Scène III with Nick Klein - 03/05/2022

Au cœur de l'heliopolis, une voix hypnotique et anachronique s'élevait : celle de Black Zone Myth Chant. Paru aux Éditions Gravats et Vastechoses, il nous dévoilait un live singulier où se mélangeaient expérimentations électroniques, grooves syncopés, lignes de basses dub et sons industriels.

◐ Infos : @high-wolf-bzmc @editions-gravats

☼ Pic : @yamounozor (IG)

𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓀬𓁏𓁈𓀥𓀬𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥𓀬𓁏𓁈𓀥

Black Zone Myth Chant (live extract) @ 𝐶𝑦𝑟𝑐𝑎́𝑑𝑖𝑎

https://nosejob.bandcamp.com/album/nooit-nooit

Luc Bersier (https://soundcloud.com/reymour, Jean-Luc) & https://soundcloud.com/rickshiver
(Cornet by Ariel)

Nose Job presents eleven subversive and throbbing dub-not-dub tunes on NOOIT NOOIT. Translated as ‘never never’ this convergent compilation depicts the facelessness and disarray within inner city life. Sludge, broken glass, rats and alleyways – sonic images flashing through the mind – traffic lights, raindrops, concrete and endless nights. Do you still follow? Are you being followed? Is your consciousness playing you tricks? Vibrant, buzzing, grim et louche – NOOIT NOOIT gives an ode to all dreaming dwellers in singular Nose Job style. Enter Brussel’s underworld.

Nooit Nooit

B5 Rattenkop - Cureghem Blues

Des « chants à faire danser la vermine » dans ce nouvel épisode de Wreckers ov Civilisation. Le roi des rats, une émission concocté par Le diable dégoûtant avec des ballades, des bruits, des chiens qui chantent, de la folk sans lendemain et même des mélodies des fois.

Wreckers Ov Civilization w/ Le Diable Dégoûtant (09.12.22)

with Vat Look & Ricardo Grüssl.

Catch Reif every 2nd Thuesday of the month, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

REIF : OUT OF ORDER - 14 Mars 2023

David Grubbs and Jan St. Werner-Translation from Unspecified
GANJ & FROEHLICH- SHANTIBABA
Bergsonist - Bio Terrorism
Suemori- Mekashikomu
Zaliva-D - Tailgating
Circa Tapes - S-Gerat
Richard H. Kirk - Hell in here
Clark Lueger- Tempete 
543ff - Erect Base
Van Kaye + Ignit - Cool
Stereotyp feat. Sara - Abeba
Geier Aus Stahl - Unterland
Stereotyp - Parabenes Riddim
Jana Rush - Moanin
Ian DPM - The Farm
Occasional Detroit - Squizm 1.5
Geier Aus Stahl- Der Große Beschleuniger
Alexandra Spence - Air Pocket
Fith- Muddy Grimoire
Maoupa Mazzocchetti- 1000 Tooth Smile (w/ Phillip Jondo)

Cuddle Girl invite Louise Lavi ~ 22.03.2023

Teenage Menopause invites French DJ Pisse de Fute.

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Teenage Menopause w/ Pisse de Fute @ Kiosk Radio 17.04.2023

Dest temp, l’un des tôliers de Carpaccio Cathedrale, prend la main pour ce dernier mix de la saison. À la fois vif et sensible dans ses approches de la musique, il nous propose un mélange de feelings variés, nourris des rencontres de cette année, des jours, des nuits, une escapade. 
On se retrouve après l’été :))


Atoloi & Simone Bauer - Lento rituale
Das Kinn - Die Fichte
Lust for youth - Lungomare
Dark Star - sparker
Dest temp - paroles de caves
The raining Heart - Raining Heart
Luster - l’idéal
Loot per w - interesting people
SYZYGYX - velvet lips
Homva - Vinkerno
Christos Chondropoulos - Zab Judah
Warzou - Same shit fail (shame)
Violenza tropicale - Moisissure
Coni - Bloom
Karl Kave & Durian - Elevator
Persons unknown 2 - for something completely different
Pan Sonic - Painovoima (Gravity)

Carpaccio Sandwich Club w/ Dest temp ~ 21.06.2023

"Pour cette rentrée des podcasts, j'invite Lou de Reymour, afin de se faire écouter ce qui nous a accompagné en balade cet été. Une heure de musique canicule avec beaucoup de guitares et de saxophones avant de retrouver la Belgique."

Wreckers Ov Civilization w/ Officium & Lou (08.09.23)

Galica, the northwest region of the Iberian peninsula where dramatic cliffs cradle the wild Atlantic and here between the rocks of solitude there is a romantic spirit far from the prosaic order of elsewhere. The people share a deep connection with the land and sea which is inherent in their sound, a music of great strength with an intimacy that oscillates between dream and the reality. 

The majority of the recordings selected are from the post Franco era when social conditions relaxed and along with the peoples spirits, creative freedom soared. Music was created to defend the Galician language which was suppressed during the regime and viewed as a degenerate form of Spanish; contrary to when it flourished during the medieval period when there was rich tradition of Galician as a lyrical language. It is suggested that it was the first language used for literary purposes. Alonso X's Cantigas de Santa Maria a collection of 420 poems with musical notation written during 1221 and 1284 are a testimony to this. 

Muniera, the most characteristic Galician rhythm is distinguished by the tempo of 6/8 and played expressive and lively. The Gaita's(bagpipes)are a key element in the music and have ancient Celtic roots. Alalá, the most primitive musical form in Galician folklore was recovered by musicians and poets of the romantic(Rexurdimento)era. During this time an awakening of Galician identity occurred with notable figures such as Rosalie De Castro, Curros Enríquez and Eduardo Ponda writing lyrics and re-adaptions for traditional forms. Rosalie De Castro the author of "Cantares Galegos“(17/05/1863) was an ardent defender of women rights and the Galician language who actively fought against authoritarian abuse. A sense of persistence prevails in her poems with a refusal to accept false comforts, she inflicts a dose of sorrow without dilution, but also without bitterness.

'The arrithmic chants of the alala are based on a single short theme that repeats its melodic intention several times, usually separated by some instrumental phrases played with the gaita or sung without words. Melodies of alalas are usually diatonic, and based on a continuous drone. The progressive adaptation of alalas to polyphony, by choral ensembles, imposed them modern characteristics, like harmonization and transcriptions into 2/4 or 3/4 tempo or combinations of both. The real melody of the chant is formed by the repetition of all its notes. The first cadence is also the final one, ending in a coda that is enlarged and faded as a sustained and undefined sound. This fact appears to be a very special characteristic of alalas.'

Some say Gregorian chant had a huge influence on the music in the middle ages via the masses of pilgrims who came to Santiago. The musics effect is however greater than the religion that informed it, as the people adopted and modified what was heard in monastries to reflect their lives as workers of the land. 
The music also encompasses a nostalgic sentiment or morriña, a yearning for a love that you are kept away from or that is taken away. Huge migration in the 19th and 20th century saw hundreds of thousands move from impoverished Galicia to The America's.

1- Miro Casabella - Canzón pra que un neno non durma,  Ti Galiza(1976)
2- Saraibas - Nacion, Uhna terra, Uh pobo, Uhna fala(1980)
3-Carlos Valcárcel & Fuxan os Ventos - Labregos, Fuxan os ventos(1976)
4 - Fuxan Os Ventos - Longa Noite 
5 - Milladoiro - Estrelina Do Luceiro, Augua De Maio 
6- Saraibas - Maruxa  Uhna Terra, Uh Pobo, Uhna Fala(19800
7- Xocaloma - Airiños, airiños aire, Terra(1978)Poema de Rosalía de Castro
8- Fuxan Os Ventos -  Dame Lume, Quen A Soubera Cantar(1979)
9- Milladoiro -A bruxa, A Galicia de Maelo(1979) 
10- Sangre de Muérdago 
11-Elisa Serno-Quejido(1973)
12-13- Negra Sombra,Dos Interpretacións de Poemas de Rosalía de Castro
14 -Traditional Alala & Muneira - O Quer Que lle Quer(1942) 
15-Pandeirada -Maneo de canon
"https://www.mustrad.org.uk/articles/alalas.htm"

Cantares gallegos - Unha terra, un pobo, unha fala

@organizatsiya

An extraordinary twilight world opens while listening to Organizatisya. Adventurous yet humble, they push the limits towards the unknown. One thing’s for sure, it’s fresher than the juiciest peach on a perfect summer day. 
Organizatsiya hail from Lyon, France. Leo and Zoe clearly have strong roots in folk and acoustic music. These ‘old worlds’ blend in surprisingly well with more contemporary digital, futuristic sounds. Soothing analog recordings meet hyperdigital compositions reminiscent of IDM creations and peppered with spoken words that dance around in unexpected ways.
Seductive, intelligent and deeply hypnotic, this esoteric material delivers a dreamlike experience.
Like finishing a game and celebrating victory with cheap champagne in a neon light lit bubble bath with the end tune of The Legend of Zelda in the air. 
With Maxime Bisson on bass, and several great contributions by guest musicians on this record. Designed sleeve and printed inner sleeve by Guilhem Prat.

Release date: 12 October

Carpaccio Sandwich Club w/ Dest temp ~ 21.06.2023

TIKKA radio

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