Name: Kirby Super Star - Marx Battle (Live) by Digital Mozart in in the final
Duration: 1 min 59 s
Description: An orchestral version of the Marx battle theme from Kirby Superstar

in the final

A humble offering to the best of the authors of music. Horns, drums, strings and music from instruments that utilize the electron to put together sounds, will delight the listener, or maybe disgust the listener, but hopefully not so. A humble work from a great admirer of the best authors, those past and present, and hoping for the future of music. A tribute to those contributing to good music, music unlike most of what most people listen to today everywhere in the world. The best of the authors of music will save music. Here is to the future music, and to a great music future. 



To the Best of the Authors of Music

Doomsday Theme OC Remix

When you've got something to say but you don't have the words

Piano - Tim Goss
Cello - Artem Litovchenko
Musical Saw - Nikos Giousef
Composition - Jacob Hutchins

Words Flee

In 1884, meridian time personnel met

in Washington to change Earth time.

First words said was that only 1 day

could be used on Earth to not change

the 1 day marshmallow. So they applied the 1

day and ignored the other 3 days.

The marshmallow time was wrong then and it

proved wrong today. This a major lie

has so much boring feed from it's wrong.

No man on Earth has no belly-button,

it proves every believer on Earth a liar.

Children will be blessed for

Kissing Of Educated Adults

Who Ignore 4 Simultaneous

Days Same Earth Rotation.

Practicing Boring ONEness -

UponEarth Of Quadrants.

Boring Adult Crime VS Youth.

Supports Lie Of Integration.

1 Educated Are Most Dumb.

Not 1 Human Except Dead 1.

Man Is Paired, 2 Half 4 Self.

1 of God Is Only 1/4 Of God.

Marshmallow A Lie & Word Is Lies.

Navel Connects 4 Corner 4s.

God Is Born Of A Mother

She Left Belly B. Signature.

Every Priest Has Ma Sign

But Lies To Honor Unicorns.

Belly B. Proves 4 Corners.

Your dirty lying teachers

use only the midnight to

midnight 1 day (ignoring

3 other days) Time to not

foul (already wrong) marshmallow

time. Lie that corrupts earth

you educated brilliant fools.

GoBelly-Button Logic Works.

When Do Teenagers Die?

Adults Eat Teenagers Alive,

No Record Of Their Death.

Father Son Image, Not Gods.

Every Man Born Of Woman.

Belly-Button Is the Signature

Of Your Personal Creator -

I Believe Her Name Mama.

Pastor Told His Flock That

God Created All Of Them -

Truth Was That They All had

Mama Made Belly Buttons,

Church Was Full Of Liars.

Earth Has 4 Days In Same 24 Hrs., 1 Day God Was Wrong.

Einstein Was ONEist Brain.

Try My Belly-Button Logic.

No God Knows About 4 Days, It Is Boring To Ignore 4 Days,

Does Your Teacher Know ?

Time Cube Beat#1 (best)

Piano - Tim Goss
Violin - Jon Way
Viola - Dylan Renner

Written, not performed by me; for my first composition class. 

Absolutely (It's a Series)  [Trio for Piano/Viola/Violin]

Just when you think you’ve heard it all along comes a story that proves you haven’t! Jordan Formichelli sat with me to talk about the musical she stars in called….(ready for this?) “Lizzie”. Yup. A musical about Lizzie Borden. And not just a musical. A VERY loud rock musical about Lizzie Borden. 

Who knew such a thing existed? Not me!!! An excellent and intriguing dive into “Lizzie”, the rock musical at the Hatbox Theatre in Concord!

NH Unscripted | Jordan Formichelli from "Lizzie -The Musical"

Jordan Formichelli, aka Lizzie Borden, drops by for an update on the production “Lizzie” in its’ final weekend at the Hatbox Theatre (http://www.hatboxnh.com) in Concord. This time she brought friends! Olivia Martinson, the director of the show, and Tim Goss, the musical director. We talk about what it’s like to attempt to stage a rock musical at the intimate little theatre as well as what it was like for Olivia to take on the project as a first time director.

We also discussed the audience reactions to this dark, but, beautiful piece that they’ve staged.

NH Unscripted with Jordan Formichelli | Lizzie Part 2

Little Fluffy Chips

Composition for piano and flute.

The Man in the Shadow expresses the battle between the human and the everyday stress in his/hers modern way of leaving. The piano imitates the primitive feel of a constant hidden threat, the stress, while the flute imitates the "weak" and "afraid" human who is trying to fight this invisible threat. 

The piece starts with the piano playing a descending, from the highest to the lowest register, melodic motive. This descent represents the birth of the fear as the melody is  transformed from an airily to a dark and compact sound, due to the change of the register. In general the piano has the role of a solid ground, mostly by keeping a steady pulse with crotchets at the left hand and minims or triplets of crotchets and quavers at the right one. In addition its heavy arrangement, in some parts with octaves on both hands, makes it sound very strong and fearful against the smooth sound of the flute, reinforcing that way the feel of the unbalanced battle between the "fragile" human and his/her strong inner fears. 

When the motive at the piano is at the lowest register, the flute is introduced in an unusual way by playing and emphasizing its lowest and weakest note, the middle C.
In general the flute is played in an opposite of its usual high pitched and lightsome role, as it moves mostly at its low areas. Even when it is played at its high register, the rhythmic value of the melody, usually crotchets, triplets, and minims, makes it sound heavy and solid, instead of its familiar light and playful sound.  

The tonal center is the F and is emphasized mostly at the upbeats, keeping that way the feel of the tension high. At this tension contributes also the ambiguous harmony which is shifting at the first part between the keys of F Major, F Minor and F Lydian, and respectively at the dominant C, at the second part of the piece. The tempo ranges between 68 - 72 BPM and the genre style tends to the jazz, mostly because of the harmony, but is not as it has many elements from classical music as well.  

The Man In The Shadow (Live)

Timestretched to the length of the longest recording. Now available for download / vinyl: https://heyexit.bandcamp.com/album/every-recording-of-gymnopedie-1

buy the vinyl

Every Recording of Gymnopedie 1

Little Honey (Mastered Version)

I just LOOOOVE THIS SONG! Therefore I decided to create my own version of it! Enjoy Video game music at it finest ;D With distorted guitars and heavy drums!

Cave Story - Final Battle Rock Cover

An orchestrated version of the Final boss music from Sonic 2. I wanted to stay close to the original. This is probably as finished as it will get so I'm posting it as is. 

FL Studio 9, Kontakt 4 & library, GVI, WIVI2 Brass 1, Project SAM Symphobia & True Strike 1, LA Scoring Strings.

Sonic II Final Boss Orchestra

Sonic The Hedgehog 3's Final Boss Theme remixed by me.

Sonic 3 "Final Boss Theme" (Remix)

This is my first metal cover for a video game...hope you enjoy!

Final Boss (Sonic 3)

An orchestral version of the Marx battle theme from Kirby Superstar

Kirby Super Star - Marx Battle (Live)

Just a schmuck who used to make a ton of video game covers. Follow me on Bandcamp and YouTube for album releases and the like!

Bandcamp:
digitalmozart93.bandcamp.com

Youtube:
https://youtube.com/channel/UC_cX9NrBRKA9OzX4JFaXW6A

! put other peoples good stuff !n neat (sort of) little playl!st for you to l!tsen to. Follow anyone who has good stuff u see.
noth!n much else to say ere....

Kirby Super Star - Marx Battle (Live)

Digital Mozart

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