, layering Detroit-style pawn-shop beatboxes with rich synth pads; on subsequent releases, he reverted to his given name and toyed with more playful sounds. Koch’s recent full-length Faena refines all the elements of his career thus far while integrating acoustic guitars, female vocals, and raw found sounds. Over the years, the Adelaide-based Koch has released his music on labels including deFocus, Merck, U-Cover, Seeland, n5MD, and Intr_version and has composed for film, television, and video games.

Regarding 10:32, his newest project on Ghostly International, Koch’s remarks are as cryptic as his choice of moniker:

10:32 is the length of an albatross.
10:32 is a month and an age.
10:32 is soft skin on hollow hearts.
10:32 is quick feet on cool floors.
10:32 is seeing through your eyes.
10:32 is mornings into evenings.
10:32 is finishing before the end.
10:32 is ten thirty-two.

Hankert

tiimko

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