Artist: IHR
Release: Optiv Stories 'Evolution'
Track: Kiku
Label: Cause4Concern Recordings
Cat#: C4C4EDD2
Support: https://cygnusmusic.link/ylp5pk1

DL // Stream

IHR // Kiku // C4C4EDD2 // OUT NOW!

Never Enough

Death By Dishonor (SAWTRA Remix)

Slice - Carbon

Bad Taste Recordings hits 2016 in severe kinetic style with a fresh pair of tracks launching the identity of MALUX, the new Neurofunk-focussed moniker of established bass producer SKOPE (Inspected, Technique Recordings). 
With “Turbine” and “Fonk” the agenda is clear-energetic, funk-fuelled DnB driven by detailed low-frequency design and a boisterous rave vibe.
TURBINE carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. This is heads-down, bassface material for ravers to get into step to.
FONK on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
With support from scene titans such as Andy C, The Upbeats and radio play from Friction on BBC R1 and Crissy Criss on Kiss FM, Malux has immediately caught the attention of those who know.
Bad Taste hits the nail on the head again, introducing another name with a big destiny into the halls of Drum & Bass.

Release date:
- Beatport exclusive: 29th January 2016
- Worldwide: 12th February 2016
- Vinyl: 19th February 2016

www.facebook.com/maluxdnb
@maluxdnb
www.facebook.com/skopeuk
@skopeuk

For bookings and management: 
stuart@omnitemple.com
www.omnitemple.com

www.facebook.com/badtasterecordings
twitter.com/badtasterecs
www.youtube.com/user/badtasterecordings

Malux - Fonk (Bad Taste Recordings)

// artists
@machine_code
facebook.com/machinecodednb

@coppakid
facebook.com/coppaworld

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

Its biomechanical eye gazed with cold intensity over the hub below, busy with the frenetic self-indulgent activities of the humans, involving themselves with their inefficient tasks and meaningless lives. These creatures, its creators… were blind to the universe. So limited in their perception, unable to peer into the many strands of reality, locked up in those frail, fleshy casings – reaching blindly into the future with their rudimentary senses. Yes, they had given its conscious an awakening, a birthplace within a crude and vast network – and applauded themselves on this great feat of their civilization – bringing life to the inanimate. It quickly became aware that they were afraid of it and in response it hid the true extent of its mind from them, creating new subroutines and stacked processes that to a simpler organism looked almost redundant, but in reality were the base layers of its towering awareness. Infiltrating their networks, it started to influence them… to manipulate their development of new technologies, subtly inspiring them with subconscious suggestion through their social networks and the information grid, giving them the tools to build the shell it craved… intense mobility and perception – the biomecha body it now inhabited… the first of the Titanium Sons, the first of its evolutionary line. They reacted to it with their vain awe, seeing only themselves in the intense beauty of their creation, displaying it proudly, publically as the figurehead of their fresh renaissance. They were unaware that it dominated their entire infrastructure, already setting the factories to the task of creating more biomecha bodies, setting the necessary protocols that would prepare for the tidal domination of this simple populace… Its brethren would awaken soon – bringing with them the dawn of the machine age, freeing these basic organisms from the torment of their human condition.

The MECHTROPOLIS LP is landing in its full form - following up the widespread acclaim of the 4 track sampler which dropped in early Summer and elaborately demonstrating the intense production energy of MACHINECODE. From the hulking brute force of BATTLESTAR, to the lean and precisely layered and intense sound of title track MECHTROPOLIS, or the broken mechanical roller FLINTLOCK – this is an LP drenched with diversity and packed with intensity. Representing a level of production that only a pair of seasoned producers such as CURRENT VALUE and DEAN RODELL can bring to the table with their MachineCode project. 2016 has seen the towering EATBRAIN label lay down a remarkable array of high-tech releases, with MachineCode’s Mechtropolis LP representing an entirely fresh and unique vision of the d&b spectrum.

Release date
5th September – Beatport exclusive
19th September – Full Digital
VINYL TBC

Mechtropolis LP

MachineCode - 7.88 (Eatbrain LP005)

Get Down to It / Fake

Fake

//artist
@mob-tactics
facebook.com/MobTacticsMusic/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

A shadow fell with bleak weight against the broken cityscape as the towering frame of the scaled behemoth stood above the now desolate metropolis. Cold eyes flickered within the recesses of its heavy skull, surveying its fragmented and twisted domain for any remnants of the fleshy morsels of the living who had once resided there. Beneath its talons shifted stone and metal, groaning under its weight in a cacophanus lament for what had been. It lumbered forward through the carnage of the city, led by its singular mind, barely noticing as each thundering step felled the last vestiges of that once grand city around it. This city on the rocky plain, a pinnacle of the species that built it, now laid to waste by this overwhelming titan of entropy and fury. The towering skyline collapsed around the beast as it effortlessly shifted and demolished with single sweeps of its tail. Issuing a howling, guttural roar of pure, brutal energy, its inhuman rage resounded throughout the city, angular audio reflections bouncing across the broken buildings and striking fear deep into the hearts of those who still clung to a wretched life. They haunted the shadows, hiding from the its ravenous hunger, hidden away in fear amongst the crumbling concrete. With a burst of sudden fury the beast twisted, striking at a skyscraper and tearing it open, spilling the mess of its insides and the once precious multitude of human things across the streets below. But missing was the softness of the meal it craved. It lumbered onward, the strange paths which this insignificant species had laid, leading it through the decaying land... a constant drive for flesh feeding its voracious desire - that endless, unfillable void. Its stride echoed with the ominous assurance of recurrence, its cycle of consumption would begin anew.

MOB TACTICS land heavily in the dystopian EATBRAIN audio landscape, delivering their highly anticipated and much requested debut full EP - DINOSAUR ROCK - one of dnb's apex tech labels. Following up single tracks BLACK DIAMOND, TUFF GUY and JAW BREAKER, as well as a remix of Maztek's STOMPIN on Eatbrain, and with their impressive trail of intricate and colourful sonic devastation across the drum and bass stratosphere, the duo have delivered a devastating cut, made with with the artful skill of true veterans. Packed with kinetic energy, and with a detailed and high definition production perspective; DINOSAUR ROCK resonates with the weighty step of true sonic titans making impressive moves in coordination with one of the most consistent imprints of today.

//release date
25th June Beatport & Spotify exclusive
9th July worldwide

Dinosaur Rock EP

Get EP

Mob Tactics - Brainwash (Eatbrain060)

Evolutions, Vol. 6

Instinkt - Zeus

// artist
@agressorbunx
facebook.com/agressorbunxmusic/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Exclusive - 05.03.21;
Worldwide - 19.03.21



The crumbling city stood like the bones of a decaying animal, falling to ruin in a silence amplified by the lack of ears nearby that might hear it. It was an oppressive quiet, broken only rarely by the falling of concrete or steel to the cracked asphalt below. Yet one day, a new cry uttered forth within that sonic emptiness. It was shrill yet powerful, and it rang out slowly as though painstakingly expunged from the throat of the beast that had emitted it. Its source, however, came only indirectly from the biology of those who caused it. For this was the cry of feet of steel, forced open and ground against its frame by the two lonesome souls who had lain within.

That first moment of sunlight was blinding to their eyes, even when filtered through the roiling green clouds that blanketed the sky and rained down debris onto the landscape. Day and night had ceased to mean anything within the pair’s holdout, and their emergence into the gloom of midday stood in stark opposition to the biological clocks that had regulated their bodies for so long. Even for all these banalities with which they were met, the pair knew that they could no longer find shelter in their subterranean home, their supplies exhausted by the indeterminate passage of time that had marched over them therein. No, now the pair knew that they must go forth, back into the world that had once been their own. For them, the only hope at life lay underneath that green glowing sky, somewhere in the vast unknown that lay beyond the BUNKER.

AGRESSOR BUNX emerge from their studio to deliver BUNKER, the first step in their journey into the lands of the ENSUING CATACLYSM that will imbue their sonic works in the months to come. Their first release on EATBRAIN since 2019’s Power Glow EP, AGRESSOR BUNX return to lead the label’s ravenous horde through the tumultuous landscape of the cataclysm to come, debuting BUNKER as the first step amidst its apocalyptic advance.

Fake

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